/items/browse?output=atom&tags=UMBC%20Public%20History%20Partnership <![CDATA[Explore 91ĘÓƵ]]> 2025-03-12T07:19:33-04:00 Omeka /items/show/670 <![CDATA[Elkridge V.F.D. Station One]]> 2019-05-09T15:30:22-04:00

Dublin Core

Title

Elkridge V.F.D. Station One

Creator

Alan Gibson
Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

Former Home of the "Best Homemade Fire Truck in America"

Story

In April 1942, less than six months after the bombing of Pearl Harbor in December 1941, a group of Elkridge residents established a new volunteer fire department. The new fire department was one of many initiatives in U.S. cities and towns encouraged by the Office of Civilian Defense at the outset of World War II. Elkridge residents worried that their town’s location between Washington, D.C., and Baltimore, as well as the town’s proximity to several wartime industrial sites, made them a possible target for an aerial bombardment.

The founding of the department was a grassroots effort from the beginning. A group of local women led the initial fundraising campaign. The B&O Railroad Company donated the fire bell. Using second-hand parts and donated equipment, volunteers took a dilapidated 1934 Brockway Ford (dilapidated from years sitting idle in a cow pasture) and transformed it into a fully operational fire truck for just $500.

Operating out of a one-bay garage in a former Ford Automobile dealership, the first few road tests for the new truck did not go smoothly. A tire blew out on the first trip and the engine dropped a rod on its second trip. Nonetheless, the volunteers managed to get the truck fully operational just seven months after the formation of the department. The volunteers named the truck “Daisy.”

The Federal Civilian Defense Organization officially recognized the department as part of national preparedness and declared Daisy the “best homemade fire truck in America.” The volunteers’ efforts were even dramatized and broadcast live on a national NBC radio show.

It was a challenge to fully staff the department during World War II because so many local men were fighting overseas. To compensate, the department struck a deal with the local high school. The school agreed to allow the older boys who maintained at least a C grade average to skip class in order to help fight fires.

While only men and boys were allowed to fight fires, women volunteered as dispatchers during the department’s first few years. Women volunteered on the ambulance from the beginning and, in the early 1970s, the department changed policies to allow women to enlist as firefighters as well.

The original building underwent several renovations over the last seventy-five years. The fire hall on Old Washington Road was renovated and expanded in 1948. Today, the Elkridge V.F.D. operates out of a new, larger location, built to accommodate the growing needs of the community. Built in 2014, the new facility on Rowanberry Drive encompasses more than thirty-five thousand square feet, houses twenty-three firefighters—both paid and volunteer—and cost more than sixteen million dollars. The department’s original building is currently being repurposed as a community center.

Sponsor

Official Website

Street Address

6275 Old Washington Road, Elkridge, MD 21075
]]>
/items/show/669 <![CDATA[The Brumbaugh House]]> 2019-05-28T12:54:36-04:00

Dublin Core

Title

The Brumbaugh House

Subject

Health and Medicine

Creator

Alan Gibson
Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

"Dr. B" and the Elkridge Heritage Society

Story

The handsome Victorian on Elkridge’s Main Street now known as the Brumbaugh House was built around 1870 and began serving as a doctor's office in the nineteenth century. The home’s most famous resident, Dr. Benjamin Bruce Brumbaugh, started his own sixty-year-long career working and living at the house in 1919. Dr. Brumbaugh served thousands of Elkridge residents over the decades and the house continues to tell his story today. Since 1985, the Elkridge Heritage Society has operated the house as a small museum to share the long history of medical care in their community.

Born on Maryland’s Eastern Shore, Brumbaugh graduated from the University of Maryland Medical School with degrees in both pharmacy and medicine. When the United States entered World War I, Brumbaugh enlisted as a doctor for the U.S. Army. He was stationed at Fort Meade in Anne Arundel County where three infantry divisions trained before deployment to Europe. Brumbaugh tended to many of the 400,000 servicemen who passed through Fort Meade during the war.

After his discharge the military at the war’s end in 1918, a former advisor from the University of Maryland shared the news that Elkridge needed a temporary doctor. The town’s regular practitioner Dr. Ericson had suffered a stroke and was unable to work. When his predecessor passed away two months later, Dr. Brumbaugh took over the practice permanently.

For nearly fifty years, Brumbaugh worked alongside his wife, Miriam Smith, who was herself a doctor’s daughter up until her death in 1958. Over much of that time, Dr. Brumbaugh charged just $2 for an office visit or ​$3 for a house call. Over the years, Dr. Brumbaugh (or Dr. B as many of his patients called him) became something of a local celebrity with an office full of patients from the early morning to late evening. He did not raised his fees until 1969—but then it only went up by a dollar. In a 1970 Sun interview, Brumbaugh explained:

“I’d rather treat them for free of charge than have them think I’m overcharging. I was never out for the almighty dollar. I work just to keep alive, not for what I can get out of it.”

That same year, the community recognized his fifty years of service to the Elkridge community. Nearly four hundred neighbors and long-time patients pooled $3,900 in donations to buy the doctor a brand-new Mercury sedan. Howard County even changed the name of a road off Main Street to Brumbaugh Street in his honor.

Dr. Brumbaugh served three generations of Elkridge residents and continued working until he was ninety years old. By one resident’s estimation, he brought “thousands” of Elkridge babies into the world. Dr. Brumbaugh never kept count but reportedly delivered ten children for one family alone. There are many area residents who still proudly call themselves “Brumbaugh Babies.”

The year after Dr. Brumbaugh’s death in 1985, the Elkridge Heritage Society and local Rotary Club bought the home to preserve the doctor’s office and waiting room. A group of volunteer residents helped turn the second floor into an apartment to help pay the mortgage on the new local history museum. Fortunately, their efforts have preserved Doctor B’s story for residents and visitors to continue to appreciate today.

Sponsor

Official Website

Street Address

5825 Main Street, Elkridge MD 21075
]]>
/items/show/604 <![CDATA[Maryland School for the Blind]]> 2019-06-26T14:18:16-04:00

Dublin Core

Title

Maryland School for the Blind

Subject

Education

Creator

Alex Runnings

Curatescape Story Item Type Metadata

Story

The Maryland School for the Blind (MSB) was established in 1853. Formal education for blind people in the U.S. and western Europe was still a relatively recent invention. In 1765, Henry Dannett established the first school with this mission in Liverpool, England. The first school in the United States to follow this model was the New England Asylum for the Blind, now known as the Perkins School For the Blind, established in March 1829.

In Maryland, the new school was established thanks to the efforts of David E. Loughery, a graduate of the Pennsylvania Institution for the Instruction of the Blind, and Washington County native Benjamin F. Newcomer, a wealthy industrialist and philanthropist. Together, they were able to generate enough interest in creating a school for the blind that the Maryland General Assembly incorporated the school in 1853. David Loughery was appointed the school’s first superintendent.

Frederick Douglas Morrison, a national leader in his profession, began his forty-year tenure as superintendent in 1864. He had a lasting impact on the school for several reasons. He was instrumental in the founding of the American Association of Instructors of the Blind; he moved the campus to North Avenue in 1868; and officially changed the name to The Maryland School for the Blind. He also founded The Maryland School for the Colored Blind and Deaf in 1872 and served as the superintendent of both schools. The practice of segregated education for black blind and deaf students continued up until 1956.

John Frances Bledsoe became superintendent in 1906 and two years later relocated the school in 1908 to the present campus in northeast Baltimore. During his thirty-seven years at the helm of the school, Dr. Bledsoe oversaw its expansion and professionalization. It was during this period when the school began its residential program with the construction of four cottages and Newcomer Hall. The latter was named for Benjamin F. Newcomer who was one of the founders of the school and who served on the board of directors for over forty years.

Official Website

Street Address

3501 Taylor Avenue, Baltimore, MD 21236
]]>
/items/show/595 <![CDATA[Columbus Monument]]> 2019-05-09T14:01:34-04:00

Dublin Core

Title

Columbus Monument

Subject

Public Art and Monuments

Creator

Dustin Linz
Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

A Controversial Obelisk on Harford Road

Story

The Columbus Monument is a forty-four foot tall brick and cement obelisk standing in a small park at Harford Road and Walther Boulevard. The monument to Christopher Columbus was erected by French consul, Charles Francis Adrian le Paulmier Chevalier d'Anmour, in 1792, to commemorate the 300th anniversary of Columbus’ arrival to the Americas.

After discovering that the newly created United States had no monuments dedicated to Columbus, the Chevalier decided to erect a monument to commemorate the Italian explorer and colonizer. The base of the monument was incised with the words “Sacred to the memory of Chris. Columbus, Octob. XII, MDCCVIIIC.” The work was unveiled on August 3, 1792, to honor the date the Nina, Pinta, and Santa Maria set sail from Palos, Spain then more formally dedicated two months later on October 12th. It remained the only monument dedicated to Columbus in America for another sixty years.

225 years later, in the middle of the night in late August 2017, a small group of unnamed protestors smashed a sledgehammer into the base of the obelisk breaking the incised stone panels. The event was recorded and shared on YouTube on August 21, 2017. Coming less than a week after protestors poured paint over the Key Monument on Eutaw Place, the video explained that “tearing down monuments” is linked to “tearing down systems” that maintain white supremacy.

Historians, activists, and indigenous people in North and South America have long rejected efforts to honor Columbus as a national hero. As early as 1977, participants in a UN-sponsored conference on discrimination against indigenous peoples in the Americas discussed replacing Columbus Day with Indigenous Peoples Day. A statue of Christopher Columbus statue outside Union Station in Washington, DC splashed with red paint in an act of protest back in 1991.

In Baltimore, the controversy was perhaps more unexpected. Perhaps because the monument was located on private property—Villa Belmont, located at the present-day intersection of Harford Road and North Avenue—it was half-forgotten more than once. In the 1880s, a local historian felt compelled to debunk a popular rumor that the obelisk memorialized a horse named “Columbus” instead of the man. When the monument was relocated to Harford Road in 1963 it was replaced by an expanded Sears Roebuck Company parking lot.

