/items/browse/hsbakery.com/about-us/page/14?output=atom <![CDATA[Explore 91ĘÓƵ]]> 2025-03-16T10:08:59-04:00 Omeka /items/show/182 <![CDATA[Druid Lake]]> 2019-03-15T13:32:12-04:00

Dublin Core

Title

Druid Lake

Subject

Parks and Landscapes

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

In 1863, the Baltimore City Council approved a $300,000 loan to construct a billion gallon capacity reservoir in the newly established Druid Hill Park. Though the new city waterworks project from Lake Roland to the Mount Royal Reservoir on the Jones Falls had just been completed, it had become apparent that the city’s water problems were far from solved.

Having an abundance of natural springs and deep ravines, Druid Park seemed to be the perfect site for a new reservoir. In addition to providing suitable drinking water, this reservoir was also meant to enhance the beauty of the newly created park, accompanying its ancient oak trees bearing noble names such as “The Sentinel,” “King of the Forrest,” and “Tent Oak.”

A deep ravine formed by a stream that traveled southeast from the boat lake toward the Jones Falls was selected as the site for the new reservoir. Civil engineer Robert Martin developed plans and constructed a giant wall of mud that became the largest earthen dam in America (at that time). Steam excavators were used for the first time in the city to move 500,000 cubic yards of earth. The dam itself consisted of a water tight clay core, or puddle wall, surrounded by steep banks of soil, and was supported by a stone wall laid in cement running the entire length of the dam. Earthen banks were laid in thin layers and pressed by horse drawn rollers.

When completed in 1871, the dam supported a reservoir that covered 55 acres, reached a depth of 94 feet (averaging 30 feet), and sat at an elevation 217 feet above mid-tide. Towering over the surrounding park at a height of 119 feet, the dam was 750 feet long, with a width of 600 feet at the base tapering up to 60 feet at the top.

The resulting body of water had been known during the first half of its construction as Lake Chapman, after Unionist Mayor and head of the Water Board at the time, John Lee Chapman (1811-1880). Since much of Chapman’s tenure as mayor was characterized by the bitter partisan feuding of the Civil War period, it came as little surprise when his Democratic successor, Robert T. Banks (1822-1901), and the City Council voted unanimously to change the name to Druid Lake just four months after he left office in early 1868.

Over 140 years later the dam still holds strong, and in 1971 it was named a National Historic Civil Engineering landmark by the American Society of Civil Engineers.

Related Resources

 underbelly, Eben Dennis

Official Website

Street Address

3001 East Drive, Baltimore, MD 21217
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/items/show/181 <![CDATA[Hampden Reservoir]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Hampden Reservoir

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

Only long-time residents of Baltimore can remember the Hampden Reservoir, buried since 1960 under debris from the construction of the Jones Falls Expressway and used as Roosevelt Park. The Hampden Reservoir was completed in 1861 three years after construction began at a cost of $206,643.50 by John W. Maxwell and Company. The reservoir was part of a system of improvements along the Jones Falls, including Lake Roland and the Mt. Royal Reservoir, to deliver a new supply of fresh water to Baltimore residents. The Hampden Reservoir remained in operation until 1915, when the municipal water supply was reconstructed once again, and the polluted 40,000,000 gallon reservoir was reduced to a neighborhood ornament. In 1930 it was drained and cleaned, and the pipes were cut off entirely from the city water system to prevent any contamination through seepage. Though the city threatened to drain it for years, Hampden residents managed to block all proposals for more than forty years.

In 1960 the Bureau of Water Supply began draining the reservoir without announcement. The city then revealed plans to fill the muddy pit and turn it into a Department of Aviation heliport. Neighborhood residents, led by Rev. Werner from the nearby Hampden Methodist Church (now known as the United Methodist Church), responded with an immediate outcry. The irate citizens protested that helicopters would be a major disturbance to the school, recreation center, and churches in the immediate proximity. Werner called the ordeal “an infringement on our territorial rights without due recourse to a public hearing.” Eventually the city retracted its proposal for the heliport. The draining did continue, however, as the city conveniently had an arrangement with the contractors excavating the new Jones Falls Expressway nearby. In exchange for a local site to dump the excavated soil, the city would receive a discount on the cost of that stretch of highway. So it was settled, the mud from the Jones Falls Expressway filled the giant hole, and the reservoir has been largely forgotten.

Related Resources

Eben Dennis, underbelly, November 20, 2012

Street Address

1221 W. 36th Street, Baltimore, MD 21211
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/items/show/180 <![CDATA[Mount Royal Reservoir]]> 2020-10-21T10:23:42-04:00

Dublin Core

Title

Mount Royal Reservoir

Creator

Eben Dennis

Curatescape Story Item Type Metadata

Story

The Mount Royal Reservoir was once an essential element within an extensive system of waterworks built to deliver clean drinking water to a growing, thirsty city. In 1857, the Baltimore City Council passed an ordinance to provide additional water to Baltimore City and soon started construction on a $1.3 million system of dams, conduits and reservoirs along the Jones Falls—the more affordable option when compared to a $2.1 million plan for diverting water from the Gunpower Falls. In 1858, what was formerly called Swann Lake was dammed up to become what we now know as Lake Roland. A massive conduit was built connecting it to the Hampden Reservoir. Finally, a conduit was excavated going south to the Mount Royal Reservoir just north of the city boundary and the waterworks were fully operational by 1862. By 1863, just over half of the city’s 38,881 buildings received water that was delivered from the Mount Royal Reservoir. The site of the Mount Royal Reservoir lay just west of the Northern Central Railroad tracks on the former site of the Mount Royal Mill property. The reservoir featured a large central fountain, similar to the one in present day Druid Lake, that shot a stream of water bubbling high into the air. Even before construction was complete, however, Baltimore residents discovered that this new source was once again insufficient for the growing population of the city and the large number of Federal troops stationed in Baltimore or passing through during the Civil War. During hot and dry periods of the summer the system would run short of supply and the Water Department’s response was to try to cut down demand by raising the price of water. The city’s poor living in low-lying neighborhoods and forced to use backyard pumps, were hit the hardest by the water-borne diseases that spread as a result. Sewage from cesspools leached into neighborhood wells and polluted the springs of the city, increasing the demand for clean water from the mains. Severe droughts from 1869 through 1872 finally forced the city to seriously consider the Gunpowder as a permanent water source. In 1910, the Mount Royal Reservoir was abandoned by the City Water Department and transferred to the Parks Department. In 1924 the City Park Board demolished the reservoir and removed 50,000 cubic feet of earth, turning the site into parkland. In 1959, the property was cut in two by the entrance to the new Jones Falls Expressway off of North Avenue. Today, you can still see the monumental entrance posts to Druid Park that stand at the base of the reservoir’s original location as you drive past on North Avenue.

