/items/browse?output=atom&tags=Hampden <![CDATA[Explore 91ĘÓƵ]]> 2025-03-12T11:55:01-04:00 Omeka /items/show/691 <![CDATA[The Hampden Theater]]> 2021-01-22T15:36:44-05:00

Dublin Core

Title

The Hampden Theater

Subject

Entertainment

Creator

David Stysley

Curatescape Story Item Type Metadata

Story

For 50 years, the Hampden and Ideal Theaters operated within a few doors of each other in the 900 block of 36th Street in Hampden. Julius Goodman, who ran the Ideal for many years, described the competition: “Well, we were friendly competitors. We split the product right down the middle. We had Metro and Warner Bros. and RKO; they were our basic majors. They had Paramount, Fox, and Columbia. And we had two minors, but they were very, very profitable; one was Republic Pictures who and Gene Autry and Roy Rogers and also John Wayne who made one or two pictures a year – I think the Sands of Iwo Jima was a Republic Picture, if I’m not mistaken – and Moongram Pictures with the Bowery Boys. So we split the product.”

The original Hampden Theater emerged in 1911 when Charles A. Hicks bought a tin shop for $1,500 and converted it into a theater. Like the Ideal, the Hampden Theater was a 21-day theater which means it would show movies 21 days after opening downtown. In April 1918 a series of patriotic meetings in support of the Third Liberty Loan (bonds sold to cover the expense of World War I) were held in several Baltimore theaters, including the Hampden. In 1926, architect George Schmidt designed a $70,000 updated theater. It was the only theater in Baltimore to feature a Gottfried Organ. The theater continued operating until 1976 when it was sold to local baker Bernard Breighner, who closed it 1978. Breighner converted the building into a mall and opened it in 1981. The mall has since closed and currently the old theatre is a commercial building that hosts a restaurant and yoga studio.

In 2013, the Baltimore Love Project painted its iconic mural on the front of the Hampden Theater.

Related Resources

Headley, Robert K. Motion Picture Exhibition in Baltimore. Jefferson, North Carolina. McFarland & Company, Inc: 2006.

Street Address

911 W. 36th Street, Baltimore, MD 21211
]]>
/items/show/690 <![CDATA[The Ideal Theater]]> 2021-01-22T15:44:04-05:00

Dublin Core

Title

The Ideal Theater

Subject

Entertainment

Creator

David Stysley

Curatescape Story Item Type Metadata

Story

In the Progressive Age (1890-1920), movie theaters were a new and popular form of entertainment. They were being built all over Baltimore, and Hampden was no different. In 1908, Marion Pearce and Philip Scheck (who already owned six theatres) opened the Ideal Theatre as a nickelodeon. Small and simple theaters, nickelodeons charged a five-cent, or a nickel, admission fee.

In 1920, Baltimore City Delegate George D. Iverson sponsored legislation to repeal the law that required theaters to be closed on Sunday. However, the owners of the Ideal Theater opposed this legislation because they thought opening on Sunday would hurt their Saturday and Monday receipts. In 1922, Julius Goodman bought the theater for $18,000. In 1960, Schwarber Theaters bought the theater from the Goodman family. The last movie shown at the Ideal was PT 109 starring Cliff Robertson as a young John F. Kennedy, Jr. Released in September 1963, it was shown two months before Kennedy’s assassination.

After the Ideal closed, the building was leased to the Salvation Army. During this time the Stratis family purchased it and rehabbed it. They leased it to Woodward's, an antiques gallery and auction theater, which moved out in March 2014. Currently, the Ideal Theatre is a live music and performing arts venue. Most recently, it hosted the Ministry of Swing, which offered different kinds of dance and movement classes.

Related Resources

Headley, Robert K. Motion Picture Exhibition in Baltimore. Jefferson, North Carolina. McFarland & Company, Inc: 2006.

Street Address

905 W 36th St, Baltimore, MD 21211
]]>
/items/show/689 <![CDATA[Hampden Hall]]> 2021-01-22T15:37:28-05:00

Dublin Core

Title

Hampden Hall

Creator

David Stysley

Curatescape Story Item Type Metadata

Subtitle

A Gathering Place Since 1882

Story

Hampden Hall was an important part of Baltimore even before the neighborhood of Hampden was a part of Baltimore. Six years before Hampden was incorporated into Baltimore City, Hampden Hall was constructed as a meeting hall for Civil War veterans in 1882. It was later used as a town hall and a venue for dances and concerts, among other events. Later as Baltimore City moved into the Progressive Age (1890-1920), Hampden Hall also changed with the times.

The Progressive Age is marked, in part, with an increase in commercialization. Baltimore businessman Theodore Cavacos, who owned a pharmacy that operated in Hampden Hall, bought the building in 1913. He expanded the hall by building storefronts along 36th Street. The Cavacos family owned the building until 2004. In 1975, the family worked with artist Bob Hieronimus and the city of Baltimore to create a large mural on the north side of the building that celebrates Hampden and two Medal of Honor winners, Lieutenant Milton Ricketts and Private First Class Carl Sheridan, from the neighborhood.

Lieutenant Ricketts was awarded his Medal of Honor for his service in the Navy in the Pacific Theater of World War II. While serving on the U.S.S. Yorktown in the Battle of the Coral Sea on May 8, 1942, a bomb exploded directly beneath Ricketts and mortally wounded him. However, before he died, he was able dampen the fire. This courageous action undoubtedly prevented the rapid spread of the fire to other parts of the ship.

Private First Class Sheridan won his Medal of Honor for his service in an attack on the Frezenberg Castle in Germany on November 26, 1944. With complete disregard for his own safety, he blasted a hole through a heavily-fortified door. Sheridan charged into the gaping entrance and was killed by the enemy fire that met him. The Sheridan-Hood Veterans of Foreign Wars Post 3065 in Hampden was founded in 1945 and is named in memory of Carl Sheridan.

