/items/browse?output=atom&tags=Libraries <![CDATA[Explore 91ĘÓƵ]]> 2025-03-12T11:52:43-04:00 Omeka /items/show/633 <![CDATA[Canton Branch, Enoch Pratt Free Library]]> 2018-11-27T10:33:58-05:00

Dublin Core

Title

Canton Branch, Enoch Pratt Free Library

Creator

Friends of the Canton Library

Curatescape Story Item Type Metadata

Subtitle

The First Branch of the Enoch Pratt Free Library

Story

The Canton Branch is one of four branch libraries, all designed by local architect Charles L. Carson, built by the Enoch Pratt Free Library in 1886. It stands alone, however, as the first to open and the only one of the original branch locations still in use as a library.

The branch library wasn't the first reading room to open in Canton. In 1879, Rev. J. Wynne Jones, a recent graduate from the Princeton seminary and pastor at Abbott Presbyterian Church, established the Workingmen's Institute at the corner of Ellwood Avenue and Elliott Street. The Institute maintained an impressive library: fifteen hundred books and over one hundred subscriptions to magazines and newspapers. As a trustee of the Workingmen's Institute, Enoch Pratt, according to later biographers, "realized the wonderful good that the small library was doing in this community and was convinced that such a service might be established for the benefit of every community. Enlarging upon this idea, Pratt planned with the city for a library system."

On February 15, 1886, two hundred and fifty people, including Enoch Pratt himself, crowded into the library reading room to hear Rev. Jones share the history of the Workingmen's Institute and the importance of the library to Canton Resident. Jones enjoyed the honor of being the first to borrow a book—a collection of poems by Sidney Lanier—from the nearly nine thousand books found on the library shelves. In 1923, a large addition replaced the small backyard and flower garden behind the building. Near busy factories and blocks of handsome rowhouses, the Canton Branch had, in 1924, the highest circulation of any of the city's libraries.

Unfortunately, by the 1970s, the building's red brick exterior was painted white with gray trim and was surrounded by a bleak chain-link fence. As the library's centennial approached, Tom Canoles and members of the Canton Improvement Association organized to preserve the building. They received grants from the Maryland Historical Trust and Baltimore City, along with donations from waterfront developers, to restore the original brick, install a handsome wrought iron fence, and improve access with a new ramp and lift.

The Friends of the Canton Library, formed in February 1993, has continued to support and enhance the facilities and services of the library over the past fifteen years. The Friends helped organize a 125th birthday celebration for the branch in 2011 and raised $275,000 for a four-year, $2.9 million restoration completed just in time for the building's 130th anniversary in 2016. The group continues to organize regular programming on the people and history of Canton.

Related Resources

Official Website

Street Address

1030 S. Ellwood Street, Baltimore, MD 21224
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/items/show/542 <![CDATA[Albin O. Kuhn Library and Gallery]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Albin O. Kuhn Library and Gallery

Subject

Education

Creator

Jacob Bensen
Sarah Huston

Curatescape Story Item Type Metadata

Subtitle

A Library that Grew with the University

Story

Constructed of tooled Indiana limestone, glass, steel, concrete, and granite, the Albin O. Kuhn Library and Gallery is at the center of the University of Maryland, Baltimore County campus both literally and figuratively. Since the library first opened in 1968, it has served as a focal point of the campus and UMBC students’ academic lives.

In 1982, the building was named in honor of Dr. Albin O. Kuhn, the first chancellor of UMBC. Chancellor Kuhn helped to found and plan the University of Maryland campus in Baltimore County and took part in the early administration of the new campus. In 1965, Chancellor Kuhn hired his first full-time employee—the university’s first librarian, John Haskell, Jr. Haskell was only 24 at the time, coming to work straight out of graduate school and a few months of active duty in the Army Reserves. He spent many of the early months leading up to UMBC’s opening ordering books, hiring new employees, and creating a catalog ordering system. The campus master plan from that same year also noted the importance of the library:

“The building will be viewed on axis from the main approach drive, appearing unquestionably as the major building on campus.”

In its early years, UMBC housed the library collections in different locations throughout the campus. Chancellor Kuhn’s house served as the catalog center for the library’s 20,000 volume collection while other collection materials were held within Academic Building I. As the university’s holdings continued to grow, the UMBC administration began plans for the construction of a specifically designated library building, which would later become known as the Albin O. Kuhn Library and Gallery.