Watch on this site!

Related Resources

 Eben Dennis, underbelly, December 13, 2012.

Street Address

W. North Avenue, Baltimore, MD 21217
]]>
/items/show/176 <![CDATA[F. Scott Fitzgerald at 1307 Park Avenue]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

F. Scott Fitzgerald at 1307 Park Avenue

Subject

Literature

Creator

Nathan Dennies

Curatescape Story Item Type Metadata

Story

In August 1933, F. Scott Fitzgerald moved with his family to 1307 Park Avenue. Fitzgerald had been forced out of his previous home in Towson due to a house fire attributed to his mentally ill wife, Zelda. Their rowhouse, a ten minute walk from the monument of Fitzgerald's famous distant-cousin, Francis Scott Key, quickly became a place of turmoil, and was the last place where he and Zelda lived together.

Fitzgerald couldn't get back on his feet at his new home. His first published novel in ten years, "Tender Is the Night," tanked after its April 1934 release, selling only 13,000 copies to mixed reviews, and left Fitzgerald under immense financial strain. Everyone in the house was affected. Zelda and Fitzgerald's daughter, Francis Scott "Scottie" Fitzgerald, acted as a go-between for their landlord, forced to constantly ask her father for rent money.

Zelda, who spent her weekdays hospitalized at Sheppard and Enoch Pratt Hospital in Towson, had a brief period of wellness during the first few months at 1307 Park Avenue and was allowed to go home and take painting classes at the Maryland Institute College of Art. However, her mental illness soon worsened and she was moved to the expensive Craig House sanitarium in New York, only to return to Sheppard Pratt in May 1934 in worse shape than ever.

While Zelda was in the hospital, Fitzgerald's dependency on alcohol grew. Writer H.L. Mencken, a friend of Fitzgerald who lived nearby in Mt. Vernon at the time, wrote in his journal in 1934: "The case of F. Scott Fitzgerald has become distressing. He is a boozing in a wild manner and has become a nuisance."

Along with crippling alcoholism, Fitzgerald suffered insomnia and night terrors. He also became increasingly political, reading Marx and befriending Marxist literary critic, V.F. Calverton, who frequented the Fitzgerald home and who Zelda referred to as the "community communist."

After a turbulent two years, Fitzgerald and Scottie moved out of their rowhouse at 1307 Park Avenue into the Cambridge Arms Apartments across from Johns Hopkins University where Fitzgerald's career continued to worsen. His controversial three-part essay in Esquire, known as "The Crack Up," sullied his reputation in the eyes of his editor and agent.

In April 1936, Fitzgerald transferred Zelda to Highland Hospital in North Carolina and gave up his Cambridge Arms apartment the following summer due to rent trouble. After a brief stint at the Stafford Hotel in Mt. Vernon, he moved to Hollywood to write movies and became further estranged from his wife; she living in mental hospitals on the East Coast, and he living with his lover Sheilah Graham, a gossip columnist, in Hollywood.

Fitzgerald's Bolton Hill home at 1307 Park Avenue is now dedicated with a blue plaque in his honor, and remains a private residence.

Related Resources

Rudacille, Deborah.  Baltimore Style Magazine.19. Dec. 2009

Street Address

1307 Park Avenue, Baltimore, MD 21217
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/items/show/175 <![CDATA[McDonogh School]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

McDonogh School

Subject

Education

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

John McDonogh, a Baltimore-born merchant and philanthropist, was born in 1779 and died in 1850, bequeathing half of his estate to the City of Baltimore to educate children. However, since the public school system already existed in Baltimore, the mayor and city council used the funds to endow a “school farm” for poor boys of good character. Mr. McDonogh had envisioned such a school in his handwritten will dated 1838.

In 1872, a tract of 835 acres—essentially the same land that comprises the campus today—was purchased for $85,000 for the school’s establishment. McDonogh School was founded on November 21, 1873 with the arrival of twenty-one poor boys from Baltimore City. From the beginning, the boys followed a semi-military system, which provided leadership opportunities and ensured order. Major milestones in McDonogh’s history signaled change. The first paying students arrived in 1922 and day students in 1927. The semi-military program was dropped in 1971, and the first female students enrolled in 1975.

Today, McDonogh is a non-denominational, college preparatory, co-educational day and boarding school. The school calls many accomplished athletes alumni. They include tennis-pro and sports commentator Pam Shriver, Orioles pitcher Brian Erbe, and equestrian Olympic gold medalist Bruce Davidson.

Official Website

Street Address

8600 McDonogh Road, Owings Mills, MD 21117
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/items/show/174 <![CDATA[Dickeyville]]> 2020-10-16T14:41:47-04:00

Dublin Core

Title

Dickeyville

Subject

Neighborhoods

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Gwynns Falls first saw industrial development as early as the late 1700s and, by 1808, the small industrial village began to form around an early paper mill along the water where Dickeyville sits today. Although few of these early stone structures remain, the village endured and grew in the mid 1800s when the Wethered Brothers, owners of the mills, began building homes for their workers and made other improvements for the community. The Wethereds sold off small lots to private owners, many of whom built their own houses along with public buildings such as a fraternal hall, a general store, and churches. The diversity of worker housing and industrial buildings created over time resulted in a uniquely diverse architecture that is at the heart of the historic village’s captivating character today. In the 1930s, however, the isolated mill village was rocked by change thanks to the start of the Great Depression and the introduction of electrified industrial facilities that brought older mills like those on the Gwynns Falls to a stop. In 1934, the entire stock of buildings was sold at auction and bought by a group called the Title Holding Company. The new owners hired Palmer and Lamdin, noted local architects from the Roland Park Company, to build new houses and renovate existing ones, using the Roland Park Company as its sales agent. A rush of new residents decided they wanted their community to resemble an English village in design and name—making Dickeyville one of Baltimore’s earliest attempts at historic restoration. The new homeowners added many historic details such as gas-lamps, Belgian block gutters, and picket fences, and gave their streets names evoking another era—like Pickwick Road named for an English village. Dickeyville residents have worked hard for several generations to maintain and build from the village’s historic buildings and character. Standing in the center of the community today, you might swear you were in the middle of an nineteenth century village in the Cotswalds.

Watch our on this neighborhood!

Official Website

Street Address

Pickwick Road, Baltimore, MD 21207
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/items/show/173 <![CDATA[Perry Hall Mansion]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Perry Hall Mansion

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

Erected high on a hill above the Gunpowder River Valley, Perry Hall Mansion dominated life in northeastern Baltimore County in the late eighteenth and early nineteenth centuries. Built in the 1770s by Harry Dorsey Gough, Perry Hall was named after the family castle near Birmingham England. The sixteen-room home, the seat of a vast plantation, soon became one of the leading houses in colonial Maryland. The mansion, considered a “sister” house to near by Hampton Mansion, turned from a house of raucous parties to a place of more reserved pleasure as Gough and his wife, Prudence, became ardent supporters of the early Methodist movement that had strong roots in Maryland.