Street Address

929 W. 36th Street, Baltimore, MD 21211
]]>
/items/show/688 <![CDATA[St. Mary's Community Center]]> 2021-01-22T15:42:49-05:00

Dublin Core

Title

St. Mary's Community Center

Subject

Religion

Creator

David Stysley

Curatescape Story Item Type Metadata

Subtitle

A Church-Turned-Community Center in Hampden

Story

The story of Hampden’s name can be traced back to St. Mary’s Community Center. Originally established as St. Mary’s Episcopal Church, the congregation started meeting in Hampden in the 1850s. Under the leadership of Henry Mankin this congregation petitioned the Diocese of Maryland for a new Episcopal church for his neighborhood, which was accepted in 1854. Mankin also named the neighborhood in honor of John Hampden, an English politician. Mankin admired him for the stand he took on taxation of the American colonies. Prior to American Revolution, Benjamin Franklin and John Adams were among those who referenced John Hampden to justify their cause.

The congregation’s original location was at Falls Road and 36th Street. However in 1858 the city needed this location for a reservoir, and along with the surrounding properties, condemned the original location. Today the reservoir is no longer in use and is now part of Roosevelt Park. Without a location to meet the congreation went a year without services. On May 31, 1860 construction began on a new church on Roland Ave.

At the outbreak of the Civil War in 1861, St. Mary’s first reverend left to become a chaplain for the Union Army, yet he did not resign his commission. He reported in 1863 that the church was burned down, but not before the carpeting had been stolen. In addtion Union soldiers camped on what is today Union Ave and stole the wooden fence for firewood. While the Federal Government did compensate the parish in a settlement, it was not enough for it to continue its work. The parish nearly closed. It was not until 1872, after the first reverend resigned, that a new rector was elected. A year later the congregation was able to raise the funds to lay a new cornerstone to rebuild the church where the structure stands today.

St. Mary’s operated as a church until 1999. It evolved into the St. Mary’s Community Center in 2002. Today the Baltimore Shakespeare Factory performs in the center’s Great Hall. This company recreates as closely as is possible the staging conditions, spirit, and atmosphere created by Shakespeare’s theatre company during the Elizabethan and Jacobean periods.

Street Address

3900 Roland Ave Baltimore, MD 21211
]]>
/items/show/597 <![CDATA[St. Thomas Aquinas Church]]> 2019-06-25T17:05:37-04:00

Dublin Core

Title

St. Thomas Aquinas Church

Subject

Religion

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

In the mid-nineteenth century, Catholic residents of Hampden belonged to the St. Mary of the Assumption parish in Govans, a distant walk from the burgeoning neighborhood. Since the industrial mill village had been built by the owners of the mills for their predominantly white Protestant workers, they had made no accommodations for Catholics to worship in the area. At least until an Irish-Catholic immigrant named Martin Kelly started a small Catholic community. Kelly erected the first non-company housing along Falls Road east of the mills, which grew into the Hampden we know today.

Kelly’s extended family occupied many of the sixteen homes Kelly erected in the 1850s. Others were likely owned by mill employees who could afford to leave the mill villages or by shopkeepers selling goods to other residents in the mill villages. Kelly built a large home for himself on Hickory Avenue, known colloquially as the Kelly Mansion. Fellow Catholics likely knew the house well. Seeking a place to worship closer to home, Kelly persuaded a priest to hold services in his home's parlor, using the piano as an altar. After Kelly's death, his son John donated the land and funds for a new Catholic church in Hampden called St. Thomas Aquinas.

Rev. Thomas Foley laid the cornerstone of St. Thomas Aquinas Church on May 12, 1867. The building, designed by famed local architect George Frederick and constructed at the cost of $20,000, was completed on June 18, 1871. Archbishop Martin John Spalding attended the dedication.

Today, the church complex consists of the church, rectory, school, and convent. The school was founded in 1873 and the current building went up in 1937. At the time, the school had 320 pupils and a staff of eight, hired from the School Sisters of Notre Dame. In 1973, St. Thomas Aquinas clustered with nearby parishes. Grades one to five attended St. Thomas Aquinas, while middle school students attended St. Bernard's in Waverly. Middle schoolers returned to St. Thomas Aquinas in 1996, seven years after St. Bernard's had become a Korean National Parish (which closed just a year later in 1997).

The school reached a crisis point in 2010 when the archdiocese closed thirteen of sixty-four parochial schools in Baltimore. St. Thomas Aquinas avoided closure due to the leadership of its principal, Sister Marie Rose Gusatus. The school took in students from surrounding parishes. However, the school only remained open for another six years.

In 2016, the Archdiocese closed St. Thomas Aquinas School along with Seton Keough High School in Southwest Baltimore and John Paul Regional School in Woodlawn. While the archdiocese claimed enrollment in Catholic schools had begun to stabilize after decades of declining enrollment, funding remained low as enrollment costs were kept low to make the schools more affordable. Also, in response to the need for costly improvements, the archdiocese decided it would be best to consolidate the schools.

Official Website

Street Address

1008 W. 37th Street. Baltimore, MD 21211
]]>
/items/show/557 <![CDATA[Zissimos Bar]]> 2018-11-27T10:33:56-05:00

Dublin Core

Title

Zissimos Bar

Subject

Entertainment

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

Where Lou Costello tap danced on the bar

Lede

Family-owned since 1930, Zissimos lays claim to being the oldest business in operation on the Avenue.

Story

In Charles Barton's 1948 romp, The Noose Hangs High, Bud Abbott and Lou Costello argue over shrimp cocktails. Abbott tells Costello to imagine he's in Grand Central station with a ticket in his pocket. Where is he going? Costello doesn't understand why he should be going anywhere, but Abbott presses him:

"I'll go to Baltimore," Costello says.
"Of all the towns in the United States, why did you have to pick Baltimore?"
"I got friends in Baltimore!"

Lou Costello's connection to Baltimore was more than casual. His aunt, Eva Zissimos, owned Zissimos Bar with her husband, Atha. Eva would host Costello when he was passing through town. His exploits at Zissimos became a riotous neighborhood event. He was known to tapdance on the bar and hand out autographed one-dollar bills to children. Costello was fond of his Baltimore family. During a show at the Hippodrome, he invited Eva's four year old granddaughter, Leiloni Pardue, to perform on stage with him. The last time Lou Costello came to Baltimore was in 1957 on his way to Washington D.C. to perform at President Eisenhower's second Inauguration. He died two years later of a heart attack.