Soon after the monument moved to northeast Baltimore, the city’s Columbus Day Parade (an annual tradition since the erection of the 1892 Columbus Monument in Druid Hill Park) followed. But the parade moved again in 1977 first to East Baltimore and then to the Inner Harbor after a third monument to Christopher Columbus was erected on Eastern Avenue near Little Italy in 1984. Even if the parade has moved on, however, the complicated legacy of the monument and the commemoration of Christopher Columbus remains.

Street Address

Parkside Drive and Harford Road, Baltimore, MD
]]>
/items/show/552 <![CDATA[Baltimore Manual Labor School]]> 2018-11-27T10:33:56-05:00

Dublin Core

Title

Baltimore Manual Labor School

Subject

Education

Creator

Tucker Foltz
Sarah Huston

Curatescape Story Item Type Metadata

Subtitle

A Free Boarding School for Indigent Boys

Lede

More than a century before UMBC situated itself on Hilltop Circle another educational institution formed here; its mission was to advance the reformation of a poor lot of "indigent boys" from Baltimore.

Story

The Baltimore Manual Labor School for indigent boys, also known as the Arbutus Farm School, was established in 1841. The school emerged from of a larger social movement developing in urban Victorian society at the time. Amidst the energetic fervor of the Second Great Awakening, white, middle-class Americans began actively participating in a reform movement to change the lives of the poor, inner-city population. Industrialization in the early nineteenth century brought extreme population growth to urban centers. In Baltimore, the population grew six fold between the years of 1820 and 1860. Specialized private and federal institutions formed to battle a rise in young people living in poverty. They began working to relocate children from what they saw as unpromising home environments to more positive atmospheres.

The school provided a, “Free Boarding School for indigent boys, mostly sons of poor widows who are unable to feed, clothe, and train their boys during the years that they should be acquiring an education, to enable each to attain a position of self support.” The School opened its doors in 1841 with fifteen “destitute and orphaned boy[s].” By 1843, the Baltimore Manual Labor School had taken into its care a total of forty-two children.

By applying the boys to a rigorous program centered primarily on physical labor, the school intended to mold the character of these young men, while at the same time supplying them with applicable work skills, effectively generating productive members of society. In 1893, directors of the Baltimore Manual Labor School wrote:

“the best occupation we can train our boys up to, is that of a farmer. It is perhaps almost the only calling which is not overcrowded, and the one most likely to produce an honorable and independent livelihood for the boys who have no capital, but health and energy.”

The types of farm work included tending to the orchards, vegetable gardens, green houses and livestock. The boys attended educational classes including writing, reading and math. They also attended the Catonsville Methodist Church on Sundays and engaged in daily religious exercises. However, education and religion took a backseat to manual labor which required of a six hour daily shift from each child, even for young boys. The school admitted boys as young as five.

In 1922, Spring Grove Hospital purchased the land following a devastating fire in 1916. The Stabler family owned the property and helped to run the school. Family patriarch Edmund Stabler held the position of superintendent from 1884 to 1904. Interestingly, the hospital used the farmland for a patient agricultural rehabilitation program. The state incorporated this and adjacent tracts of land in the early 1960’s in order to create UMBC. The Stabler home was used by Dr. Albin O. Kuhn, UMBC’s first Chancellor, during the construction of the campus and the Albin O. Kuhn Library now occupies the site where the home stood.

Street Address

University of Maryland, Baltimore County, 1000 Hilltop Circle, Baltimore, MD 21250
]]>
/items/show/549 <![CDATA[Mnemonic (1976)]]> 2019-05-07T13:49:46-04:00

Dublin Core

Title

Mnemonic (1976)

Subject

Public Art and Monuments

Creator

Yamid A. MacĂ­as
Sarah Huston

Curatescape Story Item Type Metadata

Subtitle

A Sculpture by Marc O’Carroll

Story

In the summer of 1976, Marc O’Carroll, a student and artist at the University of Maryland, Baltimore County (UMBC), designed and installed the Mnemonic sculpture next to the campus’ Fine Arts Building. The sculpture, a collection of steel trees displayed in various stages of being chopped down, brought a unique appeal to an institution that seemed overly engrossed with rapidly expanding in size and scope at any cost necessary.

As a student at the university, Marc O’Carroll grew fond of a massive and ancient sycamore tree that was located behind the school’s Dining Hall. The sycamore had stood on the campus years before administrators had begun planning for the UMBC campus. However, university workers cut down the tree in 1976 to build a short driveway for trucks to pull into during the construction of the new University Center. When O’Carroll was commissioned by the university to construct a sculpture project, he decided to pay homage to the destroyed sycamore tree by building the Mnemonic. O’Carroll intended for the sculpture to stand as a memorial to all the trees that had been cut down to make way for new campus construction projects during the 1970s.

By welding his memories in steel, Marc O’Carroll created a dynamic sculpture that invites people to reminisce about nature and its surroundings. Although the artist is no longer at UMBC and neither is the massive sycamore tree, the Mnemonic carries on the memories of both.

Street Address

University of Maryland, Baltimore County, 1000 Hilltop Circle, Baltimore, MD 21250
]]>
/items/show/543 <![CDATA[Biological Sciences (Academic Building 1)]]> 2018-11-27T10:33:56-05:00

Dublin Core

Title

Biological Sciences (Academic Building 1)

Creator

Stephanie Smith
Sarah Huston

Curatescape Story Item Type Metadata

Story

When freshmen students arrived for the opening of the University of Maryland, Baltimore County campus in September 1966, the university had only three buildings: Lecture Hall, Gym I, and Academic I.

UMBC had to locate all of its classes and departments in one building, Academic I, making it the learning hub of the university. In the beginning, the building included five 30-seat classrooms, four science laboratories, and one electronically equipped language laboratory. Along with classrooms, the building housed various faculty offices and academic departments, all of which had to share floor space or classrooms. Even the university’s library was located in Academic I until a dedicated library building was constructed in 1968.

Academic Building I, currently known as Biological Sciences, reflects UMBC’s nontraditional approach to student learning. Following the university’s opening, newspapers and magazines noted UMBC’s “deliberate break with tradition.” Faculty were characterized by their willingness to innovate and students were encouraged to work together with faculty on projects and research. Students could work at their own pace and learn through a method of trial and error.

This strategy mirrored the real-world practice of scientific work, unlike other universities’ classrooms where faculty closely monitored laboratory experiments to ensure that students performed experiments in an exact way. At UMBC, faculty stood back, allowing students to test out new ideas that could lead to great discoveries and new working partnerships.

As the university continued to grow, other academic buildings were constructed providing much needed space for the academic departments crowded within the Biological Sciences building. The social sciences, math, and humanities divisions left the building, while the department of Biological Sciences remained and continues to be housed there to this day.

Official Website

Street Address

University of Maryland, Baltimore County, 1000 Hilltop Circle, Baltimore, MD 21250
]]>
/items/show/542 <![CDATA[Albin O. Kuhn Library and Gallery]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Albin O. Kuhn Library and Gallery

Subject

Education

Creator

Jacob Bensen
Sarah Huston

Curatescape Story Item Type Metadata

Subtitle

A Library that Grew with the University

Story

Constructed of tooled Indiana limestone, glass, steel, concrete, and granite, the Albin O. Kuhn Library and Gallery is at the center of the University of Maryland, Baltimore County campus both literally and figuratively. Since the library first opened in 1968, it has served as a focal point of the campus and UMBC students’ academic lives.

In 1982, the building was named in honor of Dr. Albin O. Kuhn, the first chancellor of UMBC. Chancellor Kuhn helped to found and plan the University of Maryland campus in Baltimore County and took part in the early administration of the new campus. In 1965, Chancellor Kuhn hired his first full-time employee—the university’s first librarian, John Haskell, Jr. Haskell was only 24 at the time, coming to work straight out of graduate school and a few months of active duty in the Army Reserves. He spent many of the early months leading up to UMBC’s opening ordering books, hiring new employees, and creating a catalog ordering system. The campus master plan from that same year also noted the importance of the library:

“The building will be viewed on axis from the main approach drive, appearing unquestionably as the major building on campus.”

In its early years, UMBC housed the library collections in different locations throughout the campus. Chancellor Kuhn’s house served as the catalog center for the library’s 20,000 volume collection while other collection materials were held within Academic Building I. As the university’s holdings continued to grow, the UMBC administration began plans for the construction of a specifically designated library building, which would later become known as the Albin O. Kuhn Library and Gallery.

Campus architects designed the library to grow with the university, making plans to build it in three phases. Phase 1, in 1968, brought all of UMBC’s library collections, which had previously been scattered across the campus, together into one central location. The new library Brutalist unfinished concrete exterior contrasted with an interior of brightly colored walls and floor-to-ceiling windows overlooking the pond. Baltimore Chapter of the American Institute of Architects recognized the design with their highest honors in 1975.

Phase II opened in 1975 adding the library’s Special Collections department and a select collection of state and federal government documents to the library’s collection and continued the university’s efforts to expand its holdings. Phase III, the Library Tower, opened in 1995, increasing the library’s capacity further to 1,000,000 volumes.

As the library has sought to grow and maintain its holdings, the building has also grown as a student-centered space. This role expanded with the completion of the Retriever Learning Center (RLC) in 2011. Student organizations, like the Student Government Association and the Graduate Student Association, advocated for a central group study space as early as the 1980s. The university administration responded by creating the RLC, a space open to UMBC students for collaborative learning and group study. As described by UMBC President Dr. Freeman Hrabowski in 2011, the RLC is “another example of UMBC’s innovation in teaching and learning.”

Official Website

Street Address

University of Maryland, Baltimore County, 1000 Hilltop Circle, Baltimore MD 21250
]]>
/items/show/501 <![CDATA[Moorish Tower]]>
For decades, cyclists, pedestrians, and carriage riders enjoyed the tower as a place to rest and look out over the city. In 1910, visitors crowded into the tower, lined the walkway and covered the hillside to watch the dedication of the Union Soldiers and Sailors memorial. Later that same year, picnickers and families travelled to the Moorish Tower searching for the best vantage point to view an airship as it travelled over Baltimore.