Gough became a distinguished planter, a member of Maryland’s House of Delegates, and on the board of one of Maryland’s first orphanages. After Gough’s death in 1808, the mansion remained in the family for nearly fifty years. It was sold to a group of investors in 1852 that carved the plantation into lots for houses, many of which went to German immigrants. By 2001, the estate had dwindled to four acres and the house was sold to Baltimore County for use as a museum and community center. The County completed the first stage of restoration in 2004, and exterior restoration won an award from the Preservation Alliance of Baltimore County as an “outstanding public project.” The Friends are continuing with the restoration of this stately home.

Related Resources

, Sean Kief, Jeffrey Smith, February 18, 2013.

Official Website

Street Address

3930 Perry Hall Road, Perry Hall, MD 21128
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/items/show/172 <![CDATA[Rogers Mansion in Druid Hill Park]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Rogers Mansion in Druid Hill Park

Subject

Parks and Landscapes

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

The Mansion House, built by Revolutionary War Colonel Nicholas Rogers, has stood in what is now Druid Hill Park since 1801. The house is the third to stand in this location. Originally a castle known as “Auchentorolie,” built by Rogers’ ancestors, occupied the hill but had burned sometime during the war. Rogers studied architecture in Scotland and most likely became familiar with Druids’ love of nature and hilltops and selected the name “Druid Hill” for his estate.

The house was initially planned to be a summer home but during its construction the family home at Baltimore and Light Streets burned and it was decided to use the Druid Hill house year-round. The Mansion remained in the Rogers family until the mid-1800s, when Rogers’ grandson sold the house and lot to Baltimore City for $121,000 in cash and $363,000 in City of Baltimore stock. One stipulation of the sale was that the family burial plot remain property of the family, and the plot is still in place today in the park.

The Mansion House has seen many rebirths. In 1863, during the park movement in Baltimore City, the house was greatly modified. Under the direction of John H. B. Latrobe, it was turned into a pavilion and updated in the Victorian style. By 1935, the porches were enclosed and the house became a restaurant. In the 1940s, the building was used as a day school for the Young Men and Women’s Hebrew Association.

The Zoo, which had begun developing around the mansion beginning in 1867, used the building as its bird house from the 1950s until its restoration in 1978. The restoration efforts took the house back to its 1860s design. Just last year, the Mansion underwent its most recent restoration and repair work, including much needed wood restoration and structural shoring. The building today houses the Maryland Zoo in Baltimore’s administrative offices and event rental space.

Related Resources

 (PDF), The Maryland Zoo

Official Website

Street Address

1876 Mansion House Drive, Baltimore, MD 21217
]]>
/items/show/170 <![CDATA[Camden Station]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Camden Station

Subject

Transportation

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Built between 1856 and 1857 at a cost of $600,000, Camden Station is a grand reminder of the long history of the Baltimore & Ohio Railroad in Baltimore. Designed by Niernsee and Neilson with contributions by architect Joseph F. Kemp, the station served as a passenger and freight station through the 1980s.

One of Camden Station's most notable passengers was President Abraham Lincoln who travelled through the station in February 1861, on his way to his inauguration in Washington, D.C., again in 1863 on his way to Gettysburg, in 1864 to make a speech in Baltimore, and finally in 1865 when his funeral train from Washington, DC to Springfield, Illinois made its first stop in Baltimore.

The B&O Railroad left Camden Station in 1971 and sold the building to the Maryland Stadium Authority. Fortunately, the Maryland Stadium Authority integrated the building into the design for Camden Yards stadium and commissioned local architecture firm of Cho, Wilks, and Benn to restore the facade to its 1867 appearance. The Sports Legends Museum at Camden Yards occupied the building from 2005 up until October 2015 when the museum closed after failing to reach a lease agreement with the Maryland Stadium Authority.

Street Address

301 W. Camden Street, Baltimore, MD 21201
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/items/show/169 <![CDATA[Little Joe's]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Little Joe's

Subject

Recreation

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Long before places like Sports Authority or Dick's Sporting Goods opened their doors, Little Joe's on the northwest corner of Howard and Baltimore was selling everything from camping equipment and fishing gear to bikes and saddles. In addition, Little Joe's (named for its proprietor, Joe Wiesenfeld, who was just shy of 5 feet) sold a variety of "sundries" and toys, including electric trains and, for a short time, cars and auto-related accessories. By the turn of the century, Wiesnefeld, who opened a bike shop at the corner of Baltimore and Paca Streets in the early 1890s, had expanded his business and moved the shop to this location. In 1909 Wiesenfeld opened an auto annex on West German Street , where his staff repaired and sold cars.

Wiesenfeld's goal on opening Little Joe's Sporting Goods was to sell everything that the multiple department stores in the area didn't and for years he did just that, offering the neighborhood access to goods that would otherwise not have been readily available. This location of Little Joe's was closed in 1925.

Street Address

6 N. Howard Street, Baltimore, MD 21201
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/items/show/168 <![CDATA[Edna St. Vincent Millay at Emmanuel Episcopal Church]]> 2019-05-07T16:58:44-04:00

Dublin Core

Title

Edna St. Vincent Millay at Emmanuel Episcopal Church

Subject

Literature

Creator

Elizabeth Matthews

Curatescape Story Item Type Metadata

Story

Past the brick rowhomes that have come to define Baltimore, Emmanuel Episcopal Church, established in 1854, sits on the corner of Read and Cathedral Streets. At street level, only the abrupt appearance of rubble stone from brick indicates that there is a new building at all. That is, until the lucky passerby looks up. Towers soar above a progress of granite to white limestone, punctuated by lancet windows and tempered with light refracted through stained glass windows.

A striking example of Gothic architecture in Baltimore, the church was designed by Niernsee & Neilson (the same partnership behind the Green Mount Cemetery Chapel and Clifton Mansion.) The towers and archways invoke a time long past, of feudalistic morality and rigid social structures of the separation of the few from the struggles of the many... and yet, it was these very towers that looked down upon one of the twentieth century's most controversial and feminist writers, Edna St. Vincent Millay.

The first woman in history to receive a Pulitzer Prize for poetry, Edna St. Vincent Millay, or "Vincent" as she preferred to be called, is remembered by scholar Robert Gale as the "poetic voice of eternal youth, feminine revolt and liberation, and potent sensitivity and suggestiveness." Born in 1892 and raised by an independent mother in New England, she published her first poem, Renascence, in 1912. Continuing on to Vassar College in 1913, she pursued acting and writing, flouting the rules and societal prescripts by smoking, drinking, and dating freely among the all-female population. After graduation, she moved to Greenwich Village in New York City, where she was surrounded by artists, actors, and other bon vivants. She promptly became a name in the bohemian village. It was in this time that she penned her most famous quatrain: "First Fig" from A Few Figs from Thistles (1920):

"My candle burns at both ends;
It will not last the night;
But ah, my foes, and oh, my friends –
It gives a lovely light!"