Lou Costello's antics at Zissimos are just a small part of the bar's legacy. Zissimos lays claim to being the oldest business in operation on the Avenue. It has been family owned since 1930. Atha and Eva chose the Thirty-Sixth street location because of Hampden's sizeable Greek population. The biggest Greek name in Hampden was Theodore Cavacos. He was the unofficial mayor of Hampden and owned vast swaths of property in the area, including the lucrative Cavacos Drugstore. By the end of the 1950s, there were over a dozen Greek owned establishments in Hampden, several of which were owned by members of the Zissimos family, including a dry cleaners and a restaurant.

The history of Zissimos is long and eclectic. Before the building's renovation in 2014, Zissimos looked like a bunker–a fortified brick facade with a sliver of an opening for a window. The facade replaced a large picture window from which Atha sold hamburgers and hotdogs. The window met a violent end after William Zissimos and his brother Louis took over in 1955. Louis was an undefeated heavyweight boxer in the Navy and took a no-nonsense approach to running the bar. Rowdy patrons who picked a fight with him were thrown out the window, and after shattering the glass too many times, the window became irreparable.

Zissimos is a much warmer place today, in large part due to the efforts of its current owner, Geli Ioannou, who married into the Zissimos family. Geli renovated Zissimos and opened the upstairs, once the home where Eva served Lou Costello hot meals, and turned it into the space for the bar's comedy night, "Who's on First?".

Official Website

Street Address

1023 W. 36th Street, Baltimore, MD 21211
]]>
/items/show/516 <![CDATA[Church & Company]]> 2018-11-27T10:33:56-05:00

Dublin Core

Title

Church & Company

Subject

Religion

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

A new use for the old Hampden Presbyterian Church

Story

Workers laid the cornerstone of the Hampden Presbyterian Church in 1875 and dedicated the building two years later. The sturdy structure is made of Texas Limestone, named for the unincorporated town in Baltimore County where the quarry is located. The church originally housed a Sunday school on the first floor and a sanctuary on the second floor.

In the 1970s, after experiencing a steady decline in parishioners and financial difficulties, the Hampden Presbyterian Church merged with nearby Waverly Presbyterian Church. The newly merged congregations used the Waverly church for services and the Hampden building served other purposes including as a community center, clinic, offices, and apartments.

In 2011, the congregation sold the building and Church & Company moved in. Owners Alex Fox and Joey Rubulata removed the old paint, paneling and ceiling tiles that accumulated from years of different uses and restored the sanctuary to its original layout. Church and Co. rent the sanctuary out for weddings, large gatherings, and music performances, and a vintage clothing store now occupies the old Sunday school portion of the building.

Official Website

Street Address

3647 Falls Road, Baltimore, MD 21211
]]>
/items/show/465 <![CDATA[Florence Crittenton Home]]> 2018-11-27T10:33:55-05:00

Dublin Core

Title

Florence Crittenton Home

Curatescape Story Item Type Metadata

Subtitle

The Former Home of David Carroll of the Mount Vernon Mill Company

Lede

Crittenton Home was originally the home of David Carroll, owner of the Mount Vernon Mill Company. The building got its name after being absorbed by the Florence Crittenton Mission in 1925.

Story

Crittenton Home was originally the home of David Carroll, owner of the Mount Vernon Mill Company. The building got its name after being absorbed by the Florence Crittenton Mission in 1925.

The Mission was started in 1882 by wealthy New Yorker and Protestant evangelist Charles Crittenton who made his fortune in pharmaceuticals. After losing his four year old daughter Florence to Scarlet Fever, Crittenton dedicated himself to philanthropy, using his wealth to open sanctuaries for unwed mothers. He traveled across the country proselytizing and offering five-hundred dollars to each town willing to open a Home. In 1898, President McKinley signed a special act of Congress which granted a national charter to the Florence Crittenton Mission, making it the first charitable organization to receive a national charter from the United States. At its peak, the Mission had over seventy-five Homes internationally.

The mansion that became the Crittenton Home was likely constructed in 1845 during the development of Stone Hill, a company housing development for workers of the Mount Vernon mills. Positioned high on a hill, the mansion provided an impressive view over Stone Hill and the mills.Carroll could comfortably oversee his industrial domain from the comfort of his grand home, while employees catching glimpses of the house from their homes and workplace below could not shake the feeling that the boss was always watching.

Carroll died in 1881. Afterward other executives of the Mount Vernon Mill Company likely inhabited the mansion. (His son, Albert Carroll, had Evergreen on the Hill, a Greek Revival Mansion now used by the SPCA). After a devastating 1923 labor strike, the mill company moved its operations south in search of cheaper labor and in 1925, the mansion was sold to the Florence Crittenton Mission. The purchase was a response to overcrowding at Baltimore's first Crittenton Home located in Little Italy.

By the 1950s and '60s many Florence Crittenton Homes had become places where embarrassed middle class families hid their pregnant daughters. Under these arrangements, children were taken from their mothers and given up for adoption. With the introduction of birth control pills, the legalization of abortion, and the lessening of stigma against unwed pregnancy, Homes across the country began closing. The Hampden Florence Crittenton Home stayed in use until 2010.

The mansion is currently being renovated and converted to apartments. The mid-century dormitories that served the Florence Crittenton House have been demolished to make way for townhouses.

Street Address

3110 Crittenton Place, Baltimore, MD 21211
]]>
/items/show/411 <![CDATA[Mill Centre]]> 2019-06-10T22:22:56-04:00

Dublin Core

Title

Mill Centre

Subject

Industry

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

Offices at Mount Vernon Mill No. 3

Lede

Mount Vernon Mill No. 3, renamed Mill Centre in the 1980s, represented in 1853 an important expansion to Mt.Vernon Company. Led by president and former sailor Captain William Kennedy, both were among fourteen U.S. mills that—as part of a huge textile conglomerate—would capture up to 80% of the world’s demand for cotton duck in the early 1900s.

Story

Mount Vernon Mill No. 3 was once part of the network of mills owned by the Mount Vernon Mill Company. The village of Stone Hill, adjacent to Mill No. 3, was built around 1845 to house the growing workforce. Families housed in the cottage-like stone duplexes were brought in from surrounding rural areas by mill owners, who also built a company store, churches, a boarding house, and a school.