Campus architects designed the library to grow with the university, making plans to build it in three phases. Phase 1, in 1968, brought all of UMBC’s library collections, which had previously been scattered across the campus, together into one central location. The new library Brutalist unfinished concrete exterior contrasted with an interior of brightly colored walls and floor-to-ceiling windows overlooking the pond. Baltimore Chapter of the American Institute of Architects recognized the design with their highest honors in 1975.

Phase II opened in 1975 adding the library’s Special Collections department and a select collection of state and federal government documents to the library’s collection and continued the university’s efforts to expand its holdings. Phase III, the Library Tower, opened in 1995, increasing the library’s capacity further to 1,000,000 volumes.

As the library has sought to grow and maintain its holdings, the building has also grown as a student-centered space. This role expanded with the completion of the Retriever Learning Center (RLC) in 2011. Student organizations, like the Student Government Association and the Graduate Student Association, advocated for a central group study space as early as the 1980s. The university administration responded by creating the RLC, a space open to UMBC students for collaborative learning and group study. As described by UMBC President Dr. Freeman Hrabowski in 2011, the RLC is “another example of UMBC’s innovation in teaching and learning.”

Official Website

Street Address

University of Maryland, Baltimore County, 1000 Hilltop Circle, Baltimore MD 21250
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/items/show/304 <![CDATA[Edmondson Avenue Branch, Enoch Pratt Free Library]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Edmondson Avenue Branch, Enoch Pratt Free Library

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

Colonial Revival Architecture and a Community Institution

Story

Since 1951, the Edmondson Village Branch of the Enoch Pratt Free Library at the corner of Edmondson Avenue and Woodridge Road has served as a treasured community institution for nearby residents and readers. The building's Colonial Revival architecture reflects the design of the adjacent Edmondson Village Shopping Center whose developers, Jacob and Joseph Meyerhoff, originally donated the space for the library.

The first proposal to build a library in the area came a different developer, James E. Keelty, who erected thousands of the rowhouses in the area between the 1920s and the 1940s. In 1927, James Keelty offered to donate the lot at the northwest corner of Edmondson Avenue and Edgewood Street to build a new branch library. He even planned to "erect a library building on the lot and give the city its own time in which to pay for the structure." His generosity won support from the area's City Council member, Thomas M.L. Musgrave, who remarked:

People living in the Ten Hills, Rognel Heights and Hunting Ridge sections have been trying to get a branch of the Pratt Library for some time, and it now looks like all they need is the cooperation of the city and the library trustees to supply it immediately.

But the gift came with one big condition. Keelty also wanted the city's permission to put up a new building at the southwest corner for "moving pictures, stores and bowling alleys" at a time when residents in Baltimore's segregated white residential neighborhoods fiercely opposed most commercial development. Likely responding to this opposition, Mayor Broening vetoed the proposal in July 1928 and the library was never built.

Fortunately, local residents, led by members of the Edmondson suburban group of the Women’s Civic League, stepped up to the challenge of creating a library for their community. In 1943, local residents from Ten Hills and Edmondson Village came together to start a lending library they called the Neighborhood Library Group. The effort grew quickly and the organizers asked the developers of Edmondson Village Shopping Center to donate a space for the community. The Enoch Pratt Free Library took charge of the small “library station” and, with strong support from neighborhood residents, opened a small Colonial Revival branch library in 1951. Renovated between 2008 and 2010, the library remains a beloved and vital destination for readers and other library users today.

Official Website

Street Address

4330 Edmondson Avenue, Baltimore, MD 21229
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/items/show/118 <![CDATA[John Dos Passos at the Peabody Library]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

John Dos Passos at the Peabody Library

Subject

Literature

Creator

Amelia Grabowski

Curatescape Story Item Type Metadata

Story

Heralded as "the greatest writer of our time" by philosopher Jean-Paul Sartre, John Dos Passos spent time in and out of Baltimore from his birth in 1896 and lived here from 1950 until his death in 1970. An acclaimed biographer and novelist, Dos Passos is best remembered for his experimental writing style, often emulating the techniques of the camera and the newsreel, particularly in his trilogy of novels, U.S.A.

While Sartre called him "the greatest," Baltimoreans just called him "John." Dos Passos worked in the George Peabody Library as well as the Enoch Pratt Free Library and Johns Hopkins University Library almost daily during his time in Baltimore. Although Dos Passos once described his ideal working conditions as only, "a room without any particular interruptions," the George Peabody Library is majestic—particularly the reading room, which has been called "the setting of a bibliophile's dream," and "the most beautiful room in Baltimore."