She spent the next two years in Europe writing for Vanity Fair, producing upon her return the work that would win her the Pulitzer, The Harp Weaver and Other Poems (1923). In this and her other works, in a time when women still were fighting for the right to vote in much of the United States, Millay championed the plight of women and the oppression of traditional gender roles. She loved freely, marrying Eugen Boissevain in 1923 on the understanding that she would not be faithful, and let him manage her 91ĘÓƵ.

It was in 1925 on one of her 91ĘÓƵ that Mrs. Sally Bruce Kingsolver asked her to read at the Emmanuel Episcopal Church for the Poetry Society of Maryland. What poems she read is not recorded but she surely read with the passion of one who rubbed so far against the grain. She was the absolute embodiment of the hedonism of the 1920s, as she did what she wanted, defied convention at every turn, and presented herself to life with a passion that swept up those around her.

Related Resources

Robert L. Gale,  from the Modern American Poetry Site.

Official Website

Street Address

811 Cathedral Street, Baltimore, MD 21201
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/items/show/167 <![CDATA[Orchard Street Church]]> 2020-10-21T10:19:55-04:00

Dublin Core

Title

Orchard Street Church

Subject

Religion
Slavery

Creator

David Armenti

Curatescape Story Item Type Metadata

Story

Constructed in 1882, the Orchard Street United Methodist Church is one of the oldest standing structures built by a Black congregation in Baltimore. The church was established by Trueman Pratt, a free Black man who was born into slavery in Anne Arundel County, came to Baltimore, and began organizing prayer meetings at his home on Pierce Street in 1825. According to some sources, Pratt was originally held by General John Eager Howard and sold several times before he purchased his own freedom. The church formally organized in 1837 and, in 1839, Trueman, together with fellow free blacks Cyrus Moore and Basil Hall, leased the grounds at the corner of Orchard Street and what was then called Elder Alley and the church appeared as "Orchard Chapel," in a 1842 Baltimore business directory. The congregation paid $80.50 annually to Kirkpatrick Ewing, a Pennsylvanian who owned the property. The first building went up in 1838 followed by additions in 1853 and 1865 to accommodate a growing congregation. After the end of the Civil War, a great number of recently emancipated Black Marylanders from rural counties on the Eastern Shore and Southern Maryland moved to Baltimore and many lived in the area around the church. One such individual was the Reverend Samuel Green, a Dorchester County native, who had been imprisoned five years in the state penitentiary for possessing the novel Uncle Tom's Cabin. Green moved to Baltimore in the early 1870s in order to work for the burgeoning Centenary Biblical Institute (now Morgan State University) and worshipped at Orchard Street until his death in 1877. By the time founder Trueman Pratt died in 1877—allegedly reaching over one hundred years of age—the congregation had clearly outgrown their building and began making plans to build a new church. In 1882, a Baltimore architect named Frank E. Davis was tasked with constructing the new facility on the same location. The church, renamed the Metropolitan Methodist Episcopal Church, was finished that December at an approximate cost of $27,000. Thousands of Baltimoreans came out for the laying of the corner-stone, including numerous prominent ministers from the region. A contemporary newspaper account refered to the finished building as the "foremost colored house of worship in the state." The church developed into an important civic institution for the African American community, often hosting conferences related to politics and education. The Colored Maryland Literary Union, the Washington Methodist Episcopal Conference, and reunions of United States Colored Troops met at Orchard Street over the years. Teddy Roosevelt even took to the pulpit in advance of the 1912 election in order to warn black voters against accepting bribes by "unscrupulous white men." The church remained in operation until the congregation relocated in 1972. Unfortunately, within a year, a fire and recurring vandalism nearly led to the structure being demolished by the city. Recognizing its historical significance, community groups mobilized to save the church. Several preservation organizations, including the Maryland Commission on Negro History and Culture, sought to document its story. Local historians succeed in listing the building on the National Register of Historic places in 1975. During the research process no evidence was recovered to support rumors of Underground Railroad activity, though church members may well have participated in that movement. Efforts to restore the church and establish a museum of black history in the state repeatedly stalled throughout the next 15 years. Orchard Street finally received the necessary backing when the Baltimore Urban League decided to move its offices there in 1992. The organization funded much of the restoration, which has returned the aged structure to its former grandeur.

Watch on this church!

Official Website

Street Address

512 Orchard Street, Baltimore, MD 21201
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/items/show/166 <![CDATA[707 South Regester Street]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

707 South Regester Street

Subject

Architecture

Creator

Stacy Montgomery

Curatescape Story Item Type Metadata

Story

707 South Regester Street was built between 1760 and 1780 when Regester was known as Argyle Alley. Deed research tracing back to 1814 shows the house was owned by Joseph Brown until he sold it to Issac Stansbury in October of 1814. It was originally free standing and may have been an outbuilding for a main house fronting on Ann Street.

When Reverend Robert L. Young took on the restoration of the house in 1972, he found many original hand cut nails, which he reused in the rehabilitation. If Young had to replace a historic feature, he searched diligently for one that matched in both age and material. What Young found on the interior of the house was also telling. He found evidence of the original plaster in a few places, as well as the original blue paint and chair rails around the rooms. The interior woodwork has beading and backband molding typical of its era.

Aside from a careful examination of the house and a report on his rehabilitation efforts, Young also completed extensive deed research, finding all of the homeowners dating back to Issac Stansbury in 1814. Reverend Young’s work on the house was an important step in preserving this house. Today, the house is distinguished by its bright red paint and green shutters and the unpainted cypress boards on the north and south sides of the house and remains a well-preserved example of a Fell's Point wooden house.

Street Address

707 S. Regester Street, Baltimore, MD 21231
]]>
/items/show/165 <![CDATA[Saint Alphonsus Church]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Saint Alphonsus Church

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

Designed by early Baltimore architect Robert Cary Long in 1845, the St. Alphonsus Church has been called "the German cathedral" for its Southern German neo-Gothic style. The church was originally established with a large German congregation and the attached rectory functioned as provincial headquarters for the Redemptorist Fathers and Brothers.

By 1917, the German congregation had largely left the neighborhoods around the church and the building was acquired by the Roman Catholic Lithuanian Parish of Saint John the Baptist. The new congregation took on the historic name of the church and reopened the school in St. Alphonsus Hall, which had been established in l847.