By the 1880s, the combined mills employed 1,600 workers. Originally erected in 1853, Mill No. 3 was expanded in 1880 as demand for cotton duck increased. More housing followed, so much so that by 1888—when Hampden and Woodberry were annexed by Baltimore City — development had exceeded well beyond the original boundaries of the mill villages.

A 1923 strike against an increase in hours with little increase in pay proved devastating for workers. Soon after, what was once Hampden’s major employer moved much of the mills’ operations to the South. The company began selling off properties, and Stone Hill families in turn were able to buy their homes from their former employers. A new generation of manufacturers moved in and repurposed the old textile mills. In 1974, Rockland Industries bought Mill No. 3, installed new looms, and produced assorted synthetic textiles.

By 1986, the mill was once again sold and redeveloped into a complex of artist studios, galleries, and commercial office space. Today, the site is home to more than seventy tenants of various occupations.



Related Resources

, Greater Hampden Heritage Alliance

Official Website

Street Address

3000 Chestnut Avenue, Baltimore, MD 21211

Access Information

Private Property
]]>
/items/show/395 <![CDATA[Meadow Mill]]> 2019-06-16T10:08:17-04:00

Dublin Core

Title

Meadow Mill

Subject

Industry

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Lede

Meadow Mill was built by industrialist William E. Hooper in 1877 during one of the most prosperous periods for industry in the Jones Falls Valley. Designed by architect Reuben Gladfelter, it represented the finest of Baltimore mill design. A striking belfry, landscaped paths, and tidy gardens signaled Hooper’s prominence among business leaders.

Story

Baltimore industrialist William E. Hooper built Meadow Mill in 1877 during one of the most prosperous periods for industry in the Jones Falls Valley. Designed by architect Reuben Gladfelter, the structure represents the finest of Baltimore mill design. The striking belfry, landscaped paths, and tidy gardens all signaled Hooper’s prominence among business leaders.

Over the next century, workers at Meadow Mill manufactured twine, lamp wicks, cotton duck (a heavy canvas used primarily for ship sails), and, when during the building’s time as a London Fog factory, raincoats. When the building was new, Meadow Mill was one of four factories comprising Hooper’s Woodberry Manufacturing Company, including Mt. Washington Mill, Woodberry Mill, Clipper Mill and Park Mill. In 1899, the mill became part of the Mt. Vernon-Woodberry Cotton Duck Company, a textile empire that manufactured as much as eighty percent of the world's cotton duck.

Entire families worked long hours to make ends meet. In 1880, children under the age of fifteen made up a quarter of the mill’s workforce. After 1900, the state began to enforce child labor laws that required permits for children under fifteen years old, but children could still expect to work twelve hour shifts for little pay, and at the sacrifice of an education. In 1906, thirty-five girls with no union leader or organization walked out of Meadow Mill demanding a pay increase. Fifty bobbin boys followed the girls out on strike. In the end, the girls' received a raise from fourteen dollars to sixteen dollars a month. The boys received nothing. Their fathers, seeing their boys out of work and not making any money, scolded them and sent them back to work.

By 1915, the Mt. Vernon-Woodberry Cotton Duck Company broke apart and was reestablished as Mt. Vernon-Woodberry Mills. The new company controlled mills in Hampden-Woodberry, South Carolina and Alabama. Production boomed during World War I but, by the 1920s, the company began shifting its operations to the South where wages were low and workers less organized. Meadow Mill continued operations through the Depression then boosted production again during World War II to fill military commissions for canvas. Following the war, the company converted the mill for synthetic textile production, which required sealing the windows and installing air conditioning to regulate temperature and humidity.

In 1960, Meadow Mill was sold to Londontown Manufacturing Company, the makers of London Fog Raincoats. Company founder Israel Meyers started in the outerwear business in the 1920s and popularized military-style trench coats for civilians. London Fog went on to become the leading men's raincoat manufacturer of the 1960s and 1970s. In 1978, the Sun referred to Baltimore as the “nation's raincoat capital,” reporting that Londontown employed 1,500 people in the city including 600 at the Meadow Mill plant. Londontown also continued the textile manufacturing tradition in the building, making proprietary polyester-cotton blends.

In 1972, Hurricane Agnes hit and flooded the factory causing $148,000 in damages. The company's signature raincoats could be found floating down the torrent of the Jones Falls. In 1976, the company was bought by Interco, a conglomerate based in St. Louis. In 1988, the Baltimore Economic Development Corp. struck a deal to move the London Fog factory from Meadow Mill to the Park Circle Business Park in northwest Baltimore. The company closed the Meadow Mill factory and sold the building to developer Himmelrich Associates. The new owners adapted the building for a wide mix of uses including offices, a gym, a restaurant, and a bakery.

As for London Fog, the company struggled through the 1990s. Interco filed for bankruptcy in 1991. The company renamed London Fog Inc. and tried opening its own retail locations, which ended up angering the company's biggest customers—department stores. By 1995, London Fog had shuttered five of its Baltimore area factories and shifted production overseas. In 1997, London Fog announced plans to close its last U.S. factory in northwest Baltimore, citing competition from cheaper overseas labor. Two years later, London Fog filed for bankruptcy protection. Founder Israel Meyers died the same year.

Official Website

Street Address

3600 Clipper Mill Road, Baltimore, MD 21211
]]>
/items/show/390 <![CDATA[Union Mill]]> 2018-11-27T10:33:54-05:00

Dublin Core

Title

Union Mill

Curatescape Story Item Type Metadata

Story

Originally known as Druid Mill, Union Mill was built between 1865 and 1872. At the time, it was the largest cotton duck mill in the United States. A unique feature of the mill's construction is the use of locally quarried stone. The other mills in the area were constructed with brick.

Druid Mill was was the first mill in the area to feature a clock tower, which was clearly visible to the workers living in Druidville located across Union Avenue. The mill joined the Mount Vernon Woodberry Cotton Duck Company in 1899, which had a virtual monopoly on the world's production of cotton duck. The mill was then renamed Mount Vernon Mill No. 4.