As time went on and the tower began to deteriorate, the Park commissioners debated dismantling the structure. Not only was the tower considered to be “in the way,” but the rusted iron staircase and crumbling walls were viewed as a safety hazard for those visitors hoping to still use it as an observation deck. Fortunately, the high cost of demolition and enduring affection for a local landmark encouraged the restoration of the Moorish Tower. The rusted staircase was removed, the entrance sealed off, loose blocks and the base of the tower were reinforced. The renewal of this iconic landmark has helped to encourage a broader revitalization of Druid Hill Park supported by residents, park advocates and Baltimore City.]]>
2018-11-27T10:33:55-05:00

Dublin Core

Title

Moorish Tower

Subject

Parks and Landscapes

Description

Designed and built by George Frederick in 1870, the Moorish Tower remains an impressive sight for anyone visiting Druid Hill Park or driving on the Jones Falls Expressway. The structure stands over 30 feet tall with 18-inch wide solid marble walls. Inside, early visitors found a spiral iron staircase leading to an observation deck with an astonishing view of Jones Falls valley and the city beyond.

For decades, cyclists, pedestrians, and carriage riders enjoyed the tower as a place to rest and look out over the city. In 1910, visitors crowded into the tower, lined the walkway and covered the hillside to watch the dedication of the Union Soldiers and Sailors memorial. Later that same year, picnickers and families travelled to the Moorish Tower searching for the best vantage point to view an airship as it travelled over Baltimore.

As time went on and the tower began to deteriorate, the Park commissioners debated dismantling the structure. Not only was the tower considered to be “in the way,” but the rusted iron staircase and crumbling walls were viewed as a safety hazard for those visitors hoping to still use it as an observation deck. Fortunately, the high cost of demolition and enduring affection for a local landmark encouraged the restoration of the Moorish Tower. The rusted staircase was removed, the entrance sealed off, loose blocks and the base of the tower were reinforced. The renewal of this iconic landmark has helped to encourage a broader revitalization of Druid Hill Park supported by residents, park advocates and Baltimore City.

Creator

Jessi Deane

Curatescape Story Item Type Metadata

Story

Designed and built by George Frederick in 1870, the Moorish Tower remains an impressive sight for anyone visiting Druid Hill Park or driving on the Jones Falls Expressway. The structure stands over thirty feet tall with eighteen-inch wide solid marble walls. Inside, early visitors found a spiral iron staircase leading to an observation deck with an astonishing view of Jones Falls valley and the city beyond.

For decades, cyclists, pedestrians, and carriage riders enjoyed the tower as a place to rest and look out over the city. In 1910, visitors crowded into the tower, lined the walkway and covered the hillside to watch the dedication of the Union Soldiers and Sailors memorial. Later that same year, picnickers and families traveled to the Moorish Tower searching for the best vantage point to view an airship as it flew over Baltimore.

As time went on and the tower began to deteriorate, the Park commissioners debated dismantling the structure. Not only was the tower considered to be “in the way,” but the rusted iron staircase and crumbling walls were viewed as a safety hazard for those visitors hoping to still use it as an observation deck. Fortunately, the high cost of demolition and enduring affection for a local landmark encouraged the preservation of the Moorish Tower.

The city removed the rusted staircase, sealed off the entrance, and reinforced loose blocks and the base of the tower. The renewal of this iconic landmark has helped to encourage a broader revitalization of Druid Hill Park supported by residents, park advocates, and Baltimore City.

Related Resources

Official Website

Street Address

900 Druid Park Lake Drive, Baltimore, MD 21217
]]>
/items/show/349 <![CDATA[Stieff Silver Building]]> 2021-02-22T09:36:18-05:00

Dublin Core

Title

Stieff Silver Building

Subject

Industry

Creator

Auni Gelles

Curatescape Story Item Type Metadata

Story

For more than 85 years, the large sign atop the Stieff Silver Building has spelled out the name of a company once synonymous with Baltimore. The movement of the Stieff Company from downtown to the bucolic neighborhood of Hampden mirrored the changes that Baltimore and many other cities experienced during the twentieth century. The Kirk-Stieff Company was the oldest silversmith firm in the country when the factory closed its doors in 1999, marking the end of a tradition that had flourished in Baltimore since the early nineteenth century. Entrepreneur Charles Clinton Stieff founded the company in 1892 at 110 W. Fayette Street. After several name changes, the Stieff Company became a major player in the silver manufacturing business. In 1894, Stieff opened a showroom at 17 N. Liberty Street near the Howard Street shopping district, which turned Stieff into a familiar name for generations of Baltimoreans. Watch our Five Minute Histories video on this site! Charles C. Stieff’s son Gideon took over in 1914 around the same time automobiles were changing the pace of city life. A few years later, a trip to Druid Hill Park would forever change the face of Stieff Silver. Gideon and his future wife Claire were enjoying an outing at the park when she pointed out a plot of land that she thought would suit the company’s plans for a new factory. They were looking at the mill village of Hampden, just across the Jones Falls from the park. Although the city annexed this community in 1888, it still remained relatively isolated well into the twentieth century. This sylvan streetcar suburb attracted the Stieffs, who marketed the new building’s “out-of-the-congested district” location with unlimited parking to appeal to shoppers in the mid-twentieth century. The Stieff Company purchased the land from Mount Vernon Mill in 1922 and broke ground on the project in 1924. Production began at the Hampden location in 1925 and was so successful, the company decided to double the size of the factory in 1929. They might have reconsidered the addition had they been able to predict the Great Depression, but the company managed to hang on during the difficult economic times of the 1930s. A degree of stability was established in 1939 when Stieff signed a contract to reproduce silver for Colonial Williamsburg. During World War II, when the federal government took control of the nation’s silver supply, the company made surgical equipment and aluminum ice trays to remain solvent. They began working with pewter in the 1950s, which quickly became the majority of their business. Demand for silver and pewter was high in the postwar period when the company opened a retail store on the 200 block of N. Howard Street and, in 1970, built a large addition to the Hampden factory. They purchased S. Kirk and Son, another Baltimore silversmith firm that had been in the business since 1815, and assumed the name Kirk-Stieff in 1979. The company, like many other industries in Baltimore and across the U.S., faced serious challenges in the 1980s and 1990s. The Howard Street showroom closed in 1981, adding yet another vacant storefront to the once bustling commercial center. The Kirk-Stieff Company ceased operations in January 1999. Local developers Struever Bros. Eccles & Rouse bought the building for $1.5 million in 2000. After investing $13.2 million to renovate the interior into office space, several nonprofit groups moved to the Wyman Park Drive location in 2002. Although its occupants have changed, the large electric sign atop the Stieff Silver Building remains an icon for many Baltimoreans.

Watch on this site!

Street Address

810 Wyman Park Drive, Baltimore, MD 21211
]]>
/items/show/348 <![CDATA[Grove of Remembrance Pavilion]]> 2020-10-16T11:30:07-04:00

Dublin Core

Title

Grove of Remembrance Pavilion

Subject

Parks and Landscapes

Creator

Allyson Schuele

Curatescape Story Item Type Metadata

Story

The Grove of Remembrance Pavilion has stood nestled amongst the trees on Beechwood Drive near the Maryland Zoo for nearly a century. Designed by architect E.L. Palmer, the rustic pavilion’s placement within the Grove of Remembrance is fitting. The grove was planted on October 8, 1919 to honor those who had died in World War I and the pavilion is a monument to First Lieutenant Merrill Rosenfeld, a prominent Baltimore attorney, killed while serving in the military during World War I. Lieutenant Rosenfeld was born in Baltimore in 1883 as the eldest son of Israel Rosenfeld and Rebecca Rosenfeld, née Stern, second generation German Jewish immigrants. Israel Rosenfeld owned a successful clothing retail business and achieved the rank of colonel serving as an aid-de-camp to Governor John Walter Smith. Merrill Rosenfeld was much like his father. He graduated from the Johns Hopkins University in 1904 and joined the Maryland Bar in 1906. He fought during the Mexican Revolution of 1910, earning the rank of top sergeant, and joined the 115th Infantry Regiment, 29th Infantry Division during World War I. Having attained the rank of first lieutenant, he was leading his men during the Meuse-Argonne Offensive when he died October 16, 1918. The U.S. government recognized his sacrifice by awarding him with a Distinguished Service Cross for “extraordinary heroism” and praised him for his “display…[of] the greatest bravery and heroism” before his death. He received further honors in 1919 when the Court of Appeals commissioned architects J.B. Noel Wyatt and William Nolting to build a bronze memorial honoring him and five other Baltimore attorneys who had died in the war and in 1921, when the Maryland Bar Association commissioned a similar memorial. When Israel Rosenfeld died on October 10, 1925, he left $10,000 for the pavilion’s construction in Druid Hill Park. Baltimore was a city with a history of tolerance towards the Jews, particularly those of German heritage, in the early 1900s. The Rosenfelds had thrived in this environment, and Israel wanted to ensure that Baltimoreans would remember his late son’s military achievements and sacrifice for years to come.

Watch our on this site!

Street Address

Beechwood Drive, Baltimore, MD 21217
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/items/show/347 <![CDATA[Richard Wagner Memorial Bust]]> 2019-05-07T13:48:00-04:00

Dublin Core

Title

Richard Wagner Memorial Bust

Subject

Music
Public Art and Monuments

Creator

Allyson Schuele

Curatescape Story Item Type Metadata

Lede

Dedicated in 1901, the Richard Wagner Bust was donated to the city by the United Singers of Baltimore who received the monument as the first prize trophy for the annual Sängerfeste choral competition.

Story

The Wagner Bust is as German as any statute could be. Cast in bronze, mounted on a granite base, and situated on the lawn of the Rogers-Buchanan Mansion, the bust of German composer Richard Wagner was created by a German-born sculptor R.P. Golde based on a portrait by German painter Franz van Lenbach. Though the bust may seem out of place for visitors to Druid Hill Park today, the placement made perfect sense when the sculpture was created.