Official Website

Street Address

114 W. Saratoga Street, Baltimore, MD 21201
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/items/show/163 <![CDATA[Mayfair Theatre]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Mayfair Theatre

Subject

Entertainment

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Built in the late 1800s, the Mayfair Theatre, originally known as the Auditorium, was once considered one of the finest showhouses in Baltimore, if not the country. Though the building's ornate white stonework façade and grand marquee readily identify it as a theatre, the building and the site have a wide and varied history. Before the Mayfair theatre was constructed, this site was the home of the Natatorium and Physical Culture Society (a spa and swimming school), a Turkish bath house, and, remarkably, an indoor ice rink (one of only six in the country at the time).

During its heyday, the theatre became well known for its many vaudeville acts and plays—including Spencer's Tracey's 1929 performance in Excess Baggage—and for what the Baltimore Sun called its "beautiful and cozy interior," which was painted in rich golds, dramatic reds, and creamy whites all lit by hundreds of lights clustered on crystal chandeliers. The walls inside the theatre were frescoed in Byzantine and Renaissance styles and the private boxes had velvet, olive-colored drapes. The theatre's reception room had luxurious red carpeting, a telephone, and a maid. During intermission, a Hungarian orchestra played in the theatre's palm garden and ice water was served to "ladies" in the audience. The theatre seated 2,000 and had 30 exits, making it easy to evacuate in case of fire.

The building's life as a concert hall and live theatre venue came to an end in 1941 when it was converted to a first-run movie house; the building's name was changed that same year. In time, the post-war exodus of residents from cities all over the country and the growth of suburban multiplexes in the 1950s relegated this grand structure to showing Grade B horror and action movies. The theatre's last movie was shown in 1986.

Unfortunately, after years of neglect, the building's roof collapsed in 1998. In the late 2000s, plans to turn the building into apartments and retail space failed to get started. Then, in September 2014, a two-alarm brought further damage to the Mayfair and gutted the adjoining New Academy Hotel. The demolition of the damaged New Academy Hotel revealed serious structural problems with the Mayfair Theatre. The city decided to tear down much of the old theatre but they kept the facade and is seeking a developer for the site who can preserve the remains of the once-great Mayfair Theatre.

Street Address

508 N. Howard Street, Baltimore, MD 21201
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/items/show/161 <![CDATA[G. Krug & Son Ironworks and Museum]]> 2020-10-16T13:13:57-04:00

Dublin Core

Title

G. Krug & Son Ironworks and Museum

Subject

Industry

Creator

Patrick Cutter

Curatescape Story Item Type Metadata

Subtitle

America's Oldest Operating Ironworks

Lede

For more than 200 years artisans here have hammered out practical and ornamental ironwork that still graces local landmarks as Otterbein Methodist Church, the Basilica of the Assumption, Baltimore's Washington Monument, Zion Church, Johns Hopkins Hospital and the Baltimore Zoo.

Story

"There is hardly a building in Baltimore that doesn't contain something we made, even if it is only a nail," boasts Theodore Krug, heir to the oldest continuously working iron shop in the country. G. Krug & Son is one of the oldest companies in Baltimore, and the oldest ironworks factory in the country. These ironworks have been in operation without interruption, at the same location, since 1810. At that time, it was operated by Augustus Schwatka who was listed in the Baltimore Directory of 1810 as Schwatka, Augustus, blacksmith, corner of Saratoga St. and Short Alley. The firm changed hands in 1830, when it was sold to Andrew Merker. It was then listed as Merker, A., Locksmith and Bell Hanger, Eutaw St. and Saratoga. Today, the profession of "bell hanger" combined with "locksmith" may sound strange; however, in the year 1831 it made sense as more and more churches were being built. Gustav Krug came to Baltimore in 1848 and worked under Merker, but quickly advanced to foreman, then partner of the company. Upon the death of Andrew Merker in 1871, Gustav Krug became the sole proprietor, and "A. Merker & Krug" became "G. Krug & Son" in 1875. By the late nineteenth century, the company records listed the most important jobs as Johns Hopkins Hospital, Emanuel Church, Otterbein Church, and one of Baltimore's most famous landmarks, "The Fountain Inn." The bill for the Fountain Inn at the time was $524.00 for 262 feet of plain railing and $475.65 for 151 feet of fancy railing. The Krugs' signature "Otterbein Style" has become synonymous with Baltimore history and can be seen on many buildings throughout the city. While the company keeps a steady flow of new work, it also restores the work made by its predecessors. G. Krug & Son is one of the few companies left in Baltimore that can state it helped in building the city. Today, the company is run by 5th generation Peter Krug.

Watch our on this site!

Official Website

Street Address

415 W. Saratoga Street, Baltimore, MD 21201
]]>
/items/show/156 <![CDATA[New Academy Hotel]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

New Academy Hotel

Subject

Architecture

Creator

Eli Pousson

Curatescape Story Item Type Metadata

Story

As early as 1796, when the Golden Horse Inn stood at the crossroads of Franklin and Howard Streets, this spot was popular destination for Baltimore residents and visitors alike. The Inn, operated by W. Forsyth, was attached to a large stable to the north on Howard Street and was one of dozens of taverns combinations in Baltimore that served the area's many travelers.

By 1857, the old Golden Horse Inn had been substantially remodeled and its new proprietor, Mr. Daniel McCoy, added two additional stories and renamed it the Franklin Hotel. McCoy's enterprising successor, William Delphy, started his empire next door at the Golden Inn Stables in 1860 and soon opened the Swan Hotel at Franklin and Eutaw Streets, eventually taking over McCoy's Franklin Hotel. The building was renamed the Academy Hotel in the early 1880s, perhaps taking inspiration for the new name from the Natatorium and Physical Culture Society (now the site of the Mayfair Theater) built next door in 1880. By the time of Delphy's death in 1898 the Baltimore Sun remembered him as "one of the best-known hotel proprietors in Baltimore."

As wagon trains and turnpikes were replaced by the railroads, many inns and taverns along Howard Street came down in favor of new banks and theaters. In 1902 when James L. Kernan announced plans to build the Congress Hotel next door, the Academy Hotel was threatened with demolition as many speculated that plans for the new building might become considerably larger if neighboring properties, including the Academy, could be acquired at a reasonable cost. Despite threats, the Academy, widely regarded as a quaint little hostelry and a landmark in the theatrical world, remained in operation for decades. It was renamed the New Academy Hotel after 1915 and became the Stanley Hotel in the early 1920s.

Unfortunately, by the beginning of the 2000s, the building was abandoned. A ghost of the painted New Academy Hotel could be seen on the crumbling western wall of the brick structure. Ultimately, the city identified serious structural issues with the building and it was demolished in 2016.