Today, the mill is home to residences and businesses, including Artifact Coffee.

Official Website

Street Address

1500 Union Avenue, Baltimore, MD 21211
]]>
/items/show/349 <![CDATA[Stieff Silver Building]]> 2021-02-22T09:36:18-05:00

Dublin Core

Title

Stieff Silver Building

Subject

Industry

Creator

Auni Gelles

Curatescape Story Item Type Metadata

Story

For more than 85 years, the large sign atop the Stieff Silver Building has spelled out the name of a company once synonymous with Baltimore. The movement of the Stieff Company from downtown to the bucolic neighborhood of Hampden mirrored the changes that Baltimore and many other cities experienced during the twentieth century. The Kirk-Stieff Company was the oldest silversmith firm in the country when the factory closed its doors in 1999, marking the end of a tradition that had flourished in Baltimore since the early nineteenth century. Entrepreneur Charles Clinton Stieff founded the company in 1892 at 110 W. Fayette Street. After several name changes, the Stieff Company became a major player in the silver manufacturing business. In 1894, Stieff opened a showroom at 17 N. Liberty Street near the Howard Street shopping district, which turned Stieff into a familiar name for generations of Baltimoreans. Watch our Five Minute Histories video on this site! Charles C. Stieff’s son Gideon took over in 1914 around the same time automobiles were changing the pace of city life. A few years later, a trip to Druid Hill Park would forever change the face of Stieff Silver. Gideon and his future wife Claire were enjoying an outing at the park when she pointed out a plot of land that she thought would suit the company’s plans for a new factory. They were looking at the mill village of Hampden, just across the Jones Falls from the park. Although the city annexed this community in 1888, it still remained relatively isolated well into the twentieth century. This sylvan streetcar suburb attracted the Stieffs, who marketed the new building’s “out-of-the-congested district” location with unlimited parking to appeal to shoppers in the mid-twentieth century. The Stieff Company purchased the land from Mount Vernon Mill in 1922 and broke ground on the project in 1924. Production began at the Hampden location in 1925 and was so successful, the company decided to double the size of the factory in 1929. They might have reconsidered the addition had they been able to predict the Great Depression, but the company managed to hang on during the difficult economic times of the 1930s. A degree of stability was established in 1939 when Stieff signed a contract to reproduce silver for Colonial Williamsburg. During World War II, when the federal government took control of the nation’s silver supply, the company made surgical equipment and aluminum ice trays to remain solvent. They began working with pewter in the 1950s, which quickly became the majority of their business. Demand for silver and pewter was high in the postwar period when the company opened a retail store on the 200 block of N. Howard Street and, in 1970, built a large addition to the Hampden factory. They purchased S. Kirk and Son, another Baltimore silversmith firm that had been in the business since 1815, and assumed the name Kirk-Stieff in 1979. The company, like many other industries in Baltimore and across the U.S., faced serious challenges in the 1980s and 1990s. The Howard Street showroom closed in 1981, adding yet another vacant storefront to the once bustling commercial center. The Kirk-Stieff Company ceased operations in January 1999. Local developers Struever Bros. Eccles & Rouse bought the building for $1.5 million in 2000. After investing $13.2 million to renovate the interior into office space, several nonprofit groups moved to the Wyman Park Drive location in 2002. Although its occupants have changed, the large electric sign atop the Stieff Silver Building remains an icon for many Baltimoreans.

Watch on this site!

Street Address

810 Wyman Park Drive, Baltimore, MD 21211
]]>
/items/show/322 <![CDATA[Roosevelt Park and the FRP]]> 2018-11-27T10:33:53-05:00

Dublin Core

Title

Roosevelt Park and the FRP

Subject

Parks and Landscapes

Creator

Allen Hicks

Curatescape Story Item Type Metadata

Story

Today, Roosevelt Park is a quiet, green space with mature trees, playing fields, gardens, a recreation center, and a community skate park. The park dates back to the late nineteenth century when it was known as West Park. In 1920, a year after it was incorporated into the Baltimore City Recreation and Parks system, the site was rededicated as Roosevelt Park.

A large part of the park was for many years completely under water and served as an important reservoir for North Baltimore. When the Jones Falls Expressway was built during the 1960s and 1970s, the extra dirt was used to fill in the reservoir. Initially the city planned to turn the filled in reservoir into a department of Aviation heliport, but public outcry forced them to retract the project.

In 1997, it was rumored that Mayor Kurt Schmoke planned to sell the eighteen acre Roosevelt Park to developers to build luxury condominiums and turn the recreation center—an important community meeting space for residents since 1911—into a PAL (Police Athletic League). The mayor himself would not comment on the plan, but many Hampden residents were nevertheless worried about the future of the park and its aging recreation center.

In response, Hampden resident Allen Hicks founded a community action group called the Friends of Roosevelt Park (FRP). During a media event in 2001, more than 500 Hampden residents held hands in a giant circle around the park, protesting the city’s intentions. Additionally, the FRP gathered 1,000 signatures for a petition and reached out to the 42nd Maryland District representatives for assistance in the campaign. Additionally, the Knott Foundation provided the initial funding for a monthly newsletter.

Over the next several years the Friends of Roosevelt Park held many public meetings to determine what the people liked and did not like about Roosevelt Park. They also met with city officials, budget experts, outside consultants and the Baltimore Development Corporations (through its participation in the Baltimore Main Street program). These meetings led to the creation of a master plan for Roosevelt Park in 2003, including expanded public gardens, new playing fields, a skate park, a $700,000 renovation of the Roosevelt Park recreation center, a $2 million swimming pool complex, $100,000 for a new children’s playground, and a $500,000 bond issue on the election ballot.

Official Website

Street Address

1221 W. 36th Street, Baltimore, MD 21211
]]>
/items/show/321 <![CDATA[Hampden Branch, Enoch Pratt Free Library]]> 2019-05-09T21:29:16-04:00

Dublin Core

Title

Hampden Branch, Enoch Pratt Free Library

Subject

Libraries

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Subtitle

Robert Poole's Gift to Hampden Readers

Lede

Enoch Pratt Free Library Branch No. 7 opened its doors on July 2, 1900, 17 years after industrialist Robert Poole and fellow businessmen established Woodberry’s first community library. In 1899, Poole donated the land, the books from the old library, and $25,000 towards erecting the new branch of Enoch Pratt Free Library on Falls Road.