R.P. Golde was commissioned to create the bust as the first prize for Sängerfeste, an annual choral competition held that year in Brooklyn, New York, with five thousand performers attending. The United Singers of Baltimore won with their performance of D. Melamet’s “Scheiden” (“Parting”). The Singers, who believed that their victory and prize would add to Baltimore’s glory and beauty, donated the Wagner Bust to Druid Hill Park. The bust’s dedication ceremony was a grand affair. Thirty thousand spectators gathered in attendance on October 6, 1901, to watch L.H. Wieman, an agent representing the Baltimore branch of a national, Minneapolis-based flour company, present the bust to the City of Baltimore on behalf of the United Singers. The crowd watched as the Wagner Bust, draped in German and American flags and the singing societies’ banners, was unveiled. The ceremony and the bust’s placement on the mansion lawn served as an expression of Baltimore’s pride in its singers and the German immigrants pride in their heritage and their talent.

Baltimore was home to over forty thousand German immigrants at the start of the twentieth century. Monuments to German artists, philosophers, politicians, musicians, poets, and composers decorate the landscape of many major American cities. Memorials of composers were particularly popular in the era of immigrant monument-building, partly due to the importance of singing clubs in German-American communities.

The Wagner Bust points to the popularity of singing clubs in Baltimore, as does another sculpture by R.P. Golde, that of the composer Conradin Keutzer, located in Patterson Park and also won by the United Singers of Baltimore at the 1915 Sängerfeste.

Street Address

Mansion House Drive, Druid Hill Park, Baltimore, MD 21217
]]>
/items/show/346 <![CDATA[William Wallace Monument]]> 2020-10-16T11:28:00-04:00

Dublin Core

Title

William Wallace Monument

Subject

Parks and Landscapes

Creator

Jessi Deane

Curatescape Story Item Type Metadata

Story

On the west side of Druid Lake, opposite of the Moorish Tower, stands an imposing statue. At nearly thirty feet from the ground to the tip of the sword, the Wallace the Scot statue strikes an imposing figure. Bearing little resemblance to Mel Gibson’s “Braveheart,” the question remains of why a statue of a national Scottish hero is in Druid Hill Park. Beginning in 1905, the St. Andrew’s Society of Baltimore, or the Scottish Society, has used the Wallace the Scot statue as a site of pilgrimage. Gathering at the monument on St. Andrew’s Day, the anniversary of real William Wallace’s death, and the founding of their organization in 1806, members of the society wear traditional clothing (such as kilts or capes) and celebrate their heritage as Scottish Americans. By the 1850s, more than 100,000 Scottish immigrants were living in the United States and, between 1890 and 1910, this number grew to over a million. Successful Baltimore banker William Wallace Spence was proud of his heritage as a Scottish immigrant and claimed to be a distant descendant of William Wallace. Considering Wallace a personal hero as well as a national one, he shared how he admired Wallace’s character and saw him as a “champion of freedom whose memory not only Scotland, but all the world should honor." As the leader of the Scottish resistance against English rule, the original William Wallace spent most of his life battling with English forces for Scottish independence. His takeover of Stirling Castle is considered by many historians to be the first major victory for the Scottish resistance. Unfortunately, his victory was short lived and after a defeat at the Battle of Falkirk, Wallace was taken captive and executed in 1305. The statue itself is cast in bronze, a perfect replica of the famous William Wallace statue that stands on Abbey Craig in Scotland. Originally sculpted by D.W. Stevenson in 1881, Spence commissioned his replica at a large scale to make the figure seem more dramatic and imposing. The figure stands at an impressive fourteen feet tall, from his feet to the tip of his raised sword. The sculptor specifically chose the pose for its symbolic meaning—Wallace supposedly struck this pose at the Abbey Craig as he watched the army of Edward I gather before the Battle of Stirling Bridge. Stevenson also designed the pedestal upon which the Druid Hill Park statue now rests. The sixteen-foot tall granite base was carved of Maryland granite and is engraved with the inscription "William Wallace, Patriot and Martyr for Scottish Liberty, 1305."

Watch our on this statue!

Street Address

3100 Swann Drive, Baltimore, MD 21217
]]>
/items/show/170 <![CDATA[Camden Station]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Camden Station

Subject

Transportation

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Built between 1856 and 1857 at a cost of $600,000, Camden Station is a grand reminder of the long history of the Baltimore & Ohio Railroad in Baltimore. Designed by Niernsee and Neilson with contributions by architect Joseph F. Kemp, the station served as a passenger and freight station through the 1980s.

One of Camden Station's most notable passengers was President Abraham Lincoln who travelled through the station in February 1861, on his way to his inauguration in Washington, D.C., again in 1863 on his way to Gettysburg, in 1864 to make a speech in Baltimore, and finally in 1865 when his funeral train from Washington, DC to Springfield, Illinois made its first stop in Baltimore.

The B&O Railroad left Camden Station in 1971 and sold the building to the Maryland Stadium Authority. Fortunately, the Maryland Stadium Authority integrated the building into the design for Camden Yards stadium and commissioned local architecture firm of Cho, Wilks, and Benn to restore the facade to its 1867 appearance. The Sports Legends Museum at Camden Yards occupied the building from 2005 up until October 2015 when the museum closed after failing to reach a lease agreement with the Maryland Stadium Authority.

Street Address

301 W. Camden Street, Baltimore, MD 21201
]]>
/items/show/169 <![CDATA[Little Joe's]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Little Joe's

Subject

Recreation

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Long before places like Sports Authority or Dick's Sporting Goods opened their doors, Little Joe's on the northwest corner of Howard and Baltimore was selling everything from camping equipment and fishing gear to bikes and saddles. In addition, Little Joe's (named for its proprietor, Joe Wiesenfeld, who was just shy of 5 feet) sold a variety of "sundries" and toys, including electric trains and, for a short time, cars and auto-related accessories. By the turn of the century, Wiesnefeld, who opened a bike shop at the corner of Baltimore and Paca Streets in the early 1890s, had expanded his business and moved the shop to this location. In 1909 Wiesenfeld opened an auto annex on West German Street , where his staff repaired and sold cars.

Wiesenfeld's goal on opening Little Joe's Sporting Goods was to sell everything that the multiple department stores in the area didn't and for years he did just that, offering the neighborhood access to goods that would otherwise not have been readily available. This location of Little Joe's was closed in 1925.

Street Address

6 N. Howard Street, Baltimore, MD 21201
]]>
/items/show/125 <![CDATA[Hippodrome Theatre]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Hippodrome Theatre

Subject

Entertainment

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Designed by noted Scottish American theatre architect Thomas Lamb, the Hippodrome Theatre opened in 1914 as one of the first theatres in the United States to operate both as a movie house and a vaudeville performance venue. Local theatre impresarios Marion Pearce and Philip Scheck (who owned six theatres and exclusively distributed Hollywood films), commissioned the theater on the site where the nineteenth century luxury hotel Eutaw House (1835) once stood.

The original theatre seated 3,000 people and visitors entered the grand building through glorious doors that featured stained glass transoms, opening into red carpeted rooms adorned with painted gold plasterwork and heavy crimson curtains. The Hippodrome's opening night featured a screening of the film "The Iron Master," vaudeville acts, a man juggling a barrel with his feet, and a group of four performing elephants. Pearce and Scheck operated the theatre until 1917, when it was sold to the Lowe's Theatre Chain, who held it until 1924.

By 1920, around 30,000 people visited the theater every week—one of the most well-attended theaters in the city. After a prosperous decade, in which the theatre often featured three shows a day, declining attendance put the Hippodrome into receivership in 1931. L. Edward Goldman purchased the property, plus debts, for a mere $14,000 and hired Philadelphian, Isidor "Izzy" Rappaport, to manage the ailing venue.

During Rappaport's tenure, the Hippodrome saw a second golden age. Rappaport, who later bought the Hippodrome himself, oversaw the installation of a grand new marquee , outfitted the theatre with new seats, and brought in numerous notable acts, such as Frank Sinatra, Bob Hope, Jack Benny, and many others, securing its reputation as one of America's premier vaudeville houses. The lure of new, high-paying gigs in Las Vegas along with the arrival of television and televised variety shows in the 1950s, however, brought the demise of many vaudeville houses across the country and the Hippodrome held its final live show in 1959. Business continued to decline in the 1970s and 1980s and though it had become the last operating movie theatre on the west side of Baltimore's downtown, the Hippodrome shut its doors in 1990.

Fortunately, this landmark theater has been reborn, reopening in 2004 as the France-Merrick Performing Arts Center, combining new construction with the preservation and reuse of the Western National Savings Bank, the Eutaw Savings Bank, and the original Hippodrome Theatre. The Performing Arts Center has brought the Hippodrome back as a state-of-the-art showcase featuring touring Broadway shows and much more.

Official Website

Street Address

12 N. Eutaw Street, Baltimore, MD 21201
]]>
/items/show/124 <![CDATA[Davidge Hall]]> 2020-10-16T14:39:43-04:00

Dublin Core

Title

Davidge Hall

Subject

Medicine

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Subtitle

The Maryland School of Medicine

Story

Davidge Hall, on the University of Maryland Medical School Campus, is the oldest medical facility building in the nation. The red brick structure is named after the school's founder and first dean, John Beale Davidge. It was designed by architect Robert Carey Long, Sr. Constructed in 1812 on land purchased from Revolutionary War Hero John Eager Howard, the building was near the western edge of the growing city of Baltimore and offered medical students and teachers an excellent view of the harbor. In 1814, observers reportedly witnessed from the building's white-columned porch the "bombs bursting in air" during the British attack of Fort McHenry. Although large by early nineteenth century standards, this beautifully restored Classical Revival style building was by no means luxuriously outfitted. Heated by gas stoves close to the ceiling, Davidge Hall was cold, dark, and dank in the winter, frequently filled with noxious odors from the primitive embalming that took place in the anatomy lab and reeked of fumes from chemical experiments performed in the lower lecture hall. Though the practice of medicine has changed and improved over the years and the building has been updated, Davidge Hall has retained many original details and remains an iconic part of the medical school campus. Astoundingly, all of the nearly 20,000 students educated by the University of Maryland School of Medicine to date have passed through this exquisite building's doors. In 1974, Davidge Hall was placed on the National Register of Historic Places, and in 1997, the U.S. Department of the Interior named the building a National Historic Landmark. The building is currently used for special events and houses a collection of medical artifacts, including paintings, antique medical instruments, and a mummified human.