Street Address

504 N. Howard Street, Baltimore, MD 21201
]]>
/items/show/152 <![CDATA[Baltimore Arena]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Baltimore Arena

Subject

Architecture

Creator

Johns Hopkins

Curatescape Story Item Type Metadata

Story

In 1961, the cornerstone of the Baltimore Civic Center (as it was then called) was laid, enclosing a time capsule with notes from President John F. Kennedy, Maryland Governor Millard Tawes, and Baltimore Mayor Harold Grady. Located on the site of the former Old Congress Hall where the Continental Congress met in 1776, the arena opened a year later to great acclaim as part of a concerted effort to revitalize downtown Baltimore. Through ups and downs and a number of renovations, the arena has become woven into the fabric of the city.

In its early years, Baltimore’s professional hockey team (the Baltimore Clippers) played here, as did the Baltimore Bullets, the city’s former basketball team. In 1966, Dr. Martin Luther King delivered a speech called "Race and the Church" at the arena as part of a gathering of Methodist clergy, and in 1989 the arena hosted the U.S. National Figure Skating Championships. And then there are the concerts. On Sunday, September 13, 1964 the Beatles played back-to-back shows at the arena to throbbing young Baltimoreans, and the arena is reportedly one of the only indoor venues in the U.S. still standing where the Fab Four played. In the 1970s, Led Zeppelin played the arena and shot a few scenes for their movie “The Song Remains the Same” backstage. Also in the 1970s, the Grateful Dead performed many shows here, including a performance where they played the song “The Other One” for a reportedly record forty minutes.

Finally in 1977, Elvis Presley performed at the arena just weeks before he died. The tickets for the show sold out in 2 ½ hours, and although there were no untoward incidents reported while The King was onstage, he did apparently lose his lunch in a corridor in the back.

Official Website

Street Address

201 W. Baltimore Street, Baltimore, MD 21201
]]>
/items/show/151 <![CDATA[Shipbuilders and Sea captains on Fell Street]]> 2018-11-27T10:33:51-05:00

Dublin Core

Title

Shipbuilders and Sea captains on Fell Street

Subject

War of 1812

Creator

Preservation Society of Fell's Point and Federal Hill

Curatescape Story Item Type Metadata

Story

During the War of 1812, Fell Street ran down a narrow stretch of land, with valuable water on both sides. William Price, who owned a shipyard at the east end of Thames, lived on Fell Street at 912 (built by 1802) and owned 903 to 907 (built 1779 -1781). One of the city's largest slaveholders with 25 enslaved workers, Price also employed 100 men at his shipyard. He built a dozen letter of marque schooners (more than any other ship builder in Baltimore) and also invests in three cruises.

In 1814, Price's tenants at 903-907 Fell Street included Peter Weary, a wood measurer, and widow Sarah Day. Price’s son and partner, John, lives at 913 Fell (built ca.1790). In the spring of 1813, Price helped to move 56 heavy cannon from his warehouse to Fort McHenry and nearby batteries. Salvaged from a French warship, the 10,000-pound cannon are loaned to Baltimore by the French Consul—they later played a crucial role in the fort's defense.

Another Fell Street resident who played a role in the War of 1812 is George Stiles who became General Sam Smith’s most trusted aide. Stiles owned substantial property in Fell's Point, including 910 Fell (built ca. 1810). A skilled sea captain, Stiles was a risk taker who acquired four letter of marque schooners. His Nonesuch received the nation’s first commission in 1812. The much admired Stiles, whom Niles’ Weekly Register called the savior of Baltimore was later elected mayor in 1816.

Farther down, at 931 Fell (built ca.1790), was the home of Elizabeth Steele, widow of shipbuilder John Steele, a carefully restored example of the fine townhouses that once dominated this street.

Street Address

903-907 Fell Street, Baltimore, MD 21231
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/items/show/148 <![CDATA[Broadway Market]]> 2023-02-02T16:45:54-05:00

Dublin Core

Title

Broadway Market

Subject

War of 1812
Baltimore's Slave Trade

Creator

Preservation Society of Fell's Point and Federal Hill
Richard F. Messick

Curatescape Story Item Type Metadata

Story

Broadway Market, the first city market in Baltimore, was located near the Fells Point docks in order to take advantage of all the goods arriving regularly from the Eastern Shore and elsewhere. Like all public markets, it served as a major gathering place for shoppers, which meant a number of hotels, taverns, and other businesses filled the surrounding area.

As time passed, the events of history shaped life at the market. During the War of 1812, the British focused on the city due to the privateers out of Baltimore that had been harassing their ships. They also would blockade the transport of food and goods moving through the harbor. This caused periodic food shortages, compounded by the fact that farmers stopped coming to market out of fear of losing their horses to defense efforts.

After the war, as more and more locally enslaved people were being “sold south” and slave markets grew, the market began to see auctions of people. An auctioneer would be attracted to markets because it was easy to draw a crowd of people that would add to the excitement of a sale. At least one auctioneer, Nicholas Strike, held court-ordered auctions here to sell enslaved people. This type of auction could be held anywhere, like courthouse steps, jails, or auction houses, but a market area always guaranteed a crowd.

Official Website

Street Address

1640-41 Aliceanna Street, Baltimore, MD 21231
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/items/show/146 <![CDATA[Alexander Thompson House at Aliceanna Street]]> 2022-06-21T09:53:18-04:00

Dublin Core

Title

Alexander Thompson House at Aliceanna Street

Subject

War of 1812

Creator

Preservation Society of Fell's Point and Federal Hill

Curatescape Story Item Type Metadata

Story

If some sea captains downplayed their financial success, others put it on display for all to see. In 1810, Alexander Thompson acquired the grand four-bay-wide house at 1729 Aliceanna (built c. 1780). Now altered, it was then 2½ stories tall. During the war, Thompson invested in, and commanded, the letter of marque schooners Inca and Midas. In August 1814, however, he overstepped his bounds. Seeking to avenge the British burning of Washington, DC, Thompson goes ashore in the Bahamas. His crew burns homes and desecrates the grave of a prominent British planter’s wife. President Madison responds to British complaints by revoking the vessel’s commission and ordering Thompson to pay damages.

Farther east on Aliceanna, across Wolfe, three more imposing houses speak to Fell’s Point’s ties to the sea. 1906 Aliceanna (built c. 1800) belonged to Captain William Furlong, who later built 1902 and 1904 Aliceanna (c. 1807). Original owner of the Comet, Furlong took command of letter of marque schooner Bordeaux Packet in February 1813. He also served as a member of Stiles’ First Marine Artillery. Ship carpenter Benjamin Tims lived next door in the long-since demolished home at 1908 Aliceanna. He served in a militia company organized by Ann Street resident Luke Kiersted. And, next to Tims, is another sea captain, Clother Allen.