The library was a gift from entrepreneur George Peabody to the people of Baltimore for their kindness and hospitality, and remains free and open to the public as part of the Sheridan Libraries Special Collections at Johns Hopkins University. In the reading room, one can find the library's collection of more than 300,000 volumes housed in five tiers of ornamental cast-iron balconies that stretch from the marble floor to skylights 61 feet above. There too, one could find John Dos Passos.

Bald and bespectacled, Dos Passos hunched over his desk researching American culture and writing his own works. Often confused for a librarian, he helped library visitors locate books in the card catalog, understand antiquated text, and complete research papers.

Although Dos Passos never wrote a book set in Baltimore, the city provided the author with more than just rooms in which to work. Baltimore helped pique Dos Passos' literary interest. The author recalled as a boy, "I would hide in the shadows so that I wouldn't be sent off to bed. I'd listen till my ears would burst" to stories of old storytellers and watermen, stories in which Baltimore "was the center." Shortly before his death, he described Baltimore as a city that "imbues the inhabitants with a certain dignity" where "neighborhoods had a special flavor."

Related Resources

Dos Passos, John. By David Sanders. The Paris Review, 2012.
The George Peabody Library. 2005.
O'Grady, Tom.  The Dos Passos Review. 1.2.
Shivers, Frank R., Jr. Maryland Wits and Baltimore Bards. Baltimore: Johns Hopkins University Press, 1985.

Official Website

Street Address

17 E. Mount Vernon Place, Baltimore, MD 21202
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/items/show/117 <![CDATA[Karl Shapiro at the Enoch Pratt Free Library]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Karl Shapiro at the Enoch Pratt Free Library

Subject

Literature

Creator

Amelia Grabowski

Curatescape Story Item Type Metadata

Story

Pulitzer Prize-winning poet Karl Shapiro was a true Baltimorean. As a young man in the 1920s and 1930s, Shapiro fed his literary ambitions with the city's rich cultural history; for instance, writing love poems at Fort McHenry where Francis Scott Key was inspired to pen the Star-Spangled Banner. In 1939, Shapiro enrolled in the Enoch Pratt Library School at the library's central branch, an experience that would greatly influence his life and his writing.

Shapiro later expressed his gratitude to Enoch Pratt Free Library, by capturing it in the lines:
"Voltaire would weep for joy, Plato would stare.
What is it, easier than a church to enter,
Politer than a department store, this center,
That like Grand Central leads to everywhere?"

Open to all Baltimoreans since its 1894 founding, the city's first non-segregated cultural institution does indeed "lead to everywhere," thanks to the library's numerous resources and founder Enoch Pratt's firm belief in inclusiveness. The architecture of the 1933 Central Branch building exemplifies Pratt's philosophy. Designed to mirror a department store, library patrons, not just librarians, could access the books, and large exhibit windows advertised library news to passersby. Following Pratt's requirements, the building's entrance remained without stairs for the convenience of women pushing strollers. This revolutionary design went on to inspire library architecture nationwide.

Shapiro enjoyed studying to be a librarian; however, World War II intervened. "I couldn't take the final exam because I was drafted," Shapiro explained. "Because of my background of two years of college...they put me in the company headquarters office and gave me a typewriter." As the company clerk, Shapiro was never far from writing materials and had "endless amounts of empty time"–-everything a poet needs. He wrote prodigiously, sending his poems stateside to his Baltimorean fiancée, Evalyn Katz, who then published them.

Although 9,000 miles from home, the Pratt Library was never far from Shapiro's mind. He frequently wrote to his former colleagues, signing his letters with "Very best wishes to you and the Library." Meanwhile, the library also contributed to the war effort, housing various headquarters and providing basement air-raid shelters.

When the war ended in 1945, the library returned to business as usual, but Shapiro did not. Having left America only a student, he returned home an established poet. Shapiro published four books and received several prizes including the Pulitzer Prize during the war. Assuming a radically different life than the one he had left, Shapiro taught at several universities, and describes his role as "not really a professor, but a sort of mad guest." He also worked as the Poetry Consultant to the Library of Congress, a position known today as the Poet Laureate; edited poetry magazines; and of course, wrote poetry. All the while, Shapiro embodied the philosophy of Enoch Pratt, relentlessly fighting against prejudice and injustices both in his poetry and with his actions, until his death in 2000.