Watch our on this building!

Official Website

Street Address

522 W. Lombard Street, Baltimore, MD 21201
]]>
/items/show/123 <![CDATA[Charles Fish and Sons]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Charles Fish and Sons

Subject

Medicine

Creator

Shae Adams
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

With a gleaming black marble façade reading "Charles Fish and Sons Company" and Victorian brick arches above, the architecture of this building clearly points to a varied history. The surprising story of the building begins before the start of the American Civil War with the foundation of the nation's first dental school by local doctors Horace Hayden and Chapin Harris. The School of Medicine at the University of Maryland in Baltimore had rejected their efforts to start a dental school within their institution, perhaps agreeing with the many who saw early dentists as "Ignorant, incapable men whose knowledge was composed of a few secrets which they had purchased at fabulous prices from other charlatans." In 1840, Hayden and Harris turned to the Maryland State Legislature to obtain a charter for an independent dental college—the Baltimore College of Dental Surgery.

Popular from the start, over the next forty years the college outgrew four locations finally moving to the corner of Eutaw and Franklin Streets in 1881. The new building stood as a testament to the growth of the science of dentistry and the professionalization of dentists. The Baltimore College of Dentistry occupied this building until 1915, when it became part of the University of Maryland and moved operations to the main campus a few blocks south.

In 1942, Charles Fish and his family moved their furniture and clothing business to 429 Eutaw Street and etched his name on the lustrous art deco storefront. A Jewish Russian immigrant, Fish arrived in the United States as a teenager in 1909 and lived in Virginia for years before moving to Baltimore. As early as 1945, Fish and Sons were noted for their nondiscriminatory policies, which earned them a spot on the Afro-American Newspaper's list of "orchids"–-businesses that welcomed all shoppers, regardless of color. Unlike many of their neighbors, who held fast to "final sale" and "no returns" policies for African Americans in pre-civil rights Baltimore (and thus were listed as "onions" on the Afro-American's pages), Fish and Sons proudly served and hired all Americans, regardless of color. Fish and Sons continued to operate their business at the corner until 1980.

Street Address

429 N. Eutaw Street, Baltimore, MD 21201
]]>
/items/show/122 <![CDATA[The Baltimore General Dispensary]]> 2019-02-11T22:53:38-05:00

Dublin Core

Title

The Baltimore General Dispensary

Subject

Medicine

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Lede

Up near the top of this handsome Neoclassical brick building at the corner of Fayette and Paca Streets is a stone entablature reading "1801 Baltimore General Dispensary 1911"—a visible reminder of this building's important past.

Story

Doors opened at the Baltimore General Dispensary on Fayette Street in February 1912 and is the only surviving building designed for Baltimore's oldest charity,

The Baltimore General Dispensary was formed in 1801 on West Lexington Street to provide medical care to Baltimore's poor residents. In its first year, the dispensary saw a little over 200 patients. Before official incorporation in 1808, over 6,000 Baltimore residents had sought help from the charity.

A second dispensary joined the first in 1826 and by the late nineteenth century the charity had established fifteen additional locations many affiliated with local hospitals. While the building is no longer owned by the group, the charitable work of the Baltimore Dispensary continues through a grant-making foundation providing funds to area hospitals for medicine in their outpatient departments.

Considered a model of its kind, this building featured a large dispensary center on the first floor; however, due to the racial segregation enforced in many local institutions at that time, the dispensary was separated for black and white patients. The rooms on the second floor for surgical and medical aid, including physical exams given by doctors, allowed the charity's poor patients a rare measure of privacy.

Street Address

500 W. Fayette Street, Baltimore, MD 21201
]]>
/items/show/121 <![CDATA[Appold-Faust Building]]> 2019-06-25T21:37:45-04:00

Dublin Core

Title

Appold-Faust Building

Subject

Architecture

Creator

Dan Windmueller
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

The Appold- Faust Brothers Building at 307-309 West Baltimore Street is one of a handful of surviving cast-iron fronted buildings in Baltimore and one of the only structures in the city that can boast two iron facades on front and back.

The building's first owner, George J. Appold, a prominent entrepreneur and owner of Appold and Sons (the city's leading tannery and leather dealer), commissioned builder Benjamin F. Bennet to construct this Italianate structure in 1870. Appold advertised the space as suitable for any business requiring space, light, and an independent entrance on Baltimore Street. With its Corinthian columns, arched windows, and graceful segmented bays, the building was an elegant addition to the area and remains one of the finest examples of iron façade construction in Baltimore.

John Faust, a German immigrant and shoe manufacturing pioneer bought the building from George Appold in 1875 for $78,000. Faust soon demolished two buildings behind the structure and added a cast iron-front on Redwood Street as the entrance warehouse for his shoe factory. Faust was the first shoe manufacturer south of the Mason Dixon line to use machinery to craft shoes.

Though the Great Baltimore Fire of 1904 threatened the building it emerged unscathed—together with its neighbors on the south side of Baltimore Street. The building has still seen its fair share of fire and destruction. Just three years after the Great Baltimore Fire, the Baltimore Sun reported that the structure (which at the time housed two local auction firms—Grotjan, Lobe & Co. and Lobe, Winkler & Co.) experienced a fire that caused $95,000 worth of damage, injured 15 people, and killed Baltimore fireman Tillerman Gill, who perished when a poorly constructed portion of the top floor, collapsed.

The owners repaired the building and, in 1908, the Baltimore Shoe House, proudly known as "The Fair and Square House" moved in. Israel Levenstein, a Russian Jewish immigrant who founded the firm in 1895 had welcomed partner Joseph Lubin into the business in that same year. The firm sold shoes and boots in the Mid-Atlantic and the South, and as far west as Texas and Oklahoma. After workers had gone home on a brisk October night in 1911 the Appold-Faust Building once again caught fire. The fire began in the basement and though over $20,000 worth of merchandise was lost, the automatic fire-alarm box in the building alerted the fire department in time and the building itself suffered only light damage.

Various shoe wholesalers and a host of merchants (including Hochschild Kohn, who used it as a warehouse in the 1920s) occupied this site in the early years of the twentieth century. From 1941 to the 1970s, a riding store called The Trading Post operated out of the building and in 2006 it was sold to Faust Brothers, LLC and rehabilitated as office space.

Related Resources

Street Address

307 W. Baltimore Street, Baltimore, MD 21201
]]>
/items/show/113 <![CDATA[Pine Street Station]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Pine Street Station

Subject

Criminal Justice

Creator

Dorothy Beyer
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Pine Street Station, the handsome, slate-roofed High Victorian Gothic building was built between 1877 and 1878 and designed by architect Francis E. Davis. The red brick structure, which is trimmed with painted bluestone lintels and adorned with ornate pressed metal roof finials and hip ridges, served as a court and jail for the area west of Lexington Market from 1878 to 1951. Originally built to protect the area's growing number of banks and police the often raucous blocks of theaters and taverns around Lexington Market, the station underwent a major transformation in the mid-twentieth century.

In 1952, the station became Baltimore's Bureau of Aid and Prevention and was officially renamed "Pine Street Station," a name that city residents had already used for years. During its tenure as the Bureau of Aid and Prevention (BAP), the increasingly run-down brick building served as a refuge for homeless women and orphan children and housed a police boys club. Though Pine Street made a safe haven for the city's disenfranchised while operating as the BAP and, according to an article in the Afro-American, the cells were tidied up and painted gray and peach to better suit its new residents, the Baltimore Sun later criticized the station for its practice of locking young people up with hardened female criminals and for a staff that did not have adequate training to work with children.

Though all manner of prisoners landed in Pine Street over the years, the tumult of civil rights activism in the 1950s and 1960s brought a new sort of inmate to the station: local female college students. Continuing its tradition of serving as a women's jail, city police often brought young women from Morgan State, Goucher College, and Johns Hopkins University to Pine Street after mass arrests during the 1950s and 60s civil rights demonstrations in Baltimore. Pine Street Station shut its doors in 1971 and sat vacant for twenty years while a planned extension of I-70 threatened the structure with demolition. Local preservation groups saved the building thanks to efforts that halted the highway at Leakin Park just outside of the city. In 1991, the University of Maryland acquired the building from Baltimore City and it currently houses the university's security department.

Sponsor

This story was created in partnership with the University of Maryland Baltimore County, Department of History, Public History Track.

Street Address

214 N. Pine Street, Baltimore, MD 21201
]]>
/items/show/112 <![CDATA[Hecht-May Company]]>
In 1923, Bernheimer Brothers merged with the Leader Department Store and four years later The May Company bought the combined Berheimer-Leader store and incorporated it as one of their outlets. In 1959, the May Co. purchased the Hecht Company and this building became the Hecht-May Company's main Baltimore location. Though this building's life as part of the Hecht Company began in the twentieth century, the story of the Hecht Company reaches far back to the mid-1840s.

Samuel Hecht, founder of the DC-based Hecht Company, emigrated from Germany to the United States in 1844 and worked as a peddler. Four of Hecht's five sons worked in the family business but one in particular - Moses Hecht - stood out as an early and persistent entrepreneur who proved critical to the family's success. Moses began working at one of Hecht's earliest Baltimore outlets, Hecht's Reliable on Broadway, at age 13 and went on to become the store's general manager within two years. He helped to bring the store record profits thanks to innovations like the one-price-per-item policy, guaranteeing everyone paid the same price for the same merchandise without needing to bargain with store employees.

Hecht's retail empire grew quickly and lasted for over 100 years. By the late 1800s, the Hecht Company operated a general store at Baltimore and Pine streets, a carpet store on Lexington, and an upscale store known as The Hub at the corner of Baltimore and Light Streets. When the 1904 Baltimore Fire destroyed The Hub's first location, the business relocated to Baltimore and Charles Streets - the site of the Mechanic Theatre today. At their Howard and Lexington location, Hecht's customers could purchase everything from sheets and towels to formal wear and pianos. The store featured an art gallery on the eighth floor and customers frequently punctuated their shopping trips with lunch in the Courtyard Restaurant or tea in the Skyline Tearoom.