Street Address

1729 Aliceanna Street, Baltimore, MD 21231
]]>
/items/show/145 <![CDATA[Thomas Kemp House]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Thomas Kemp House

Subject

War of 1812

Creator

Preservation Society of Fell's Point and Federal Hill

Curatescape Story Item Type Metadata

Story

Built around 1800, 1706 Lancaster Street was home to Thomas Kemp, a 24-year-old shipbuilder from St. Michaels on Maryland’s Eastern Shore, from 1803 to 1805 on the eve of the War of 1812. During the war, many regarded Kemp as the most skilled builder of privateer schooners. The Rossie, Comet, and Chasseur schooners seized an astounding 80 prizes—Rossie under Joshua Barney’s command, the other two under the celebrated Captain Tom Boyle. Like other shipbuilders, Kemp also repaired, altered, and outfitted vessels, sometimes investing in the ships that came out of his yard.

Kemp’s Fountain Street shipyard, several blocks to the north, also produced two sloops of war for the U.S. Navy—Ontario and Erie. His payroll during construction in 1813 reached $1,000 a week, which was quite a sum considering that even skilled workmen earned only $3 a day.

Street Address

1706 Lancaster Street, Baltimore, MD 21231
]]>
/items/show/144 <![CDATA[Leeke Academy]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Leeke Academy

Subject

War of 1812

Creator

Preservation Society of Fell's Point and Federal Hill

Curatescape Story Item Type Metadata

Story

1627 Aliceanna Street, is a rare eighteenth century wooden house, built in 1797 and once home to "The Academy" run by schoolmaster Nicholas Leeke. Leeke's daughter, Mary, married a young sea captain, Henry Dashiell, who was a privateer in the War of 1812 and lived in a mansion at Aliceanna Street and Broadway. The Preservation Society of Fells Point and Federal Hill was deeded this and other historic properties by the Dashiell sisters, great-great granddaughters of Nicholas Leeke, when the City of Baltimore issued a "rehab or raze" order on the properties in 2006.

Thankfully, after three years of blood, sweat, tears, and many volunteer hours, the once-derelict wooden house at 1627 Aliceanna Street is rehabilitated and now reoccupied as a family home.

Street Address

1627 Aliceanna Street, Baltimore, MD 21231

Access Information

Private residence
]]>
/items/show/143 <![CDATA[South Bond Street]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

South Bond Street

Subject

Architecture
War of 1812

Creator

Preservation Society of Fell's Point and Federal Hill

Curatescape Story Item Type Metadata

Story

South Bond Street features a handful of nineteenth century wooden houses, including several built before the War of 1812. A relatively diverse population of European descent made up the neighborhood during the early 1800s. Martin Breitenoder, a German, owned a bakery at 820-22 S. Bond (c.1802). His neighbors included a French cabinetmaker, an Italian named S. Belli, who manufactured “philosophical apparatus and other works in pewter and lead,” and an Irishman who ran a tavern at the “Sign of the Revenue Barge.” Irish, English, and Scottish boot and shoemakers are nearby, one of whom, Edward Hagthorp, made fine shoes at 816 S. Bond.

The street’s finest house, 830 S. Bond (c. 1783) passed from builder Thomas Winning to his daughter in the 1790s before Thames Street innkeeper Daniel James acquired the house after the War of 1812.

809 South Bond Street is a good example of the simple wooden houses that filled Fells Point at that time. Deed research has only identified the owners as far back as 1851, when the property was sold to John Fernandis and Maria Locke.

Street Address

800 S. Bond Street, Baltimore, MD 21231
]]>
/items/show/141 <![CDATA[713 South Ann Street]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

713 South Ann Street

Subject

Architecture

Creator

Stacy Montgomery

Curatescape Story Item Type Metadata

Story

713 South Ann Street is a rare wooden house surviving within a row from 711 to 715 South Ann Street. Built around 1800, the 1804 City Directory lists Patrick Travis, a sea-captain, as the resident of the house at the time. The earliest deed located for the property is from 1851 and shows the house being sold to Anna Maria White from John J. Roose on November 28th of that year.

After it was covered by formstone for a number of years, owner and construction expert Glenn Henley restored the old wood facade in 2001.

Street Address

713 S. Ann Street, Baltimore, MD 21231
]]>
/items/show/139 <![CDATA[Caulker's Houses]]> 2020-10-14T16:59:56-04:00

Dublin Core

Title

Caulker's Houses

Subject

Architecture

Creator

Stacy Montgomery

Curatescape Story Item Type Metadata

Subtitle

Wooden Houses on Wolfe Street

Story

The houses at 612 and 614 South Wolfe Street are two of the smallest and oldest wooden homes remaining in Fell’s Point. Ann Bond Fell Giles, widow of Edward Fell, inherited both properties following the death of her first husband. She remarried and had several more children. Upon her death, the properties ended up in the hands of her youngest daughter Susannah Giles Moore and her husband Phillip Moore. It stayed in their hands until Phillip died insolvent in 1833 or 1834.

The houses were built somewhere between February 1798 and 1801, though likely closer to the later date. 612 was connected to another property at 610 South Wolfe Street in its earliest days, and both were rented to Edward Callow in 1801. 614 South Wolfe Street was also rented out by the owners to Patrick Morrison.

Between 1842 and 1854, the buildings became homes to African American ship caulkers Richard Jones, Henry Scott, and John Whittington. The shipbuilding industry in Fell’s Point depended on free and enslaved black labor. Caulking, the process by which a ship is waterproofed and sealed, was dominated by black workers including Frederick Douglass who worked as a caulker in Baltimore in the 1830s.. For a time, the Black Caulker Association held a near monopoly over Baltimore's caulking industry.

The Black Caulker Association lost power in the mid-nineteenth century as European immigrants arrived competing for work. The houses on Wolfe Street were named the Caulker Houses in honor of the caulkers who lived there. The houses are also known as the “Two Sisters Houses” after sisters Mary Leeke Rowe Dashiell and Eleanor Marine Dashiell, descendants of the Leeke, Marine, and Dashiell families. They owned the houses prior to the acquisition by the Society for the Preservation of Federal Hill and Fell’s Point.

Watch our on these buildings!

Official Website

Street Address

612-614 S. Wolfe Street, Baltimore, MD 21231
]]>
/items/show/129 <![CDATA[Baltimore's Inner Harbor]]> 2018-12-10T16:37:04-05:00

Dublin Core

Title

Baltimore's Inner Harbor

Subject

Inner Harbor

Curatescape Story Item Type Metadata

Subtitle

From an Industrial Waterfront to Haborplace and More

Story

In 1985, WJZ-TV local news cameras captured the view of the Inner Harbor from above as they documented the quickly changing landscape from the back seat of a helicopter. An aerial vantage point was nearly a necessity to take in the wide range of recently completed development projects and recently announced new building sites. In 1984, developers and city officials had announced twenty projects to build new buildings or reuse existing buildings around Charles Center and the Inner Harbor.