Story

The doors at Branch No. 7 of the Enoch Pratt Free Library opened to patrons on July 2, 1900, seventeen years after industrialist Robert Poole and fellow businessmen established Woodberry’s first community library. In 1899, Poole donated land across the street from his Maple Hill estate, the books from the old library, and $25,000 towards the construction of the new building on Falls Road.

The library’s architect Joseph Evans Sperry designed a number of significant buildings along with partner John Wyatt. The firm’s work including the Bromo Seltzer Tower and the Mercantile Trust and Deposit Building. The neoclassical design of the library was a departure from the Romanesque style of the original six library branches, designed by Sperry's former boss, architect Charles Carson. Poole's foundry located down the hill in Woodberry provided the ionic columns for the library. More famously, in the 1850s, the foundry cast the columns of the peristyle of the U.S. Capitol Building dome.

In order to increase circulation in the busy mill town, the library advertised the new branch with slips placed in workers' pay envelopes. The library also carried reference books on textile manufacturing as requested by residents. When the mills were at their busiest, the library had to find new ways to attract visitors. The library also faced competition from new sources of entertainment to Hampden such as a bowling alley, pool room, and movie theater. Up until 1915, the library shared the building with Provident Savings Bank. When the bank moved to 36th Street, the library tore down the wall that had separated the the reading room from the bank to create a new auditorium for lectures.

One of the more elaborate ways the library attracted visitors was the 1917 Garden Exhibit and Harvest Exhibition. During the Garden Exhibit in the spring, librarians handed out packets of seeds to patrons and nurtured a garden of their own behind the library. In an annual report, the branch manager noted that the staff found gardening surprisingly interesting. They were taken in by the excitement of coming to work and seeing plants that had grown as much as an inch taller overnight. The Harvest Exhibition took place in the fall, offering residents a miniature county fair with lectures on canning and gardening and contests for the best crops.

In 1936, Works Progress Administration (WPA) funds were used to double the size of the Hampden Library. Today, the library remains both an architectural landmark and community resource for area residents.

Official Website

Street Address

3641 Falls Road, Baltimore, MD 21211
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/items/show/320 <![CDATA[Mayor's Christmas Parade]]>
Kerr hoped the parade would bring positive attention to Hampden. Mt. Vernon Mill Company closed its last remaining mill in Hampden-Woodberry that year, marking the end of the textile industry in the area. The first parade was far more modest than the department store extravagance of the Toytown parade, and Kerr was only able to secure a single Santa Claus float and six marching bands. Nonetheless, the parade drew a large crowd and was considered a success. As of 2013, Kerr has been organizing the event for forty-one years.

Every year the parade elects a Grand Marshall. Past prominent figures to hold the title include baseball legend Brooks Robinson in 1978, and more recently, John Astin, famous for his role as Gomez in The Addams Family. Schaeffer made a number of appearances as mayor and came back as Grand Marshall after becoming governor. In 1980, spectators were baffled to see his yellow Cadillac moving toward Thirty-sixth Street without him. The convertible left while he was giving a speech and he quickly darted across the street, ran through an alley, and ducked under a police barrier to cut off the ride for his own parade.

Today, the two-and-a-half mile long parade attracts nearly 25,000 spectators, 160 marching units, and a variety of eclectic floats. Although the parade has grown, it continues to be a community effort. Ninety-five percent of Hampden businesses donate money to the parade. Kerr, who is locally known as the unofficial mayor of Hampden, has recently expressed interest in stepping down from his position, but doubts he will ever be completely detached from the parade.
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2018-11-27T10:33:53-05:00

Dublin Core

Title

Mayor's Christmas Parade

Subject

Neighborhood Traditions

Description

William Donald Schaeffer approached Tom Kerr, head of the old Hampden Business Association, in 1972 to organize the Mayor's Christmas Parade. The parade would be Schaeffer's answer to the Hochschild-Kohn Toytown Parade which drew thousands of spectators for thirty years on Thanksgiving Day, but stopped running in 1966. Schaeffer wanted the parade to be held downtown but Kerr insisted on having it in Hampden.

Kerr hoped the parade would bring positive attention to Hampden. Mt. Vernon Mill Company closed its last remaining mill in Hampden-Woodberry that year, marking the end of the textile industry in the area. The first parade was far more modest than the department store extravagance of the Toytown parade, and Kerr was only able to secure a single Santa Claus float and six marching bands. Nonetheless, the parade drew a large crowd and was considered a success. As of 2013, Kerr has been organizing the event for forty-one years.

Every year the parade elects a Grand Marshall. Past prominent figures to hold the title include baseball legend Brooks Robinson in 1978, and more recently, John Astin, famous for his role as Gomez in The Addams Family. Schaeffer made a number of appearances as mayor and came back as Grand Marshall after becoming governor. In 1980, spectators were baffled to see his yellow Cadillac moving toward Thirty-sixth Street without him. The convertible left while he was giving a speech and he quickly darted across the street, ran through an alley, and ducked under a police barrier to cut off the ride for his own parade.

Today, the two-and-a-half mile long parade attracts nearly 25,000 spectators, 160 marching units, and a variety of eclectic floats. Although the parade has grown, it continues to be a community effort. Ninety-five percent of Hampden businesses donate money to the parade. Kerr, who is locally known as the unofficial mayor of Hampden, has recently expressed interest in stepping down from his position, but doubts he will ever be completely detached from the parade.

Creator

Nathan Dennies

Relation

Curatescape Story Item Type Metadata

Story

William Donald Schaeffer approached Tom Kerr, head of the old Hampden Business Association, in 1972 to organize the Mayor's Christmas Parade. The parade would be Schaeffer's answer to the Hochschild-Kohn Toytown Parade which drew thousands of spectators for thirty years on Thanksgiving Day, but stopped running in 1966. Schaeffer wanted the parade to be held downtown but Kerr insisted on having it in Hampden.