In 1949 Hecht's opened a store in Annapolis and continued to open locations throughout the Baltimore-Washington area up until the 1970s. This store closed in the 1980s when Hecht's consolidated several locations. Renovated in 2007, the building is now home to a branch of Rite Aid and the upper stories house rental apartments.]]>
2018-11-27T10:33:50-05:00

Dublin Core

Title

Hecht-May Company

Subject

Commerce

Description

Adorned with graceful arches and elegant art deco lights the eight story Beaux Arts Hecht-May Co. building at the corner of Lexington and Howard streets (designed by Smith and May architects) was originally built in 1908 as an annex to the Bernheimer Brothers Department store. In what must have been a first for Baltimore, the building initially featured a rooftop garden and hosted cow milking demonstrations. The store sold groceries, clothing, and a variety of household goods.

In 1923, Bernheimer Brothers merged with the Leader Department Store and four years later The May Company bought the combined Berheimer-Leader store and incorporated it as one of their outlets. In 1959, the May Co. purchased the Hecht Company and this building became the Hecht-May Company's main Baltimore location. Though this building's life as part of the Hecht Company began in the twentieth century, the story of the Hecht Company reaches far back to the mid-1840s.

Samuel Hecht, founder of the DC-based Hecht Company, emigrated from Germany to the United States in 1844 and worked as a peddler. Four of Hecht's five sons worked in the family business but one in particular - Moses Hecht - stood out as an early and persistent entrepreneur who proved critical to the family's success. Moses began working at one of Hecht's earliest Baltimore outlets, Hecht's Reliable on Broadway, at age 13 and went on to become the store's general manager within two years. He helped to bring the store record profits thanks to innovations like the one-price-per-item policy, guaranteeing everyone paid the same price for the same merchandise without needing to bargain with store employees.

Hecht's retail empire grew quickly and lasted for over 100 years. By the late 1800s, the Hecht Company operated a general store at Baltimore and Pine streets, a carpet store on Lexington, and an upscale store known as The Hub at the corner of Baltimore and Light Streets. When the 1904 Baltimore Fire destroyed The Hub's first location, the business relocated to Baltimore and Charles Streets - the site of the Mechanic Theatre today. At their Howard and Lexington location, Hecht's customers could purchase everything from sheets and towels to formal wear and pianos. The store featured an art gallery on the eighth floor and customers frequently punctuated their shopping trips with lunch in the Courtyard Restaurant or tea in the Skyline Tearoom.

In 1949 Hecht's opened a store in Annapolis and continued to open locations throughout the Baltimore-Washington area up until the 1970s. This store closed in the 1980s when Hecht's consolidated several locations. Renovated in 2007, the building is now home to a branch of Rite Aid and the upper stories house rental apartments.

Creator

Meghan Gilbert
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Adorned with graceful arches and elegant art deco lights the eight story Beaux Arts Hecht-May Co. building at the corner of Lexington and Howard streets (designed by Smith and May architects) was originally built in 1908 as an annex to the Bernheimer Brothers Department store. In what must have been a first for Baltimore, the building initially featured a rooftop garden and hosted cow milking demonstrations. The store sold groceries, clothing, and a variety of household goods.

In 1923, Bernheimer Brothers merged with the Leader Department Store and four years later The May Company bought the combined Berheimer-Leader store and incorporated it as one of their outlets. In 1959, the May Co. purchased the Hecht Company and this building became the Hecht-May Company's main Baltimore location. Though this building's life as part of the Hecht Company began in the twentieth century, the story of the Hecht Company reaches far back to the mid-1840s.

Samuel Hecht, founder of the DC-based Hecht Company, emigrated from Germany to the United States in 1844 and worked as a peddler. Four of Hecht's five sons worked in the family business but one in particular - Moses Hecht - stood out as an early and persistent entrepreneur who proved critical to the family's success. Moses began working at one of Hecht's earliest Baltimore outlets, Hecht's Reliable on Broadway, at age 13 and went on to become the store's general manager within two years. He helped to bring the store record profits thanks to innovations like the one-price-per-item policy, guaranteeing everyone paid the same price for the same merchandise without needing to bargain with store employees.

Hecht's retail empire grew quickly and lasted for over 100 years. By the late 1800s, the Hecht Company operated a general store at Baltimore and Pine streets, a carpet store on Lexington, and an upscale store known as The Hub at the corner of Baltimore and Light Streets. When the 1904 Baltimore Fire destroyed The Hub's first location, the business relocated to Baltimore and Charles Streets - the site of the Mechanic Theatre today. At their Howard and Lexington location, Hecht's customers could purchase everything from sheets and towels to formal wear and pianos. The store featured an art gallery on the eighth floor and customers frequently punctuated their shopping trips with lunch in the Courtyard Restaurant or tea in the Skyline Tearoom.

In 1949 Hecht's opened a store in Annapolis and continued to open locations throughout the Baltimore-Washington area up until the 1970s. This store closed in the 1980s when Hecht's consolidated several locations. Renovated in 2007, the building is now home to a branch of Rite Aid and the upper stories house rental apartments.

Official Website

Street Address

118 N. Howard Street, Baltimore, MD 21201
]]>
/items/show/110 <![CDATA[James M. Deems Music School]]> 2019-05-09T12:48:03-04:00

Dublin Core

Title

James M. Deems Music School

Subject

Education

Creator

Elizabeth Pente
Theresa Donnelly

Curatescape Story Item Type Metadata

Subtitle

A Local Composer at 426 W. Baltimore Street

Story

Spinning wheel manufacturers, cigar makers, tailors, hat makers, multiple banks, and a music school all occupied this site—often at the same time—going back to the early nineteenth century. During the decade after the Civil War, the upper stories provided a home for the James M. Deems Music School established in 1867 by Civil War veteran and well-known composer General James Monroe Deems.

Born in Baltimore in 1818, Deems played music since early childhood—later declared a "prodigy" for his performances with a group organized by his father. He traveled to Dresden, Germany in 1839 to study musical composition and cello with J. J. F. Dotzauer, a famed German cellist and composer. After his return to the United States, Deems became an instructor at the University of Virginia but maintained his ties to Baltimore, convincing Baltimore schools to adopt his Vocal Music Simplified instructional book for music education in 1851. After a brief but active military career during the Civil War, Deems opened his music school on West Baltimore Street sharing the building with the Haydn Musical Association. Even after the school left Baltimore Street in 1877, Deems remained an active composer and educator through his death in 1901.

In the years after World War II, the condition of the block deteriorated as the decline of the clothing industry left many small commercial buildings vacant. Fortunately for this handsome landmark, the building was restored and opened as a PNC Bank branch in 2009.

Street Address

426 W. Baltimore Street, Baltimore, MD 21201
]]>
/items/show/109 <![CDATA[A.S. Abell Building]]> 2020-10-16T13:09:31-04:00

Dublin Core

Title

A.S. Abell Building

Subject

Architecture
Industry

Creator

Tarin Rudloff
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Erected in 1879 as an investment property for Arunah Shepherdson Abell, founder of The Baltimore Sun, the Abell Building was designed by famed Baltimore architect George Frederick—architect for Baltimore's City Hall, Hollins Market, and the Old Baltimore City College. Abell spared no expense in constructing the cast-iron framed, masonry façade building and worked to ensure that tenants included multiple, prominent businesses. Though the building quickly became known for its lavish construction, its ornate exterior belied the hard reality that workers within its walls faced. The corner of West Baltimore and Eutaw Streets made an ideal location for local industry along a main streetcar line, just a few blocks from a B&O Railroad station and close to the Baltimore harbor. The grandeur of the building's construction, its two hydraulic elevators, and its imposing size invited immediate recognition and praise in local and national publications. In late nineteenth century Baltimore, as across the country, most skilled professions had declined as craftsmen were replaced by machines that could produce more goods more quickly. Wages for the masses of largely immigrant, unskilled workers who came to cities like Baltimore seeking work in industries remained low and working conditions were unregulated and woefully unsafe. One of the industries that attracted thousands of workers to Baltimore was the clothing or needle trade. In the years following the Civil War, demand for ready-to-wear garments skyrocketed and Baltimore's garment district boomed in response. Strouse Brothers, one of Baltimore's largest clothing manufacturers operated out of this building in the late nineteenth century and was a prominent player in Baltimore's growing needle trade. Strouse ran what was then called an "inside shop"—a multistory factory outfitted with new machines and the latest in manufacturing technology—where workers (largely women) worked long hours to keep the factory's machines running, often earning barely enough to survive. While larger clothing manufacturers escaped the criticism directed to sweatshops by local reformers, producers like Strouse, even when unionized (the United Garment Workers organized in Baltimore in the 1890s), often sent piecework out to sweated workers in small shops or set up their own small, outside sweatshops to avoid paying higher wages or complying with worker demands for better conditions and shorter hours. When the clothing industry slumped after WWI, many of the gains achieved by Baltimore's garment unions eroded as the pursuit of ever-shrinking profits led many manufacturers to once again increase their reliance on sweatshops. Despite the fact that union strikes eventually brought new gains, Baltimore's once thriving garment trade was in sharp decline by the 1930s. Though there are still a small number of women sewing coats and uniforms in various downtown clothing shops, Baltimore's days as a center of ready-to-wear garment production are long gone. Luckily, this handsome brick building weathered the decline of the garment industry and years of neglect. PMC property group acquired the building in 2005 and it now houses well-appointed apartments that feature high ceilings, large windows, and a bit of Baltimore history.

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Official Website

Street Address

1 S. Eutaw Street, Baltimore, MD 21201
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/items/show/108 <![CDATA[Stewart's]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Stewart's

Subject

Architecture
Commerce

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

When Samuel Posner moved his successful dry goods business to the corner of Lexington and Howard, architect Charles E. Cassell's gorgeous and ornate white Renaissance Revival building—complete with roaring lions and majestic wreaths and fluted columns—made a grand addition to the growing row of department store "palaces" on Howard Street in 1899.