Related Resources

Enoch Pratt Free Library. Enoch Pratt Free Library, n.d. Web. 7 June 2012.
Phillips, Robert.  The Paris Review Spring 1986. Web. 7 June 2012.
 Wired for Books. Ohio University, 1988. Web. 7 June 2012.

Official Website

Street Address

400 Cathedral Street, Baltimore, MD 21201
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/items/show/61 <![CDATA[Maryland State Medical Society (MedChi) Building]]>
The society became the seventh of its kind in the country, and some of its notable achievements include the creation in 1807 of what became the University of Maryland School of Medicine, the establishment in 1830 of a medical library, and the creation of the Baltimore College of Dental Surgery in 1839 that was the first institution of its kind in the world. MedChi has been in its current building since 1909 and Dr. William Osler, co-founder of the Johns Hopkins University School of Medicine, is given credit for the creation of the MedChi library that is still housed there today.

When Dr. Osler arrived in Baltimore in 1889 he was disappointed to find that the Society's library consisted of only 7,000 volumes of outdated and dilapidated books. He convinced the Society to purchase a building on Eutaw Street for use as a library but the collection soon outgrew the location.

The Society purchased a lot at 1211 Cathedral Street and dedicated the current building in 1909. Modeled after the medical society libraries of Boston, Philadelphia, and New York City, the building included a roof-top apartment (described by the Baltimore Sun as the "first penthouse in Baltimore") and a garden for a full-time, live-in librarian. The building was later renovated in 1962 by University of Maryland architect Henry P. Hopkins.]]>
2018-11-27T10:33:49-05:00

Dublin Core

Title

Maryland State Medical Society (MedChi) Building

Description

In January 1799, the Maryland Legislature approved a petition for a charter to incorporate a society of physicians in Maryland to be known as the Medical and Chirurgical Faculty of the State of Maryland. As written, this special act of the Maryland Legislature was intended to "prevent the citizens (of Maryland) from risking their lives in the hands of ignorant practitioners or pretenders to the healing art."

The society became the seventh of its kind in the country, and some of its notable achievements include the creation in 1807 of what became the University of Maryland School of Medicine, the establishment in 1830 of a medical library, and the creation of the Baltimore College of Dental Surgery in 1839 that was the first institution of its kind in the world. MedChi has been in its current building since 1909 and Dr. William Osler, co-founder of the Johns Hopkins University School of Medicine, is given credit for the creation of the MedChi library that is still housed there today.

When Dr. Osler arrived in Baltimore in 1889 he was disappointed to find that the Society's library consisted of only 7,000 volumes of outdated and dilapidated books. He convinced the Society to purchase a building on Eutaw Street for use as a library but the collection soon outgrew the location.

The Society purchased a lot at 1211 Cathedral Street and dedicated the current building in 1909. Modeled after the medical society libraries of Boston, Philadelphia, and New York City, the building included a roof-top apartment (described by the Baltimore Sun as the "first penthouse in Baltimore") and a garden for a full-time, live-in librarian. The building was later renovated in 1962 by University of Maryland architect Henry P. Hopkins.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In January 1799, the Maryland Legislature approved a petition for a charter to incorporate a society of physicians in Maryland to be known as the Medical and Chirurgical Faculty of the State of Maryland. As written, this special act of the Maryland Legislature was intended to "prevent the citizens (of Maryland) from risking their lives in the hands of ignorant practitioners or pretenders to the healing art."

The society became the seventh of its kind in the country, and some of its notable achievements include the creation in 1807 of what became the University of Maryland School of Medicine, the establishment in 1830 of a medical library, and the creation of the Baltimore College of Dental Surgery in 1839 that was the first institution of its kind in the world. MedChi has been in its current building since 1909 and Dr. William Osler, co-founder of the Johns Hopkins University School of Medicine, is given credit for the creation of the MedChi library that is still housed there today.

When Dr. Osler arrived in Baltimore in 1889 he was disappointed to find that the Society's library consisted of only 7,000 volumes of outdated and dilapidated books. He convinced the Society to purchase a building on Eutaw Street for use as a library but the collection soon outgrew the location.

The Society purchased a lot at 1211 Cathedral Street and dedicated the current building in 1909. Modeled after the medical society libraries of Boston, Philadelphia, and New York City, the building included a roof-top apartment (described by the Baltimore Sun as the "first penthouse in Baltimore") and a garden for a full-time, live-in librarian. The building was later renovated in 1962 by University of Maryland architect Henry P. Hopkins.