That same year, Charles Center and the Inner Harbor won an "Honor Award" from the American Institute of Architects (AIA) recognizing the conversion of the former industrial landscape into a destination for tourists and locals as "one of the supreme achievements of large-scale urban design and development in U.S. history."

Related Resources

Street Address

201 E. Pratt Street, Baltimore, MD 21202
]]>
/items/show/125 <![CDATA[Hippodrome Theatre]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Hippodrome Theatre

Subject

Entertainment

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Story

Designed by noted Scottish American theatre architect Thomas Lamb, the Hippodrome Theatre opened in 1914 as one of the first theatres in the United States to operate both as a movie house and a vaudeville performance venue. Local theatre impresarios Marion Pearce and Philip Scheck (who owned six theatres and exclusively distributed Hollywood films), commissioned the theater on the site where the nineteenth century luxury hotel Eutaw House (1835) once stood.

The original theatre seated 3,000 people and visitors entered the grand building through glorious doors that featured stained glass transoms, opening into red carpeted rooms adorned with painted gold plasterwork and heavy crimson curtains. The Hippodrome's opening night featured a screening of the film "The Iron Master," vaudeville acts, a man juggling a barrel with his feet, and a group of four performing elephants. Pearce and Scheck operated the theatre until 1917, when it was sold to the Lowe's Theatre Chain, who held it until 1924.

By 1920, around 30,000 people visited the theater every week—one of the most well-attended theaters in the city. After a prosperous decade, in which the theatre often featured three shows a day, declining attendance put the Hippodrome into receivership in 1931. L. Edward Goldman purchased the property, plus debts, for a mere $14,000 and hired Philadelphian, Isidor "Izzy" Rappaport, to manage the ailing venue.

During Rappaport's tenure, the Hippodrome saw a second golden age. Rappaport, who later bought the Hippodrome himself, oversaw the installation of a grand new marquee , outfitted the theatre with new seats, and brought in numerous notable acts, such as Frank Sinatra, Bob Hope, Jack Benny, and many others, securing its reputation as one of America's premier vaudeville houses. The lure of new, high-paying gigs in Las Vegas along with the arrival of television and televised variety shows in the 1950s, however, brought the demise of many vaudeville houses across the country and the Hippodrome held its final live show in 1959. Business continued to decline in the 1970s and 1980s and though it had become the last operating movie theatre on the west side of Baltimore's downtown, the Hippodrome shut its doors in 1990.

Fortunately, this landmark theater has been reborn, reopening in 2004 as the France-Merrick Performing Arts Center, combining new construction with the preservation and reuse of the Western National Savings Bank, the Eutaw Savings Bank, and the original Hippodrome Theatre. The Performing Arts Center has brought the Hippodrome back as a state-of-the-art showcase featuring touring Broadway shows and much more.

Official Website

Street Address

12 N. Eutaw Street, Baltimore, MD 21201
]]>
/items/show/124 <![CDATA[Davidge Hall]]> 2020-10-16T14:39:43-04:00

Dublin Core

Title

Davidge Hall

Subject

Medicine

Creator

Theresa Donnelly

Curatescape Story Item Type Metadata

Subtitle

The Maryland School of Medicine

Story

Davidge Hall, on the University of Maryland Medical School Campus, is the oldest medical facility building in the nation. The red brick structure is named after the school's founder and first dean, John Beale Davidge. It was designed by architect Robert Carey Long, Sr. Constructed in 1812 on land purchased from Revolutionary War Hero John Eager Howard, the building was near the western edge of the growing city of Baltimore and offered medical students and teachers an excellent view of the harbor. In 1814, observers reportedly witnessed from the building's white-columned porch the "bombs bursting in air" during the British attack of Fort McHenry. Although large by early nineteenth century standards, this beautifully restored Classical Revival style building was by no means luxuriously outfitted. Heated by gas stoves close to the ceiling, Davidge Hall was cold, dark, and dank in the winter, frequently filled with noxious odors from the primitive embalming that took place in the anatomy lab and reeked of fumes from chemical experiments performed in the lower lecture hall. Though the practice of medicine has changed and improved over the years and the building has been updated, Davidge Hall has retained many original details and remains an iconic part of the medical school campus. Astoundingly, all of the nearly 20,000 students educated by the University of Maryland School of Medicine to date have passed through this exquisite building's doors. In 1974, Davidge Hall was placed on the National Register of Historic Places, and in 1997, the U.S. Department of the Interior named the building a National Historic Landmark. The building is currently used for special events and houses a collection of medical artifacts, including paintings, antique medical instruments, and a mummified human.

Watch our on this building!

Official Website

Street Address

522 W. Lombard Street, Baltimore, MD 21201
]]>
/items/show/123 <![CDATA[Charles Fish and Sons]]> 2018-11-27T10:33:50-05:00

Dublin Core

Title

Charles Fish and Sons

Subject

Medicine

Creator

Shae Adams
Theresa Donnelly

Curatescape Story Item Type Metadata

Story

With a gleaming black marble façade reading "Charles Fish and Sons Company" and Victorian brick arches above, the architecture of this building clearly points to a varied history. The surprising story of the building begins before the start of the American Civil War with the foundation of the nation's first dental school by local doctors Horace Hayden and Chapin Harris. The School of Medicine at the University of Maryland in Baltimore had rejected their efforts to start a dental school within their institution, perhaps agreeing with the many who saw early dentists as "Ignorant, incapable men whose knowledge was composed of a few secrets which they had purchased at fabulous prices from other charlatans." In 1840, Hayden and Harris turned to the Maryland State Legislature to obtain a charter for an independent dental college—the Baltimore College of Dental Surgery.

Popular from the start, over the next forty years the college outgrew four locations finally moving to the corner of Eutaw and Franklin Streets in 1881. The new building stood as a testament to the growth of the science of dentistry and the professionalization of dentists. The Baltimore College of Dentistry occupied this building until 1915, when it became part of the University of Maryland and moved operations to the main campus a few blocks south.

In 1942, Charles Fish and his family moved their furniture and clothing business to 429 Eutaw Street and etched his name on the lustrous art deco storefront. A Jewish Russian immigrant, Fish arrived in the United States as a teenager in 1909 and lived in Virginia for years before moving to Baltimore. As early as 1945, Fish and Sons were noted for their nondiscriminatory policies, which earned them a spot on the Afro-American Newspaper's list of "orchids"–-businesses that welcomed all shoppers, regardless of color. Unlike many of their neighbors, who held fast to "final sale" and "no returns" policies for African Americans in pre-civil rights Baltimore (and thus were listed as "onions" on the Afro-American's pages), Fish and Sons proudly served and hired all Americans, regardless of color. Fish and Sons continued to operate their business at the corner until 1980.

Street Address

429 N. Eutaw Street, Baltimore, MD 21201
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