/items/browse?output=atom&tags=Catholicism <![CDATA[Explore 91Ƶ]]> 2025-03-12T11:57:01-04:00 Omeka /items/show/639 <![CDATA[Saint Mary's Seminary Chapel]]> 2018-11-27T10:33:58-05:00

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Title

Saint Mary's Seminary Chapel

Subject

Architecture
Religion

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Story

The Seminary Chapel at the St. Mary's Spiritual Center is a historic gem. Completed in 1808, the chapel was designed by Maximilian Godefroy, the architect of many historically important structures in Baltimore including the Battle Monument and First Unitarian Church. Godefroy boasted that the chapel was the first Gothic building in the United States. The great hoop shape of the interior is similar to the interior of the chapel at Versailles, and its use of Georgian details reflects the complexities of early American architecture.

Official Website

Street Address

600 N. Paca Street, Baltimore, MD 21201
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/items/show/564 <![CDATA[Cathedral of Mary Our Queen]]> 2020-10-16T12:09:57-04:00

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Title

Cathedral of Mary Our Queen

Subject

Religion

Creator

Nathan Dennies

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Story

A fire erupted on the morning of February 7, 1904, in the dry goods firm of John E. Hurst & Co., on what is now Redwood Street. The blaze spread wildly out of control, consuming central Baltimore. In a panic and with few options, city engineers recommended demolishing buildings in the path of the fire to create an artificial firebreak. One building on the fire's path was Thomas O'Neill's department store at Lexington and Charles Streets. The Baltimore Sun reported how O'Neill, a devout Catholic, went to a Carmelite Convent on Biddle Street to pray for the safety of his building. He then rushed back to his store to stop the firefighters from setting the charges. Fortunately, the wind shifted so the fire and firefighters spared O'Neill's store from destruction. Thomas O'Neill was convinced that God had answered his prayers. When he died in 1919, he left two-thirds of his estate to the construction of a new cathedral in Baltimore. The Archdiocese of Baltimore selected the prominent architecture firm Maginnis, Walsh, and Kennedy to design the cathedral on a twenty-five acre lot in Homewood. The firm specialized in architecture for the Catholic Church. Their work in Baltimore included the main administration building for Saint Mary's Seminary and University, which is in the Beaux-Arts style. In 1948, Charles Donagh Maginnis, an Irish immigrant, received the American Institute of Architects Gold Medal for outstanding service to the profession, the institute's highest award. The architects were asked to come up with three designs: traditional, modified and modern. The Archdiocese chose the modified design which combined the traditional Gothic style with modern Art Deco elements. Workers broke ground in 1954, and completed the Cathedral of Mary Our Queen in 1959. The massive cathedral is 163 feet tall and can seat up to 1,900 people. The cathedral is outfitted with two organs created by the M.P. Moeller Company of Hagerstown, Maryland. Today, the Cathedral of Mary Our Queen serves as the cathedral church of the Primary See, the first archdiocese of the United States and, together with the Basilica of the National Shrine of the Assumption of the Blessed Virgin Mary, serves as one of two main centers of Catholic liturgical life in Baltimore. It is the third largest cathedral in the U.S. and has hosted several dignitaries over the years, including Pope John Paul II.

Watch our of the cathedral!

Official Website

Street Address

5200 N. Charles Street, Baltimore, MD 21210
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/items/show/563 <![CDATA[Saint Ignatius Church]]> 2018-11-27T10:33:56-05:00

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Title

Saint Ignatius Church

Subject

Religion

Creator

Nathan Dennies

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Story

Stretching along Calvert Street between Madison and Monument Streets, stands a massive Italianate palace, built for the Society of Jesus, a Catholic religious order. Decorating the facade are arched windows with elaborate moldings, and a heavy Italianate cornice that tie together the St. Ignatius Church on the northern half (designed by Louis L. Long and completed in 1856) with Loyola College and Loyola High School on the southern half (designed by O’Connor and Delaney of New York and finished in 1899).