Kerr hoped the parade would bring positive attention to Hampden. Mt. Vernon Mill Company closed its last remaining mill in Hampden-Woodberry that year, marking the end of the textile industry in the area. The first parade was far more modest than the department store extravagance of the Toytown parade, and Kerr was only able to secure a single Santa Claus float and six marching bands. Nonetheless, the parade drew a large crowd and was considered a success. As of 2013, Kerr has been organizing the event for forty-one years.

Every year the parade elects a Grand Marshall. Past prominent figures to hold the title include baseball legend Brooks Robinson in 1978, and more recently, John Astin, famous for his role as Gomez in The Addams Family. Schaeffer made a number of appearances as mayor and came back as Grand Marshall after becoming governor. In 1980, spectators were baffled to see his yellow Cadillac moving toward Thirty-sixth Street without him. The convertible left while he was giving a speech and he quickly darted across the street, ran through an alley, and ducked under a police barrier to cut off the ride for his own parade.

Today, the two-and-a-half mile long parade attracts nearly 25,000 spectators, 160 marching units, and a variety of eclectic floats. Although the parade has grown, it continues to be a community effort. Ninety-five percent of Hampden businesses donate money to the parade. Kerr, who is locally known as the unofficial mayor of Hampden, has recently expressed interest in stepping down from his position, but doubts he will ever be completely detached from the parade.

Official Website

Street Address

W. 36th Street, Baltimore, MD 21211
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/items/show/319 <![CDATA[The Rotunda]]>
The Maryland Casualty Company purchased the Dulin Estate in 1919 and established on the twenty-five acres an extensive business campus that included a number of impressive amenities, including a clubhouse with a dining room, an auditorium that could seat 1,500 guests, a landscaped park, tennis courts, and a baseball diamond. The idea was to provide workers with an idyllic business campus removed from the hustle and bustle of the downtown area. What is now known as the Rotunda was the company's administration building. The H-shaped building features a distinct bell tower and clock that exists today as a landmark of the Hampden community.

The Rotunda was nearly demolished in 1969 after the Maryland Casualty Company outgrew the four-story building. They considered erecting a larger office building in its place, but developer Bernard Manekin convinced the company to turn it into a retail and office space. The result was one of Baltimore's first adaptive reuse projects and grew to include a shopping mall, movie theater, office spaces, and a grocery store.

In 2005, the shopping center had already fallen into decline and New Jersey based developer Hakemian and Company bought the property. They began planning a mixed-use redevelopment project on the site that would transform the historic location into an upscale residential/commercial campus. The project stayed in the planning phase for eight years due to a national recession and community concerns. A coalition of neighborhood councils formed the Mill Valley Community Council to push back against the new development. Amongst a number of concerns, community leaders felt that the new Rotunda was not being designed to serve neighborhood residents and that new retail stores would take business away from the local establishments on Hampden’s "Avenue."

In September 2013, Hakemian and Co. broke ground on the site. The construction will bring new retail and living spaces to the Rotunda, as well as parking garages. Supporters argue that the development will breathe new life into the Rotunda and revitalize the struggling shopping mall inside, and according to the project’s website, "will mark the return of a Baltimore landmark."]]>
2021-08-05T09:52:25-04:00

Dublin Core

Title

The Rotunda

Subject

Architecture

Description

The construction of the Rotunda in 1921 marked a radical change in the design of business campuses in the twentieth century. Traditionally, businesses in the banking industry were located in dense downtown financial districts. The Maryland Casualty Company changed this notion after outgrowing its Tower Building at 222 E. Baltimore Street and moving to the more residential Hampden neighborhood. It set the example for future suburban business campuses and helped rein in an era of pastoral capitalism.

The Maryland Casualty Company purchased the Dulin Estate in 1919 and established on the twenty-five acres an extensive business campus that included a number of impressive amenities, including a clubhouse with a dining room, an auditorium that could seat 1,500 guests, a landscaped park, tennis courts, and a baseball diamond. The idea was to provide workers with an idyllic business campus removed from the hustle and bustle of the downtown area. What is now known as the Rotunda was the company's administration building. The H-shaped building features a distinct bell tower and clock that exists today as a landmark of the Hampden community.

The Rotunda was nearly demolished in 1969 after the Maryland Casualty Company outgrew the four-story building. They considered erecting a larger office building in its place, but developer Bernard Manekin convinced the company to turn it into a retail and office space. The result was one of Baltimore's first adaptive reuse projects and grew to include a shopping mall, movie theater, office spaces, and a grocery store.

In 2005, the shopping center had already fallen into decline and New Jersey based developer Hakemian and Company bought the property. They began planning a mixed-use redevelopment project on the site that would transform the historic location into an upscale residential/commercial campus. The project stayed in the planning phase for eight years due to a national recession and community concerns. A coalition of neighborhood councils formed the Mill Valley Community Council to push back against the new development. Amongst a number of concerns, community leaders felt that the new Rotunda was not being designed to serve neighborhood residents and that new retail stores would take business away from the local establishments on Hampden’s "Avenue."

In September 2013, Hakemian and Co. broke ground on the site. The construction will bring new retail and living spaces to the Rotunda, as well as parking garages. Supporters argue that the development will breathe new life into the Rotunda and revitalize the struggling shopping mall inside, and according to the project’s website, "will mark the return of a Baltimore landmark."

Creator

Nathan Dennies

Source

Lauren Schiszik, CHAP Staff. "Baltimore City Exterior Landmark Eligibility Summary: Maryland Casualty Company Buildings."

Contributor

Nathan Dennies

Relation

Lauren Schiszik, CHAP Staff. "Baltimore City Exterior Landmark Eligibility Summary: Maryland Casualty Company Buildings."

Curatescape Story Item Type Metadata

Story

The construction of the Rotunda in 1921, designed by architects Simonson & Pietsch in the neo-Georgian style, marked a radical change in the design of business campuses in the twentieth century. Traditionally, businesses in the banking industry were located in dense downtown financial districts. The Maryland Casualty Company changed this notion after outgrowing its Tower Building at 222 E. Baltimore Street and moving to the more residential Hampden neighborhood. It set the example for future suburban business campuses and helped rein in an era of pastoral capitalism.