The building played a prominent role in Baltimore's turn-of-the-century transition from smaller, specialized retailers to large, purpose-built department stores. Like many department stores across the country, Stewart's strove to provide a wide range of high quality goods to America's rising middle class and lured customers with its open layout, enticing displays, large plate glass windows, and by being, among other things, the first Howard Street store to install air conditioning in 1931.

Though the Stewart's name, etched in block letters at the building's crest, is still visible today, the store's ownership history is a bit less permanent. Within little over a year of the store's opening, The Baltimore Sun reported that Samuel Posner had sold the business to Louis Stewart and the Associated Merchants' Company (AMC), most likely as a result of financial difficulties resulting from high construction costs. Louis Stewart's turn at the helm of store was brief, too: in 1916 Stewart's was absorbed into a new firm, the Associated Dry Goods corporation (ADG), which consolidated several major U.S. retailing chains, including Lord & Taylor and J. McCreery's.

Many Baltimoreans have fond memories of shopping at Stewarts and recall making day-long excursions to the store. Stewart's, according to local columnist, Jacques Kelly, had "...an excellent men's furnishing department – ties and sweaters" and a wonderful selection of "... china and silver" and "yard good (dressmaking materials)." A high-class store with an elegant interior, Stewart's boasted two restaurants—the Georgian Tea Room and Cook Works—both popular with shoppers, as were the delicious vanilla marshmallow treats sold at the store's candy counter.

Stewart's opened their first suburban outlet on York Road in Towson in 1953 and several other suburban stores shortly thereafter. When the flagship store at Howard and Lexington closed in 1979, Stewart's held a week-long closing sale that brought in thousands of bargain-hungry shoppers. Stewart's was listed on the National Register of Historic Places in 1999 and in 2007 Catholic Relief Services opened their offices in the first floor of the building.

Official Website

Street Address

226-232 W. Lexington Street, Baltimore, MD 21201
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/items/show/107 <![CDATA[Pascault Row]]>
Pascault settled at Chatsworth, a large country mansion on Saratoga Street between Pine and Green, and profited from the quickly growing city's booming trade. After the city expanded in 1816, Pascault, together with carpenter and master builder Rezin Wight and merchant William Lorman, commissioned William F. Small to design this elegant row of Federal style houses adjacent to his estate. The dwellings soon attracted a host of wealthy residents, earning the row the distinction of being highlighted in an 1833 guidebook to Baltimore - the only row noted on the map.

The row soon became home to some of Baltimore's wealthiest families and remained a prestigious address for decades. Columbus O'Donnell, who was president of Baltimore's Gas and Light Company in the mid-nineteenth century and a director of the B & O Railroad (1839-1847) lived here with his wife, Eleanor, who was Louis Pascault's daughter. O'Donnell's mother, Sarah Chew Elliott O'Donnell, whose portrait hangs in Washington's National Gallery, lived in this row during the early 1820s. Her husband and Columbus' father, was John O'Donnell, a wealthy merchant and politician who had a momentous impact on Baltimore's international trade, particularly with China and Asia as a whole, and the man for whom Baltimore's O'Donnell Square is named.

By the 1970s, the iconic homes fell into disrepair. Using funds procured under the College Housing Loan Program, the University of Maryland, Baltimore, purchased the row in 1978 and renovated the historic buildings, transforming them into offices and student housing.]]>
2018-11-27T10:33:50-05:00

Dublin Core

Title

Pascault Row

Subject

Architecture

Description

In 1819, wealthy French merchant Louis Pascault, the Marquis de Poleon, constructed a row of eight houses on Lexington Street that now remain as the one of the earliest examples of the Baltimore rowhouse. Born in France, Pascault later moved to the French colony of Saint-Domingue (now known as Haiti). By the late 1780s, nearly 500,000 enslaved Africans labored at plantations on the island producing nearly half of the world's sugar and more than half of the world's coffee. In 1791, free blacks and enslaved people rose in revolt and Pascault joined thousands of white refugees fleeing the island for cities in the United States.

Pascault settled at Chatsworth, a large country mansion on Saratoga Street between Pine and Green, and profited from the quickly growing city's booming trade. After the city expanded in 1816, Pascault, together with carpenter and master builder Rezin Wight and merchant William Lorman, commissioned William F. Small to design this elegant row of Federal style houses adjacent to his estate. The dwellings soon attracted a host of wealthy residents, earning the row the distinction of being highlighted in an 1833 guidebook to Baltimore - the only row noted on the map.

The row soon became home to some of Baltimore's wealthiest families and remained a prestigious address for decades. Columbus O'Donnell, who was president of Baltimore's Gas and Light Company in the mid-nineteenth century and a director of the B & O Railroad (1839-1847) lived here with his wife, Eleanor, who was Louis Pascault's daughter. O'Donnell's mother, Sarah Chew Elliott O'Donnell, whose portrait hangs in Washington's National Gallery, lived in this row during the early 1820s. Her husband and Columbus' father, was John O'Donnell, a wealthy merchant and politician who had a momentous impact on Baltimore's international trade, particularly with China and Asia as a whole, and the man for whom Baltimore's O'Donnell Square is named.

By the 1970s, the iconic homes fell into disrepair. Using funds procured under the College Housing Loan Program, the University of Maryland, Baltimore, purchased the row in 1978 and renovated the historic buildings, transforming them into offices and student housing.

Creator

David Thomas
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

In 1819, wealthy French merchant Louis Pascault, the Marquis de Poleon, constructed a row of eight houses on Lexington Street that now remain as the one of the earliest examples of the Baltimore rowhouse. Born in France, Pascault later moved to the French colony of Saint-Domingue (now known as Haiti). By the late 1780s, nearly 500,000 enslaved Africans labored at plantations on the island producing nearly half of the world's sugar and more than half of the world's coffee. In 1791, free blacks and enslaved people rose in revolt and Pascault joined thousands of white refugees fleeing the island for cities in the United States.

Pascault settled at Chatsworth, a large country mansion on Saratoga Street between Pine and Green, and profited from the quickly growing city's booming trade. After the city expanded in 1816, Pascault, together with carpenter and master builder Rezin Wight and merchant William Lorman, commissioned William F. Small to design this elegant row of Federal style houses adjacent to his estate. The dwellings soon attracted a host of wealthy residents, earning the row the distinction of being highlighted in an 1833 guidebook to Baltimore - the only row noted on the map.

The row soon became home to some of Baltimore's wealthiest families and remained a prestigious address for decades. Columbus O'Donnell, who was president of Baltimore's Gas and Light Company in the mid-nineteenth century and a director of the B & O Railroad (1839-1847) lived here with his wife, Eleanor, who was Louis Pascault's daughter. O'Donnell's mother, Sarah Chew Elliott O'Donnell, whose portrait hangs in Washington's National Gallery, lived in this row during the early 1820s. Her husband and Columbus' father, was John O'Donnell, a wealthy merchant and politician who had a momentous impact on Baltimore's international trade, particularly with China and Asia as a whole, and the man for whom Baltimore's O'Donnell Square is named.

By the 1970s, the iconic homes fell into disrepair. Using funds procured under the College Housing Loan Program, the University of Maryland, Baltimore, purchased the row in 1978 and renovated the historic buildings, transforming them into offices and student housing.

Official Website

Street Address

651 W. Lexington Street, Baltimore, MD 21201
]]>
/items/show/94 <![CDATA[Baltimore Bargain House]]> 2020-10-16T11:53:51-04:00

Dublin Core

Title

Baltimore Bargain House

Subject

Commerce

Creator

Johanna Schein
Theresa Donnelly

Curatescape Story Item Type Metadata

Subtitle

Wholesale History at the Nancy S. Grasmick Building

Story

One of the largest businesses on the West Side in the early twentieth century the Baltimore Bargain House—a mail-order wholesale business that employed over a thousand people and earned profits in the millions that grew to become the fourth largest wholesalers in the county. Driven by the devotion of Jewish Lithuanian immigrant Jacob Epstein, the Baltimore Bargain House became a hub for Southern Jewish merchants and a local business community. When firm's grand showroom at West Baltimore and North Liberty Streets opened in 1911, a crowd of 500 local businessmen, the Mayor of Baltimore, and the Governor of Maryland all attended the dedication. After spending years himself as an itinerant peddler, traveling throughout Western Maryland, West Virginia, and Pennsylvania, Jacob Epstein first opened a small wholesale store in Baltimore in 1881. Epstein focused his attention on the American South, working specifically with Jewish peddlers and merchants. In the early 1900s, Epstein treated hundreds of merchants to annual visits to Baltimore to restock and view new merchandise. Arriving from North Carolina, Tennessee, and across the South, these merchants helped grow a successful and extensive business in Baltimore. Between 1881 and 1929 the Baltimore Bargain House was one of the most significant businesses in Baltimore, with gross sales over $34 million in 1921 alone, comparable to over $410 million today. To operate the Baltimore Bargain House, Epstein also built a local community of employees, which included over 1,600 people. The workforce was relatively diverse, comprising of immigrants from various countries as well as industry experts from across the nation. Many workers remained employed at the Baltimore Bargain House for decades. Although remarkable for his considerable business acumen and the success of the Baltimore Bargain House, the business' founder, Jacob Epstein was also well known for his extensive charitable donations to local Jewish groups and to institutions like the Baltimore Museum of Art.

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Related Resources

Street Address

6 N. Liberty Street, Baltimore, MD 21201
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/items/show/92 <![CDATA[Hutzler's ]]>
Founded in 1858 as a single storefront at the corner of Howard and Clay streets by German-Jewish peddler Moses Hutzler and his son Abram, the store soon expanded to two additional Howard Street storefronts. Abram welcomed his brothers Charles and David into the retail operation in 1867 and the business incorporated as the Hutzler Brothers Company in the early twentieth century. The store carefully cultivated an image as not only a purveyor of fine goods, but a destination in itself. Hutzler's prided itself on being a place where shoppers could spend an entire day, complete with lunch in The Colonial or the Quixie, a haircut in the Circle Room Beauty Salon, and a shoeshine at the Shoe Fixery on the 8th floor.