Official Website

Street Address

1211 Cathedral Street, Baltimore, MD 21201
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/items/show/54 <![CDATA[Peabody Institute]]>
Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866.

The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.]]>
2020-10-16T14:38:53-04:00

Dublin Core

Title

Peabody Institute

Subject

Education, Philanthropy, Music

Description

Established in 1857, the Peabody Institute is the second-oldest conservatory in the United States and a landmark at the southeast corner of the Washington Monument. Born in 1795 in Massachusetts, George Peabody lived briefly in Washington, DC, fought in the War of 1812, and, in 1816, settled in Baltimore where he lived for the next 20 years. Starting in the wholesale dry goods business and later through banking and finance, Peabody accumulated a tremendous fortune eventually moving to London to direct the banking firm of George Peabody & Co.

Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866.

The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.

Curatescape Story Item Type Metadata

Story

Established in 1857, the Peabody Institute is the second-oldest conservatory in the United States and a landmark at the southeast corner of the Washington Monument. Born in 1795 in Massachusetts, George Peabody lived briefly in Washington, DC, fought in the War of 1812, and, in 1816, settled in Baltimore where he lived for the next 20 years. Starting in the wholesale dry goods business and later through banking and finance, Peabody accumulated a tremendous fortune eventually moving to London to direct the banking firm of George Peabody & Co. Inspired by the many cultural and educational opportunities available to residents in London, Peabody set out to bring these same opportunities to the United States through philanthropy. The most significant of these efforts remains the Peabody Institute, founded in 1857 through a donation of $1,400,000. The construction of a home for the new Peabody Institute was delayed by the start of the Civil War, the Conservatory building opened in 1866. The Conservatory was joined in 1878 by the George Peabody Library, directly to the east, opened in 1878 and is one of the most spectacular enclosed spaces in our city. Designed by architect Edmund G. Lind, in collaboration with the first provost Dr. Nathaniel H. Morison, the library is distinguished by the unique interior architectural ironwork fabricated by the Bartlett-Robbins & Company. The Peabody Stack Room features five tiers of ornamental cast-iron balconies that rise to a skylight set 61 feet above the floor. The building is a rare example of Edmund Lind's architectural work as only a few other surviving buildings remain from his prolific 40-year career.

Watch our on George Peabody!

Official Website

Street Address

1 E. Mount Vernon Place, Baltimore, MD 21202
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/items/show/41 <![CDATA[Central Library, Enoch Pratt Free Library]]> 2022-01-15T10:21:29-05:00

Dublin Core

Title

Central Library, Enoch Pratt Free Library

Subject

Literature
Philanthropy
Architecture

Curatescape Story Item Type Metadata

Subtitle

Enoch Pratt's Library for "Rich and Poor"

Story

"My library shall be for all, rich and poor without distinction of race or color, who, when properly accredited, can take out the books if they will handle them carefully and return them."

These were the words of Enoch Pratt in 1882 when he gave a gift of over $1 million to Baltimore City to create a central library and four branches. By 1894, the Pratt Library had the fourth largest collection in the country and one of the most active circulations.

With assistance from Andrew Carnegie, the library system and its branches grew tremendously in the early 1900s, expanding to over 20 neighborhood branches. In 1927, the citizens of Baltimore voted to spend $3 million in city funds to build a new Central Library building.

The construction of the current central library building on Cathedral Street began in 1931 and was completed in 1933. Architect Clyde N. Friz hoped to avoid the old-fashioned institutional character of the past in his design and instead to give the library "a dignity characterized by friendliness rather than aloofness," as Pratt Director Joseph Wheeler stated. The new building allowed the library to form specialized departments, such as "education, philosophy, and religion," "industry and technology," as well as the "popular library," now known as the fiction section.

Although allowing for expansion, the design of the new building retained one of Pratt's steadfast requirements: that there be no stairs leading into the main entrance. This seemingly odd requirement, and one that certainly went against the grain of architectural design for grand civic institutions at the time, was based Pratt's philosophy that the library should be open to all people. Pratt saw grand stairs as an impediment, especially to a growing segment of the reading population: women who may be pushing babies in strollers.

Far before the advent of the Americans with Disabilities Act and its accessibility requirements for public buildings, the main entrance to the library pointedly tell the story of Pratt's vision and commitment to inclusivity.

Watch our on the building!

Official Website

Street Address

400 Cathedral Street, Baltimore, MD 21201
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