The Maryland Casualty Company purchased the Dulin Estate in 1919 and established on the twenty-five acres an extensive business campus that included a number of impressive amenities, including a clubhouse with a dining room, an auditorium that could seat 1,500 guests, a landscaped park, tennis courts, and a baseball diamond. The idea was to provide workers with an idyllic business campus removed from the hustle and bustle of the downtown area. What is now known as the Rotunda was the company's administration building. The H-shaped building features a distinct bell tower and clock that exists today as a landmark of the Hampden community.

The Rotunda was nearly demolished in 1969 after the Maryland Casualty Company outgrew the four-story building. They considered erecting a larger office building in its place, but developer Bernard Manekin convinced the company to turn it into a retail and office space. The result was one of Baltimore's first adaptive reuse projects and grew to include a shopping mall, movie theater, office spaces, and a grocery store.

In 2005, the shopping center had already fallen into decline and New Jersey based developer Hekemian and Company bought the property. They began planning a mixed-use redevelopment project on the site that would transform the historic location into an upscale residential/commercial campus. The project stayed in the planning phase for eight years due to a national recession and community concerns. A coalition of neighborhood councils formed the Mill Valley Community Council to push back against the new development. Amongst a number of concerns, community leaders felt that the new Rotunda was not being designed to serve neighborhood residents and that new retail stores would take business away from the local establishments on Hampden’s "Avenue."

In September 2013, Hekemian and Co. broke ground on the site. The construction will bring new retail and living spaces to the Rotunda, as well as parking garages. Supporters argue that the development will breathe new life into the Rotunda and revitalize the struggling shopping mall inside, and according to the project’s website, "will mark the return of a Baltimore landmark."

Related Resources

Lauren Schiszik, CHAP Staff. "Baltimore City Exterior Landmark Eligibility Summary: Maryland Casualty Company Buildings."

Official Website

Street Address

711 W. 40th Street, Baltimore, MD 21211
]]>
/items/show/230 <![CDATA[Elisha Tyson's Falls Road House]]>
The building on Pacific Street was later owned by the Mount Vernon Mill Company and used as a superintendent’s house for the mill complex. Robyn Lyles and Mark Thistle (also a 91ĘÓƵ board member) purchased the house in 2005 and finished renovations in 2009. The rehab project included archeology work by the University of Maryland, painstakingly saving windows including the original antique glass, and disassembling and reassembling the porch to save the original materials. 13,000 hours of work later, the finished product is a masterpiece of historic preservation.]]>
2018-11-27T10:33:52-05:00

Dublin Core

Title

Elisha Tyson's Falls Road House

Subject

Industry
War of 1812

Description

Originally the summer home of industrialist and abolitionist Elisha Tyson in the early 1800s, 732 Pacific Street is a classic Federal style house built with native granite two feet thick. Among many other accomplishments, Tyson helped finance the very profitable Falls Road Turnpike in 1805 and reportedly established safe houses for runaway slaves along the route.

The building on Pacific Street was later owned by the Mount Vernon Mill Company and used as a superintendent’s house for the mill complex. Robyn Lyles and Mark Thistle (also a 91ĘÓƵ board member) purchased the house in 2005 and finished renovations in 2009. The rehab project included archeology work by the University of Maryland, painstakingly saving windows including the original antique glass, and disassembling and reassembling the porch to save the original materials. 13,000 hours of work later, the finished product is a masterpiece of historic preservation.

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Originally the summer home of industrialist and abolitionist Elisha Tyson in the early 1800s, 732 Pacific Street is a classic Federal style house built with native granite two feet thick. Among many other accomplishments, Tyson helped finance the very profitable Falls Road Turnpike in 1805 and reportedly established safe houses for runaway slaves along the route.

The building on Pacific Street was later owned by the Mount Vernon Mill Company and used as a superintendent’s house for the mill complex. Robyn Lyles and Mark Thistle (also a 91ĘÓƵ board member) purchased the house in 2005 and finished renovations in 2009. The rehab project included archeology work by the University of Maryland, painstakingly saving windows including the original antique glass, and disassembling and reassembling the porch to save the original materials. 13,000 hours of work later, the finished product is a masterpiece of historic preservation.

Street Address

732 Pacific Street, Baltimore, MD 21211
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/items/show/181 <![CDATA[Hampden Reservoir]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Hampden Reservoir

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

Only long-time residents of Baltimore can remember the Hampden Reservoir, buried since 1960 under debris from the construction of the Jones Falls Expressway and used as Roosevelt Park. The Hampden Reservoir was completed in 1861 three years after construction began at a cost of $206,643.50 by John W. Maxwell and Company. The reservoir was part of a system of improvements along the Jones Falls, including Lake Roland and the Mt. Royal Reservoir, to deliver a new supply of fresh water to Baltimore residents. The Hampden Reservoir remained in operation until 1915, when the municipal water supply was reconstructed once again, and the polluted 40,000,000 gallon reservoir was reduced to a neighborhood ornament. In 1930 it was drained and cleaned, and the pipes were cut off entirely from the city water system to prevent any contamination through seepage. Though the city threatened to drain it for years, Hampden residents managed to block all proposals for more than forty years.

In 1960 the Bureau of Water Supply began draining the reservoir without announcement. The city then revealed plans to fill the muddy pit and turn it into a Department of Aviation heliport. Neighborhood residents, led by Rev. Werner from the nearby Hampden Methodist Church (now known as the United Methodist Church), responded with an immediate outcry. The irate citizens protested that helicopters would be a major disturbance to the school, recreation center, and churches in the immediate proximity. Werner called the ordeal “an infringement on our territorial rights without due recourse to a public hearing.” Eventually the city retracted its proposal for the heliport. The draining did continue, however, as the city conveniently had an arrangement with the contractors excavating the new Jones Falls Expressway nearby. In exchange for a local site to dump the excavated soil, the city would receive a discount on the cost of that stretch of highway. So it was settled, the mud from the Jones Falls Expressway filled the giant hole, and the reservoir has been largely forgotten.

Related Resources

Eben Dennis, underbelly, November 20, 2012

Street Address

1221 W. 36th Street, Baltimore, MD 21211
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