During the 1850s, a wave of anti-Catholic sentiment swept American politics. The populist Know-Nothing Party emerged as a powerful political party characterized by xenophobia and skepticism of wealthy and intellectual elites—and only open to Protestant men. The Know-Nothing agenda called for barring public funding of Catholic schools and reinforcing Protestant values in public schools. In response, Archbishop of Baltimore Francis Kendrick asked the Jesuit Provincial to open a Catholic college. Loyola College opened in 1852 in two adjoining buildings near City Hall on Holliday Street. The college quickly outgrew the space and a new building was commissioned at Calvert and Madison streets. Classes began on February 22, 1855 and St. Ignatius Church opened its doors eighteen months later.

Architect Louis Long modeled the design of the church after the late Renaissance/Baroque Gesu in Rome, mother church of the Jesuits. The interior features an elaborate cornice and pilasters and vivid stained glass windows installed during the 1870s. The early church congregation was a cross-section of the city's Catholic population: native Baltimoreans, Irish and German immigrants, poor and wealthy. Church leaders set aside the basement of the building for African American parishioners, many of whom went on to found St. Francis Xavier, the first all African American Catholic Church in the United States.

Loyola College moved north to the Evergreen Campus in 1922. The southern section remained mostly vacant for decades until it was repurposed in the 1970s for Center Stage’s two theaters. The design was by James Grieves and the firm of Ziger, Hoopes, and Snead.

The St. Ignatius congregation shrank dramatically after World War II as a result of many Catholics moving from the city to the suburbs. In spite of declining numbers, the church remained in the core of the city and expanded its involvement in local communities, offering the building as a shelter for homeless people and starting a middle school for Baltimore City youth. In the 1990s, the church worked to lure suburban Catholics back to the church and doubled its congregation. The decade ended with a massive restoration led by Murphy & Dittenhafer Architects. The work included the restoration of the plasterwork, rich gilding, historic interior colors, and even some of the church’s nineteenth century paintings.

Official Website

Street Address

740 N. Calvert Street, Baltimore, MD 21202
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/items/show/497 <![CDATA[Catholic Center]]> 2018-11-27T10:33:55-05:00

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Title

Catholic Center

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Subtitle

A Modern Office for the Baltimore Archdiocese

Story

The stylish Catholic Center building at the southwest corner of Mulberry and Cathedral Streets has been an important administrative office for the Baltimore Archdiocese for fifty years. The eight-story structure was designed by architect John F. Eyring with details, including granite and limestone clad walls and bronzed window trim, selected to complement the Central branch of the Enoch Pratt Free Library on the opposite side of Mulberry Street.

The site, formerly occupied by the old Calvert Hall College High School, attracted numerous onlookers during construction not for the modern architecture of the building but the unusual tower crane employed by general contractor Kirby & McGuire. Invented in Germany in 1949, self-erecting tower cranes were still remained an unusual sight in Baltimore when the Copenhagen-built crane went to work in the early 1960s.

The three-million-dollar, eight-story structure was completed in early 1965 and, on November 7, dedicated by Bishop T. Austin Murphy. The cornerstone of the building held copies of the Catholic Review from the day of the building's completion. The new office hosted Catholic priests, church hierarchy, lay men and women who had previously worked at offices and churches scattered across the city.

Since it opened, the building has been used for exhibitions, meetings, and many other religious and community events up through the present. In the late 1960s and early 1970s, the Movement Against Destruction, a coalition of Black and white community groups fighting against the construction of the East-West Expressway, met weekly on Monday evenings at the Catholic Center to share information and plan protests. While the city eventually built a portion of the proposed highway (now officially known as I-170 and unofficially as the "Highway to Nowhere"), the coalition successfully stopped the demolition of hundreds of homes in the west Baltimore neighborhood of Rosemont and in southeast Baltimore.