The magnificent "palace" building on Howard Street reflects the reputation for class with a ornate Nova Scotia gray stone façade designed by the firm of Baldwin and Pennington. The store continued to grow in the 20th century with the construction of the Art Deco "tower" building in 1932 (which gained five additional stories in 1942) designed by architect James R. Edmunds, Jr.

Hutzler's claimed many innovations in Baltimore retailing including the widespread institution in 1868 of the now standard "one-price policy," which replaced a system of bargaining that favored the loudest or boldest bidder. Hutzler's offered an early liberal returns policy and was the first department store in Maryland to boast a fleet of delivery trucks. Like many department stores across the nation, Hutzler's sought to employ the latest technology; they installed Baltimore's first escalator in this building in the early 1930s.

In 1952, Hutzler's expanded to the Baltimore suburbs, opening a store Towson, Maryland, which was quickly followed by eight additional suburban outlets. Despite their forward-looking expansion, competition from national retailers and the continued decline of downtown business forced the 132 year-old family-owned business to close in 1990.]]>
2018-11-27T10:33:50-05:00

Dublin Core

Title

Hutzler's

Description

"If you wanted the good stuff, you went to Hutzler's," said Governor William Donald Schaefer and for generations of Baltimoreans, Hutzler's represented the height of downtown shopping, simply the place to shop. Many Marylanders still have fond memories of taking a streetcar down to Howard Street to shop at Hutzler's - the grande dame of Baltimore department stores with the richly detailed 1880s Palace building the modern 1930s Tower building next door.

Founded in 1858 as a single storefront at the corner of Howard and Clay streets by German-Jewish peddler Moses Hutzler and his son Abram, the store soon expanded to two additional Howard Street storefronts. Abram welcomed his brothers Charles and David into the retail operation in 1867 and the business incorporated as the Hutzler Brothers Company in the early twentieth century. The store carefully cultivated an image as not only a purveyor of fine goods, but a destination in itself. Hutzler's prided itself on being a place where shoppers could spend an entire day, complete with lunch in The Colonial or the Quixie, a haircut in the Circle Room Beauty Salon, and a shoeshine at the Shoe Fixery on the 8th floor.

The magnificent "palace" building on Howard Street reflects the reputation for class with a ornate Nova Scotia gray stone façade designed by the firm of Baldwin and Pennington. The store continued to grow in the 20th century with the construction of the Art Deco "tower" building in 1932 (which gained five additional stories in 1942) designed by architect James R. Edmunds, Jr.

Hutzler's claimed many innovations in Baltimore retailing including the widespread institution in 1868 of the now standard "one-price policy," which replaced a system of bargaining that favored the loudest or boldest bidder. Hutzler's offered an early liberal returns policy and was the first department store in Maryland to boast a fleet of delivery trucks. Like many department stores across the nation, Hutzler's sought to employ the latest technology; they installed Baltimore's first escalator in this building in the early 1930s.

In 1952, Hutzler's expanded to the Baltimore suburbs, opening a store Towson, Maryland, which was quickly followed by eight additional suburban outlets. Despite their forward-looking expansion, competition from national retailers and the continued decline of downtown business forced the 132 year-old family-owned business to close in 1990.

Creator

Theresa Donnelly
Sydney Jenkins

Curatescape Story Item Type Metadata

Story

"If you wanted the good stuff, you went to Hutzler's," said Governor William Donald Schaefer and for generations of Baltimoreans, Hutzler's represented the height of downtown shopping, simply the place to shop. Many Marylanders still have fond memories of taking a streetcar down to Howard Street to shop at Hutzler's - the grande dame of Baltimore department stores with the richly detailed 1880s Palace building the modern 1930s Tower building next door.

Founded in 1858 as a single storefront at the corner of Howard and Clay streets by German-Jewish peddler Moses Hutzler and his son Abram, the store soon expanded to two additional Howard Street storefronts. Abram welcomed his brothers Charles and David into the retail operation in 1867 and the business incorporated as the Hutzler Brothers Company in the early twentieth century. The store carefully cultivated an image as not only a purveyor of fine goods, but a destination in itself. Hutzler's prided itself on being a place where shoppers could spend an entire day, complete with lunch in The Colonial or the Quixie, a haircut in the Circle Room Beauty Salon, and a shoeshine at the Shoe Fixery on the 8th floor.

The magnificent "palace" building on Howard Street reflects the reputation for class with a ornate Nova Scotia gray stone façade designed by the firm of Baldwin and Pennington. The store continued to grow in the twentieth century with the construction of the Art Deco "tower" building in 1932 (which gained five additional stories in 1942) designed by architect James R. Edmunds, Jr.

Hutzler's claimed many innovations in Baltimore retailing including the widespread institution in 1868 of the now standard "one-price policy," which replaced a system of bargaining that favored the loudest or boldest bidder. Hutzler's offered an early liberal returns policy and was the first department store in Maryland to boast a fleet of delivery trucks. Like many department stores across the nation, Hutzler's sought to employ the latest technology; they installed Baltimore's first escalator in this building in the early 1930s.

In 1952, Hutzler's expanded to the Baltimore suburbs, opening a store in Towson, Maryland, which was quickly followed by eight additional suburban outlets. Despite their forward-looking expansion, competition from national retailers and the continued decline of downtown business forced the 132 year-old family-owned business to close in 1990.

Street Address

200 N. Howard Street, Baltimore, MD 21201
]]>
/items/show/89 <![CDATA[Congress Hotel]]> 2021-02-22T09:43:05-05:00

Dublin Core

Title

Congress Hotel

Subject

Music
Entertainment

Creator

Emma Marston
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Known originally as the Hotel Kernan, the Congress Hotel was built in 1903 by James L. Kernan. Kernan was a savvy businessman who sought to capitalize on the ways in which immigration had influenced the tastes of wealthy visitors and Baltimore natives alike. By the 1970s, the hotel also housed the Marble Bar - a nightclub that hosted many early punk and New Wave groups through the mid 1980s. When first built, the hotel included a luxurious Turkish bath and a massive rathskeller, a traditional German bar located in the basement of a building, and two theaters - the Auditorium and the Maryland - connected to the hotel by covered passageways. Thanks to entrepreneurial innovations from low ticket prices to an ever-changing roster of vaudeville performers, Kernan's "Million Dollar Triple Enterprise" soon proved to be a rousing success. Charlie Chaplin, Will Rogers, and Eddie Cantor - just to name a few - all appeared at the Hotel Kernan. The hotel remained an important part of Baltimore's entertainment history until it was sold in 1932. The Congress Hotel became a nightclub in the late 1970s. Roger and Leslee Anderson, a pair of local musicians, saw potential in the space and began to operate a nightclub located in the old rathskeller in the basement. Now called the Marble Bar, the music club played from 1978 to the mid-eighties. The Marble Bar was one of the first clubs in Baltimore to book emerging punk and new wave bands, and encouraged the growth of all kinds of music; the unofficial motto became "The Marble is the first place you play on the way up, and the last place you play on the way down." Although dark and dank, the Marble Bar still represented a place where musicians and members of the underground punk scene could gather and commiserate - the Marble Bar was not just a nightclub, but the center of a community. At its peak, bands like the Psychedelic Furs, REM, and Iggy Pop played the Marble Bar before becoming nationally recognized, and underground Baltimore stars like Edith Massey found her way to the Marble Bar as well. While the new sound of punk was not setting any trends – the style had already caught on in other cities across the nation – the Marble Bar remained one of the few to embrace that sound, creating a space for underground music in the city amid the more popular disco movement.

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Related Resources

Official Website

Street Address

306 W. Franklin Street, Baltimore, MD 21201
]]>
/items/show/83 <![CDATA[Five and Dimes on Lexington Street]]> 2018-11-27T10:33:49-05:00

Dublin Core

Title

Five and Dimes on Lexington Street

Subject

Commerce

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Subtitle

McCrory's, Kirby-Woolworth, and Schulte United

Story

In contrast to the high-end shopping at Stewart's or Hochschild-Kohn's on Howard Street, West Lexington Street offered goods of all kinds at affordable prices thanks to a row of five-and-tens from Read's Drug Store down to Kresge's on the other side of Park Avenue.

McCrory's at 227-229 West Lexington stands out with a colorful early twentieth century tile facade built over a structure that likely dates back to late nineteenth century. John Graham McCrorey started the chain in Scottsdale, Pennsylvania in 1882 and soon expanded with locations across the country. Noting McCrorey's reputation as a smart and thrifty businessman, in 1887 The New York Times reported that he had legally changed his name, dropping the e, because he did not want to pay the cost of the extra gilt letter on his many store signs. McCrory's on Lexington Street opened in the late 1920s and was one of over 1,300 McCrory's outlets operating around the country by the 1950s.

The more modest Kirby-Woolworth Building east of McCrory's began as two buildings put up by two close competitiors - Frederick M. Kirby and the H.G. Woolworth & Co. In retrospect, the reunion of the two buildings feels inevitable as Kirby and Woolworth pioneered the five-and-ten cent store business together in the 1870s and early 1880s, opening a store together in Wilkes-Barre, Pennsylvania in 1884 before parting ways in 1887. The two buildings came up side by side on Lexington Street in 1907 and likely combined into a single structure after the merger of H.G. Woolworth & Company and F. M. Kirby & Company in 1912.

Schulte United Five and Dime offers a unique façade with shining gold eagles and incised lettering along the top of the building. The building began as the Eisenberg Underselling Store, later known as the Eisenberg Company, with the determined motto that they offered "prices that are irreproachable everywhere." By 1928, 600 employees worked for the Eisenberg Company at several locations throughout the city. Within a few years, however, Schulte United – established by David A. Schulte, a "tobacco store potentate," who decided to enter the five-and-dime business in 1928 with the ambitious goal of investing $35,000,000 in 1,000 stores around the country – purchased the store on Lexington Street.

Street Address

200 W. Lexington Street, Baltimore, MD 21201
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