Official Website

Street Address

320 Cathedral Street, Baltimore, MD 21201
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/items/show/345 <![CDATA[St. Peter Claver Catholic Church]]> 2018-11-27T10:33:53-05:00

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Title

St. Peter Claver Catholic Church

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Subtitle

Religion and Community Activism on Pennsylvania Avenue

Story

Saint Peter Claver Church at Pennsylvania Avenue and Fremont Street takes its’ name from a sixteenth-century Spanish priest who is considered the patron saint of slaves. The building dates back to 1888 making it the city’s second oldest African-American Roman Catholic Church. True to the inspiration of Saint Claver, the congregation and their leaders, have long been active in seeking equal rights for African Americans in Baltimore.

Father Henry Offer led the church from 1960 to 1971 and was a member of the NAACP and Urban League. In 1968, he was one of the city’s African American leaders to speak out after the riots following the death of Martin Luther King, Jr., criticizing Governor Spiro Agnew for laying blame for the unrest on local black activists. Later that same year, the parish chartered buses to transport its members, as well as community residents, to the Poor People’s March on Washington. The march, planned by the by the Southern Christian Leadership Conference before King’s death, was led by Civil Rights activist Ralph Abernathy.

In 1966, Father Philip Berrigan advocated for the disinvested urban neighborhoods from his position at the church. Berrigan, whose long career as a Catholic activist included burning Vietnam War draft cards with his brother Daniel Berrigan and others of the Catonsville Nine. In the years leading up to this, Berrigan worked from St. Peter Claver to establish the Baltimore Interfaith Peace Mission and actively lobbied and demonstrated for the city’s African American communities.

Another Civil Rights activist coming from St. Peter Claver in the 1960s was Father John Harfmann. In 1967, Harfmann, who was white, worked with Black activist Dickey Burke to provide recreation opportunities in West Baltimore through Operation CHAMP. During his tenure at the church, he also participated in integration activities with church members and actively supported efforts of BUILD (Baltimoreans United In Leadership Development) to create housing, provide job opportunities, and rebuild neighborhoods in the city. At his funeral, fellow priests remembered how Harfmann was “wholly dedicated to being a priest in the African American community,” and recalled him as “a tireless fighter for justice who did things that people said were not possible.”

Today, the church continues their long tradition of civil rights and community activism, in part, by hosting the No Boundaries Coalition that works to unite communities around the church that have historically been divided by racial and economic barriers.

Official Website

Street Address

1526 N. Fremont Avenue, Baltimore, MD 21217
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/items/show/294 <![CDATA[St. Edward Roman Catholic Church]]> 2018-11-27T10:33:53-05:00

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Title

St. Edward Roman Catholic Church

Subject

Religion

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Story

St. Edward's organized in 1878 as a mission of St. Peter the Apostle, which was led by Fr. Owen B. Carrigan. Carrigan supervised the construction of the first church in 1880 for a congregation that likely included Catholic workers from factories scattered across the Gwynns Falls Valley.

In 1923, the church expanded with a new school, convent, and rectory. A growing congregation of 5,000 people forced the church to hold nine masses every Sunday. In 1938, the congregation started a campaign for a larger building and dedicated the present church on March 9, 1941.

Official Website

Street Address

901 Poplar Grove Street, Baltimore, MD 21216
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/items/show/43 <![CDATA[Saint Mary's Seminary on Roland Avenue]]> 2018-11-27T10:33:49-05:00

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Title

Saint Mary's Seminary on Roland Avenue

Subject

Education
Religion

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Story

Founded in 1791, St. Mary's Seminary and University was the first Catholic seminary in the United States. It was granted a civil charter by the State of Maryland in 1805 and in 1822, Pope Pius VII established it as the first seminary in the U.S. to grant ecclesiastical degrees, which it still does to this day. Originally on Paca Street, the seminary moved to its present location on Roland Avenue and Northern Parkway in Roland Park in 1929.

This massive building, designed by Boston architects Maginnis and Walsh, has a classical entrance. Immediately inside stands a statue of Mary, the patroness of the seminary, called Sedes Sapientiae, or Our Lady Seat of Wisdom. The main chapel, fitted in marble and oak, contains a Casavant pipe organ and stained glass windows imported from Paris. Today the seminary is cared for by the Sulpician Fathers and the building still houses seminarians following their calling.

Official Website

Street Address

5400 Roland Avenue, Baltimore, MD 21210
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/items/show/38 <![CDATA[Mother Seton House]]> 2018-11-27T10:33:49-05:00

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Title

Mother Seton House

Subject

Religion
Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

On June 16, 1808, Elizabeth Bayley Seton arrived at St. Mary's Seminary in Baltimore on the same day that Bishop John Carroll, the first bishop in the Unites States, dedicated the seminary's newly built chapel. Elizabeth came to Baltimore from New York to set up a boarding school for girls. During her one-year stay in what is now the Mother Seton House, she took the vows of a Daughter of Charity, thus cementing her conversion and commitment to Catholicism. Following her start in Baltimore, Mother Seton, as Bishop Carroll dubbed her, went on to found Saint Joseph's Academy and Free School in Emmitsburg, Maryland, the first free school for girls in America, and the Sisters of Charity of St. Joseph, the first apostolic community of women in the United States.

The St. Mary's Spiritual Center, as the location is now called, is also the original home of St. Mary's Seminary, the first seminary in America. The seminary has trained a number of notables, including: Mother Mary Elizabeth Lange, a Haitian immigrant who founded the Oblate Sisters of Providence (the first African American Catholic community) and St. Francis High School; Father Gabriel Richard, who is called "The Second Founder of Detroit"; and Father Michael McGivney, who went on to found the Knights of Columbus in Connecticut.

Official Website

Street Address

600 N. Paca Street, Baltimore, MD 21201
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/items/show/24 <![CDATA[Basilica of the Assumption]]> 2020-10-21T10:16:01-04:00

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Title

Basilica of the Assumption

Subject

Architecture
Religion

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Built primarily between 1806 and 1821, the Baltimore Basilica was the first Cathedral erected in the United States. Bishop John Carroll, America's first bishop and a cousin of Charles Carroll of Declaration of Independence signing fame, led the effort to build a cathedral in Baltimore based on "American" principles of architecture (read: not European and especially not Gothic). Bishop Carroll was lucky to connect with young architect named Benjamin Henry Latrobe, who volunteered his architectural services for the new cathedral and would later achieve the moniker "Father of American Architecture." With inspiration from the newly completed skylight in the U.S. Capitol following the vision of Thomas Jefferson, Latrobe designed what many consider to be one of the finest examples of nineteenth century architecture in the world. Latrobe and Carroll were able to complete much of the architectural original plans, but the church didn't have enough money to complete the portico by the dedication in 1821. Twenty years later, Latrobe's son, lawyer and inventor John H.B. Latrobe (who lived on Mulberry Street across from the Basilica) submitted plans for the portico's foundation but it wasn't until the 1860s that architect Eben Faxon carried out the work of completing the portico entrance. This internationally significant building has played a central role in the history of Baltimore and the Catholic Church. Along the way, it has gained recognition as a Minor Basilica (1937), national historic landmark (1972), Baltimore City historic landmark (1975), and a national shrine (1993). Most recently, the Archdiocese of Baltimore, the Basilica of the Assumption Historic Trust, and John G. Waite Associates Architects oversaw a major restoration and rehabilitation project covering nearly every square inch of the building, both inside and out. The work included the reintroduction of clear lights in the nave, restoration of the skylight, and the creation of a chapel in the undercroft.

Watch on the basilica!

Official Website

Street Address

409 Cathedral Street, Baltimore, MD 21201
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